Width [cm]: 38 - YCBA Collections Search Search Results

1. 1934 (still life)

Creator:: Ben Nicholson, 1894–1982
Date:: 1934
Materials & Techniques:: Oil and pencil on canvas
Dimensions:: 11 1/4 x 15 inches (28.6 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. April 1950 (goblets)

Creator:: Ben Nicholson, 1894–1982
Date:: 1950
Materials & Techniques:: Oil and pencil on wood
Dimensions:: Mount: 16 x 19 1/2 inches (40.6 x 49.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Louise P. Stanton
On View:: Not on view

3. The Avon Gorge

Creator:: Francis Danby, 1793–1861
Date:: between 1816 and 1818
Materials & Techniques:: Oil on panel
Dimensions:: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Barge below Flatford Lock

Creator:: John Constable, 1776–1837
Date:: ca. 1810
Materials & Techniques:: Oil on canvas
Dimensions:: 7 11/16 × 12 1/4 inches (19.5 × 31.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Hampstead Heath Looking Towards Harrow

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 10 3/8 x 12 1/4 inches (26.4 x 31.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Cloud Study

Creator:: John Constable, 1776–1837
Date:: ca. 1821
Materials & Techniques:: Oil on paper laid on card
Dimensions:: 8 × 10 3/4 inches (20.3 × 27.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Cloud Study with Trees

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper on board
Dimensions:: 6 3/4 × 12 inches (17.1 × 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Miss Wood

Creator:: William Hogarth, 1697–1764
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 18 x 15 inches (45.7 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Virgin and Child

Creator:: William Blake, 1757–1827
Date:: between 1810 and 1820
Materials & Techniques:: Tempera on panel
Dimensions:: 11 1/4 x 9 1/4 inches (28.6 x 23.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)

Creator:: Philip Reinagle, 1749–1833
Date:: 1800
Materials & Techniques:: Oil on canvas
Dimensions:: 17 7/8 x 14 3/4 inches (45.4 x 37.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. A View along the Thames towards Chelsea Old Church

Creator:: John Varley, 1778–1842
Date:: between 1810 and 1815
Materials & Techniques:: Oil on canvas
Dimensions:: 8 × 11 1/2 inches (20.3 × 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Sir John Smythe of Westenhanger, Kent (1557–1608)

Creator:: Cornelis Ketel, 1548–1616
Date:: 1579
Materials & Techniques:: Oil on panel
Dimensions:: 18 1/2 x 15 inches (47 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Young Woman in a Checkered Dress

Creator:: Alfred Wolmark, 1877–1961
Date:: ca. 1910
Materials & Techniques:: Oil on canvas
Dimensions:: 18 × 14 7/8 inches (45.7 × 37.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

14. Francis Birrell

Creator:: Roger Fry, 1866–1934
Date:: ca. 1920
Materials & Techniques:: Oil on canvas
Dimensions:: 18 x 14 3/4 inches (45.7 x 37.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

15. A Border Leicester Ewe

Creator:: James Ward, 1769–1859
Date:: between 1795 and 1800
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/4 x 14 3/4 inches (31.1 x 37.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. The Suffolk Hunt: Full Cry

Creator:: John Frederick Herring, 1795–1865
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. Gloucestershire Old Spot

Creator:: James Ward, 1769–1859
Date:: between 1800 and 1805
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/4 x 15 inches (29.8 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. The Last Judgement (study)

Creator:: John Martin, 1789–1854
Date:: between 1851 and 1853
Materials & Techniques:: Oil on panel
Dimensions:: 7 3/4 × 12 inches (19.7 × 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

19. The Brown Tea Pot

Creator:: Gwen John, 1876–1939
Date:: between 1915 and 1916
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/16 × 9 1/8 inches (33.5 × 23.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'

A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'

Creator:: George Jones, 1786–1869
Date:: 1815
Materials & Techniques:: oil on paper laid to card
Dimensions:: 8 3/4 x 14 3/4 inches (22.2 x 37.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Indian Landscape with Temple

Creator:: George Chinnery, 1774–1852
Date:: ca. 1815
Materials & Techniques:: Oil on canvas
Dimensions:: 8 1/16 × 9 1/2 inches (20.5 × 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. The Old Gardener

Creator:: Briton Riviere, 1840–1920
Date:: 1863
Materials & Techniques:: Oil on canvas
Dimensions:: 10 7/8 x 15 inches (27.6 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of John N. and Dorothy C. Estabrook
On View:: Not on view

23. Two Menhirs

Creator:: Bryan Wynter, 1915–1975
Date:: ca. 1950
Materials & Techniques:: Oil on board
Dimensions:: 15 3/8 x 14 3/4 inches (39.1 x 37.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942
On View:: Not on view

24. St. Mark's Facade, Venice

Creator:: Walter Richard Sickert, 1860–1942
Date:: 1901
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/16 x 15 inches (45.9 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell and Harvard Art Museum
On View:: Not on view

25. A View of the Church of S. Sabina and the Pyramid of Cestius, Rome

Creator:: Sir Charles Lock Eastlake, 1793–1865
Date:: ca. 1825
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

26. Catherine Howard (née Proctor), Countess of Effingham with Gun and Shooting Dogs

Creator:: George Haugh, 1756–1827
Date:: 1787
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/4 x 15 inches (43.8 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. The Suffolk Hunt: Going to Cover near Herringswell

Creator:: John Frederick Herring, 1795–1865
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

28. The Suffolk Hunt: Gone Away

Creator:: John Frederick Herring, 1795–1865
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 11 x 15 inches (27.9 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

29. The Suffolk Hunt : The Death

Creator:: John Frederick Herring, 1795–1865
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 11 x 15 inches (27.9 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

30. Windsor Castle

Creator:: Attributed to Peter DeWint, 1784–1849
Date:: early 19th century
Materials & Techniques:: Oil on millboard
Dimensions:: 9 x 15 inches (22.9 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

31. Study of a Dog Lying Down

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 9 1/2 × 15 inches (24.1 × 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

32. Fair Rosamund and Queen Eleanor

Creator:: Edward Burne-Jones, 1833–1898
Date:: 1861
Materials & Techniques:: Mixed media on paper
Dimensions:: 19 1/2 x 14 3/4 inches (49.5 x 37.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

33. A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/4 x 15 inches (46.4 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

34. Clouded Leopards

Creator:: Jacques-Laurent Agasse, 1767–1849
Date:: ca. 1825
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 12 inches (35.6 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

35. Sir David Wilkie

Creator:: John Jackson, 1778–1831
Date:: ca. 1810
Materials & Techniques:: Oil on panel
Dimensions:: 19 1/8 × 14 3/4 inches (48.6 × 37.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

36. The Angel Binding Satan

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: ca. 1797
Materials & Techniques:: Oil on canvas
Dimensions:: 17 3/4 x 14 3/4 inches (45.1 x 37.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

37. A Highland Landscape

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: ca. 1830
Materials & Techniques:: Oil on board
Dimensions:: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

38. Old horses with a dog in a stable

Creator:: George Morland, 1763–1804
Date:: ca. 1791
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/4 x 15 inches (29.8 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

39. John Quick as Tony Allspice

Creator:: Samuel De Wilde, 1748–1832
Date:: ca. 1796
Materials & Techniques:: Oil on panel
Dimensions:: 22 1/4 × 15 inches (56.5 × 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

40. In Dovedale

Creator:: John Linnell, 1792–1882
Date:: 1814 to 1815
Materials & Techniques:: Oil on paper laid on board
Dimensions:: 9 × 6 3/4 inches (22.9 × 17.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

41. Alfred, Lord Tennyson, Poet Laureate

Creator:: William Brodie, 1815–1881
Date:: 1857
Materials & Techniques:: Marble
Dimensions:: Overall: 31 1/2 × 15 × 10 inches (80 × 38.1 × 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

42. Edward Hodges

Creator:: Edward Hodges Baily, 1788–1867
Date:: 1820
Materials & Techniques:: Marble
Dimensions:: Overall: 23 3/4 x 14 3/4 x 8 1/2 inches (60.3 x 37.5 x 21.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

43. Triarchy

Creator:: Kenneth Armitage, 1916–2002
Date:: 1957
Materials & Techniques:: Bronze
Dimensions:: Overall: 10 1/2 × 15 × 5 inches (26.7 × 38.1 × 12.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Helena M. Segy
On View:: Not on view

44. Oliver Goldsmith

Creator:: John Henry Foley, 1818–1874
Date:: 1863
Materials & Techniques:: Bronze
Dimensions:: Overall: 39 x 15 x 13 inches (99.1 x 38.1 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Brian P. Burns
On View:: Not on view

45. Edmund Burke

Creator:: John Henry Foley, 1818–1874
Date:: 1865
Materials & Techniques:: Bronze
Dimensions:: Overall: 39 x 15 x 12 inches (99.1 x 38.1 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Brian P. Burns
On View:: Not on view

46. Ruin of St. Botolph's Priory, Colchester

Creator:: John Constable, 1776–1837
Date:: ca. 1809
Materials & Techniques:: Black and brown chalk over graphite with stumping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 x 14 7/8 inches (43.5 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Cow Nylgha [aka] Reedback Feeding

Creator:: John R. Skeaping, 1901–1980
Date:: 1928
Materials & Techniques:: Drypoint on wove paper
Dimensions:: Sheet: 11 x 14 15/16in. (27.9 x 37.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

48. The Horse Mart (Barbican No. 1)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1920
Materials & Techniques:: Lithograph on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 20 1/16 inches (38.1 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The White House (Gould's Farm Luppitt)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1920
Materials & Techniques:: Black Chalk, white chalk, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 13 1/4 × 14 3/4 inches (33.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Horse Mart (with further sketches in the margin)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1918
Materials & Techniques:: Chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 15 inches (34.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Tintern Abbey

Creator:: Samuel Palmer, 1805–1881
Date:: 1835
Materials & Techniques:: Watercolor, gouache, pen and brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. A Barn with a Mossy Roof, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, white gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Wilmot's Hill, Kent

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1851
Materials & Techniques:: Watercolor, gouache, and black chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/4 × 14 7/8 inches (27.3 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. A Cow Lodge with a Mossy Roof

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1829
Materials & Techniques:: Watercolor, gouache, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 3/4 inches (26.7 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Primitive Cottage, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pen and dark brown ink and gray wash on medium, moderately textured, cream heavy wove paper
Dimensions:: Sheet: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 14 3/4 inches (30.2 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

57. Fowl Body, Lateral View (Study for the Key Figure to Table XV)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 14 7/8 inches (54 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite; verso: graphite, and pen with red ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/8 x 15 1/8 inches (51.8 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Fowl Skeleton, Lateral View (Outline drawing)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 x 14 7/8 inches (52.1 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Fowl Body, Lateral View (Outline drawing, related to Table XV)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/4 x 15 inches (52.7 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper with traces of platemark
Dimensions:: Sheet: 18 7/8 x 14 7/8 inches (47.9 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper with traces of a platemark
Dimensions:: Sheet: 19 x 14 7/8 inches (48.3 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Human Skeleton, Posterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper with traces of platemarks
Dimensions:: Sheet: 18 7/8 x 14 3/4 inches (47.9 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Plate X, Fowl Body, Lateral View

Creator:: Print made after George Stubbs, 1724–1806
Date:: 1804
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 20 inches (67.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George and Olga Kenney

65. Plate VIII, Human Body, Posterior View

Creator:: Print made after George Stubbs, 1724–1806
Date:: 1804
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 20 inches (67.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George and Olga Kenney

66. Plate VI, Human Body, Frontal View

Creator:: Print made after George Stubbs, 1724–1806
Date:: 1804
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 20 inches (67.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George and Olga Kenney

67. Plate VII, Human Body, Lateral View

Creator:: Print made after George Stubbs, 1724–1806
Date:: 1804
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 20 1/4 inches (67.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George and Olga Kenney

68. The Invasion, Plate I: France

Creator:: William Hogarth, 1697–1764
Date:: 1756
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 1/2 x 15in. (29.2 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Invasion, Plate II: England

Creator:: William Hogarth, 1697–1764
Date:: 1756
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 1/2 x 14 3/4in. (29.2 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Cockpit

Creator:: William Hogarth, 1697–1764
Date:: 1759
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 1/2 x 15in. (31.8 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. A Rake's Progress, Plate VI: He Gambles

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 1/4 x 15 1/8in. (31.1 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. A Rake's Progress, Plate VIII: In Bedlam

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 12 3/8 x 15 1/8in. (31.4 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Four Times of Day, Plate I: Morning

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Engraving
Dimensions:: Sheet: 18 x 14 7/8in. (45.7 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. A Rake's Progress, Plate VII: In Fleet Street Prison

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line engraving on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 3/8 x 15 1/8in. (31.4 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. London from Greenwich

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 14 3/4 inches (29.2 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Crowhurst

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 14 7/8 inches (28.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Raglan Castle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 15 1/8 inches (28.3 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Via Mala

Creator:: Attributed to Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 14 3/4 inches (28.3 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Woman and Tambourine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 14 7/8 inches (25.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Castle above the Meadows

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 15 inches (25.4 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Bridge in Middle Distance

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 14 3/4 inches (26.4 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Juvenile Tricks

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (a), scratched on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 10 3/8 inches (18.4 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Ships in a Breeze

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 11 inches (20.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Woman and Tambourine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; second state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 11 3/8 inches (20.3 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Norham Castle on the Tweed

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 10 3/8 inches (17.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Morpeth, Northumberland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 11 1/8 inches (20.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Landscape with Barn

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1795
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper, mounted on thick, smooth, wove paper
Dimensions:: Mount: 9 3/4 x 15 1/4 inches (24.8 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Richard L. Purdy

88. Pembury Mill, Kent

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 × 15 1/8 inches (27.6 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Fifth Plague of Egypt

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 11 1/8 inches (20.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Drawing of the Clyde

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 11 1/4 inches (20.6 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Villa Salviati on the Arno

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1796 and 1797
Materials & Techniques:: Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 9 1/4 inches (18.4 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Near Grindelwald

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor, graphite, blue wash and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 14 7/8 inches (24.1 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Knowsley Hall

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 3/4 x 15 inches (27.3 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

94. Knowsley Hall

Creator:: Edward Lear, 1812–1888
Date:: ca. 1834
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/4 x 15 inches (13.3 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

95. Knowsley Hall

Creator:: Edward Lear, 1812–1888
Date:: ca. 1834
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 7/16 x 15 1/16 inches (13.8 x 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

96. At Knowsley?

Creator:: Edward Lear, 1812–1888
Date:: 1834
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 x 14 15/16 inches (13.7 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

97. Plyctolophus Galeritus. Greater Sulphur-crested Cockatoo.

Creator:: Print made by Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 22 x 15 1/8 inches (55.9 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

98. Plyctolophus Sulphureus / Lesser Sulphur-crested Cockatoo (Plate 4)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph (proof?), partly hand-colored
Dimensions:: Sheet: 21 3/4 x 15in. (55.2 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

99. Macrocerus Ararauna / Blue and Yellow Maccaw / 2/3 Nat. size (Plate 8)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph printed in black ink (proof?)
Dimensions:: Sheet: 22 x 15in. (55.9 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

100. Platycereus Tabuensis / Tabuan Parrakeet (Plate 16)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph (proof?) on wove paper
Dimensions:: Sheet: 22 x 15in. (55.9 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

YCBA Collections Search

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Width [cm] 38

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1. 1934 (still life)

2. April 1950 (goblets)

3. The Avon Gorge

4. Barge below Flatford Lock

5. Hampstead Heath Looking Towards Harrow

6. Cloud Study

7. Cloud Study with Trees

8. Miss Wood

9. Virgin and Child

10. The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)

11. A View along the Thames towards Chelsea Old Church

12. Sir John Smythe of Westenhanger, Kent (1557–1608)

13. Young Woman in a Checkered Dress

14. Francis Birrell

15. A Border Leicester Ewe

16. The Suffolk Hunt: Full Cry

17. Gloucestershire Old Spot

18. The Last Judgement (study)

19. The Brown Tea Pot

20. A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'

21. Indian Landscape with Temple

22. The Old Gardener

23. Two Menhirs

24. St. Mark's Facade, Venice

25. A View of the Church of S. Sabina and the Pyramid of Cestius, Rome

26. Catherine Howard (née Proctor), Countess of Effingham with Gun and Shooting Dogs

27. The Suffolk Hunt: Going to Cover near Herringswell

28. The Suffolk Hunt: Gone Away

29. The Suffolk Hunt : The Death

30. Windsor Castle

31. Study of a Dog Lying Down

32. Fair Rosamund and Queen Eleanor

33. A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )

34. Clouded Leopards

35. Sir David Wilkie

36. The Angel Binding Satan

37. A Highland Landscape

38. Old horses with a dog in a stable

39. John Quick as Tony Allspice

40. In Dovedale

41. Alfred, Lord Tennyson, Poet Laureate

42. Edward Hodges

43. Triarchy

44. Oliver Goldsmith

45. Edmund Burke

46. Ruin of St. Botolph's Priory, Colchester

47. Cow Nylgha [aka] Reedback Feeding

48. The Horse Mart (Barbican No. 1)

49. The White House (Gould's Farm Luppitt)

50. The Horse Mart (with further sketches in the margin)

51. Tintern Abbey

52. A Barn with a Mossy Roof, Shoreham

53. Wilmot's Hill, Kent

54. A Cow Lodge with a Mossy Roof

55. The Primitive Cottage, Shoreham

56. The Early Ploughman

57. Fowl Body, Lateral View (Study for the Key Figure to Table XV)

58. Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)

59. Fowl Skeleton, Lateral View (Outline drawing)

60. Fowl Body, Lateral View (Outline drawing, related to Table XV)

61. Human Skeleton, Lateral View

62. Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)

63. Human Skeleton, Posterior View

64. Plate X, Fowl Body, Lateral View

65. Plate VIII, Human Body, Posterior View

66. Plate VI, Human Body, Frontal View

67. Plate VII, Human Body, Lateral View

68. The Invasion, Plate I: France

69. The Invasion, Plate II: England

70. The Cockpit

71. A Rake's Progress, Plate VI: He Gambles

72. A Rake's Progress, Plate VIII: In Bedlam

73. The Four Times of Day, Plate I: Morning

74. A Rake's Progress, Plate VII: In Fleet Street Prison

75. London from Greenwich