Landscape Study with Sheep, Oxford in the Distance
undated
509
T. Simpson, active 1790–1814
Set of four: 3. Duck Shooting ['Plate 2']
1790
510
T. Simpson, active 1790–1814
Set of four: 2. Duck Shooting
1790
511
Augustus Kelham, active 1865–1880
Derby House, Chester
ca. 1864
512
Print made by John Doyle ('H.B.'), 1797–1868
Leap Frog, Down Constitution Hill
1831
513
Print made by Robert Walker Macbeth, 1848–1910
Autumn
1865
514
Thomas Rowlandson, 1756–1827
Dudley Castle
undated
515
Thomas Rowlandson, 1756–1827
Distress
1790 to 1795
516
Thomas Girtin, 1775–1802
Lyme Regis, Dorset
ca. 1797
517
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
518
Thomas Rowlandson, 1756–1827
The Duchess of Devonshire and the Countess of Bessborough
1790
519
Thomas Rowlandson, 1756–1827
Bodmin Moor
ca. 1825
520
Samuel Howitt, 1756–1822
Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"
1805
521
Print made by Louisa Augusta Greville, 1743–active 1762
Landscape with a Couple Wading across a River
1770
522
Douglas England, active 1927
Say "Empire Please"
1927
523
Walter Crane, 1845–1915
Sky over Vesuvius
1872
524
Print made by Charles Knapton, 1700–1760
Landscape with Two Figures Talking under a Rocky Cliff
1740
525
Alfred Diston, active 1818–1829
The Peake of Tenerife
1829
526
John Warwick Smith, 1749–1831
Craig y Ladron - The Thieves Precipice
1797
527
William Burgess, 1749–1812
Pont Aber Glaslyn
1785
528
John Slezer, died 1717
Thirlestane Castle, near Lauder, Vale of Tweed
ca. 1677
529
Claud Cleghorn, active 1797–1800
Design for Ardgowan House, Scotland: Principal Floor Plan
1797
530
Edward Dayes, 1763–1804
The Meeting of the Rivers Severn and Wye, near Chepstow
1795
531
Anthony Devis, 1729–1817
Mr. Godschall's House
undated
532
Sydenham Teast Edwards, 1768–1819
Hound Standing: profile, facing left
1795
533
unknown artist
Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig
ca. 1860
534
Print made by William Heath, 1795–1840
The Throne in Danger
ca. 1828
535
Print made by Henry Heath, active 1824–1835
Diogenes in Search of an Honest Ministry
1827
536
Print made by William Heath, 1795–1840
Druming Out. Or Making an Example of a Mutineer
ca. 1827
537
Print made by John Raphael Smith, 1752–1812
Mrs. Carnac
1778
538
attributed to John Ruskin, 1819–1900
Lausanne
undated
539
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
540
Print made by Charles Burton, active 1830–1840
View of the King's Entrance &c. From the South-West
1835
541
Paul François Arnold Cardon, called "Dornac", 1859–1941
Whistler in his studio on the rue Notre-Dame-des-Champs, Paris
1893
542
David Cox, 1783–1859
Crossing Lancaster Sands
mid-1830s
543
George Cuitt, 1743–1818
Fingal's Cave, Staffa
undated
544
Samuel Davis, 1760–1819
River Scene with a Country House in Distance
undated
545
Samuel Davis, 1760–1819
Funchal, Madeira: A Square with a Church
1779
546
John Robert Cozens, 1752–1797
A View from the Inn at Terracina
1783
547
Samuel Atkins, active 1787–1808
Man-of-War being Refitted
ca. 1787
548
Attributed to Henry Edridge, 1769–1821
Farm Buildings with Trees
ca. 1812
549
Henry Edridge, 1769–1821
Terrace at St. Germain-en-Laye
between 1817 and 1819
550
Print made by Miles Edmund Cotman, 1810–1858
Col. Harvey's Meadow Thorpe and Norwich Oct. 2nd 1841
1847
551
Print made by David Loggan, 1633–1692
Collegium Sancti Iohannis Evangelista Cantabrigia illustrata
1690
552
William Bambridge, 1819–1879
Cedars at Maturity in Belvidere Wood, age 104 years
1864
553
Hendrik Danckerts, ca. 1625–1680
Caerphilly Castle
undated
554
Mary Hoare, 1744–1820
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
1781
555
Daniel Gardner, 1750–1805
Mrs. Thomas Pownall, née Kennett
1784
556
Charles Robert Cockerell, 1788–1863
The Temple of Aphaia at Aegina: Elevation of the Doric Entablature and Roof Section
undated
557
Print made by Miles Edmund Cotman, 1810–1858
Col. Harvey's Meadow Thorpe and Norwich Oct. 2nd 1841
1847
558
Formerly imitator of George Chinnery, 1774–1852
View of Chinese Harbor, possibly Macao
undated
559
Peter DeWint, 1784–1849
Chester
undated
560
Peter DeWint, 1784–1849
A Yorkshire Road
undated
561
Peter DeWint, 1784–1849
Harvest Time: Cumberland
undated
562
attributed to Peter DeWint, 1784–1849
A Country Road with Traveller on Horseback
undated
563
unknown artist
Hermes Leading Persephone out of the Underworld
undated
564
Robert Polhill Bevan, 1865–1925
The Caller at the Mill, with sketches outside margin
1918-1919
565
Robert Polhill Bevan, 1865–1925
Horse Dealers
ca. 1918
566
Robert Polhill Bevan, 1865–1925
Hounds in Covert
ca. 1896
567
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
568
Richard Banks Harraden, 1778–1862
Emanuel College from St. Andrews Street, Cambridge
ca. 1830
569
Print made by Sir Frank Short, 1857–1945
Macon
1896
570
Print made by Sir Frank Short, 1857–1945
Huntsmen
1896
571
Print made by Samuel Cousins, 1801–1887
Lady Harriet Clive
1840
572
Print made by Valentine Green, 1739–1813
Jupiter and Io
1785
573
Jean Baptiste Pillement, 1727–1808
Castleton Caves, Peak District, Derbyshire
ca. 1760
574
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene
undated
575
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene - Elevation
undated
576
Thomas Stothard, 1755–1834
Design for a Silver Chalice (Design for a Wine-Cooler (?) for Rundell, Bride and Rundell)
undated
577
Print made by Walter Richard Sickert, 1860–1942
The Old Middlesex
between 1910 and 1911
578
Valentine Green, 1739–1813
Jupiter and Io
1785
579
Richard Banks Harraden, 1778–1862
Chapel Front, Emanuel College, Cambridge
ca. 1833
580
Richard Banks Harraden, 1778–1862
Warwick Vase, Public Library, Cambridge
1842
581
William Ward, 1766–1826
John Jeffreys Pratt, 1st Marquess Camden, 2nd Earl Camden
undated
582
Valentine Green, 1739–1813
Francis Russel, Duke of Bedford, with his Brothers & Sister
1778
583
James Ward, 1769–1859
Mrs. Elizabeth Billington as St. Cecilia
1803
584
John Phillipps Emslie, 1839–1913
Plan of the Area of Great St. Barts
585
Charles Turner, 1774–1857
[Shooting] Five of a set of Fourteen: British Feather Game; Plate: (4) Woodcocks
1810
586
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate I. "Tis the pace that kills. / The chase is up, hark! to the wild away! /... Gallants have pause: though but a moment, stay /..."
1836
587
Jean Baptiste Pillement, 1727–1808
Castleton Caves, Peak District, Derbyshire
ca. 1760
588
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
undated
589
George Moutard Woodward, ca. 1760–1809
The Unequal Conflict
1800
590
Gideon Yates, active 1825–1837
Old London Bridge from the Surrey Shore, showing Fishmonger's Hall, the Monument, etc
1826
591
James Watson, 1740–1790
Charles James Fox with Lady Sarah Bunbury and Lady Susan Strangways
1762
592
Robert Dunkarton, 1744–1811
Right Honorable James Hewitt, 1st Viscount Lifford
1790
593
William Hoare, 1706/7–1792/99
Alexander Pope (1688-1744)
after 1739-40
594
George Clint, 1770–1854
Robert Haldane, Esq
1805
595
James Gillray, 1756–1815
Opposition Coaches
1788
596
James Gillray, 1756–1815
Amsterdam in a Dam'd Predicament, - or - The Last Scene of the Republican Pantomine
1787
597
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
598
George Hunt, active 1820–1840
Partridge Shooting
1836
599
Thomas Sutherland, ca. 1785–1838
Set of four - 3. Refreshing
1817
600
Print made by unknown artist
The Buildings of the Imperial Colleges in St. Petersburg on the left side. And the Ware houses for Merchants on ye right