Width [cm]: 38 / Subject Terms: women - YCBA Collections Search Search Results

Francis Danby, 1793–1861

The Avon Gorge

between 1816 and 1818

Not on view

John Varley, 1778–1842

A View along the Thames towards Chelsea Old Church

between 1810 and 1815

Not on view

Edward Burne-Jones, 1833–1898

Fair Rosamund and Queen Eleanor

1861

Not on view

Walter Richard Sickert, 1860–1942

St. Mark's Facade, Venice

1901

Not on view

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

Paul Sandby, 1731–1809

Roslin Castle, Midlothian

ca. 1780

William Turner of Oxford, 1789–1862

View from the Dean's Garden, Christ Church, Oxford

undated

Print made by Thomas Shotter Boys, 1803–1874

St. Paul's from Ludgate Hill

1842

Print made by Edward Fisher, 1722–1785

Lady Sarah Bunbury Sacrificing to the Graces

ca. 1766

Print made by Johann Gottfried Haid, 1704–1767

Two Women Listening to a Bird, with a Man Holding a Gun

undated

Print made by Joseph Josiah Dodd, 1809–1894

View of Tonbridge During the Late Election, December 18, 1832

after 1832

Print made by James Bretherton, ca. 1730–1806

The Slumbers of Ragotin Interrupted

1773

Print made by Robert Havell, 1769–1832

View of the Old Corn Market and Tuns Inn, Guildford

1819

Hablot Knight Browne, 1815–1882

"You're Not Going to Follow, Belle, Are You?"

undated

Print made by John Bell, 1811–1895

Diavoli Pescatori

between 1838 and 1850

Print made by Charles Jameson Grant, active 1830–1852

The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!

1833

Print made by Agostino Brunias, 1728–1796

A Negroes Dance in the Island of Dominica

1779

Joseph Josiah Dodd, 1809–1894

View of Tonbridge During the Late Election

after 1832

Charles Cooper Henderson, 1803–1877

A French Diligence of 1830

undated

Samuel Howitt, 1756–1822

Return From the Chase, After a Fall

undated

Possibly James Pollard, 1792–1867

The Derby Day: Tits and Trampers on the Road to Epsom

undated

Samuel Howitt, 1756–1822

A Chaise and Pair, With Post-Boy

undated

Thomas Rowlandson, 1756–1827

Bodmin Cornwall: The Arrival of the Stage-Coach

1795

Thomas Rowlandson, 1756–1827

Bodmin Cornwall: French Prisoners on Parole

1795

Print made by John Alexander, 1686–before 1768

Lot and His Family

ca. 1718

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808, published 1813

Francis Wheatley, 1747–1801

Lismore Castle, Ireland

1783

Richard Dadd, 1817–1886

Landscape with Cottages, Broadmoor

1873

Henry Fuseli, 1741–1825

Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"

1791

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745

Francis Wheatley, 1747–1801

Country Scene: Figures by a Cottage Door and Cattle in a Stream

1795

Richard Westall, 1765–1836

Rosebud, or the Judgment of Paris

1791

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745