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William Anderson A View of Westminster Bridge and the Abbey from the South Side
William Anderson, 1757–1837
A View of Westminster Bridge and the Abbey from the South Side
1818
Not on view
Arthur Devis Gentleman with a Cannon
Arthur Devis, 1712–1787
Gentleman with a Cannon
1741
Not on view
John Linnell Landscape with Figures
John Linnell, 1792–1882
Landscape with Figures
1816
Not on view
George Stubbs Human Body, Posterior View (Outline Drawing for Table VII)
George Stubbs, 1724–1806
Human Body, Posterior View (Outline Drawing for Table VII)
1795 to 1806
George Stubbs Human Skeleton, Posterior View (Relates to Table II)
George Stubbs, 1724–1806
Human Skeleton, Posterior View (Relates to Table II)
1795 to 1806
George Stubbs Human Skeleton, Anterior View
George Stubbs, 1724–1806
Human Skeleton, Anterior View
1795 to 1806
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake The Mourner at the Tomb (Design 103)
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
William Blake The Author Writing (Design 105)
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake A Welch Bard (Design 53)
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
William Blake A Widower and Children (Design 35)
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
William Blake "And purple tyrants vainly groan..." (Design 37)
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
George Romney John Henderson as Falstaff
George Romney, 1734–1802
John Henderson as Falstaff
1780
Sir Max Beerbohm Messrs. Carfax
Sir Max Beerbohm, 1872–1956
Messrs. Carfax
undated
John Copley An Autumn Afternoon on Hampstead Heath
Print made by John Copley, 1875–1950
An Autumn Afternoon on Hampstead Heath
1939
Francesco Bartolozzi Lovelace in Prison
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
John Sell Cotman Spanish Student
Print made by John Sell Cotman, 1782–1842
Spanish Student
ca. 1830
John Boyne Shepherd with Dog and Sheep
Print made by John Boyne, ca. 1750–1810
Shepherd with Dog and Sheep
1806
James H. Kernot St. Catherine's Hill, near Guildford, Surrey
Print made by James H. Kernot, 1802–1858
St. Catherine's Hill, near Guildford, Surrey
1832
George Cooke Florence, from Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from Chiesa al Monte
1820
Richard Corbould Old Trees with Old Man, a Girl and a Dog
Print made by Richard Corbould, 1757–1831
Old Trees with Old Man, a Girl and a Dog
1802
James Redway Christ Church College, Oxford
Print made by James Redway, active 1827–1838
Christ Church College, Oxford
1834
Johann Jacobus Haid Man Wearing a Hat
Print made by Johann Jacobus Haid, 1704–1767
Man Wearing a Hat
undated
Abraham Blooteling St. Paulus
Print made by Abraham Blooteling, 1640–1690
St. Paulus
between 1680 and 1690
Bernard Lens II The Judgement of Paris
Print made by Bernard Lens II, 1659–1725
The Judgement of Paris
undated
Bernard Lens II Tobit and the Angel
Print made by Bernard Lens II, 1659–1725
Tobit and the Angel
undated
John Doyle ('H.B.') A Great Actor between Tragedy and Comedy
Print made by John Doyle ('H.B.'), 1797–1868
A Great Actor between Tragedy and Comedy
1834
Hablot Knight Browne The Buxom Hostess
Hablot Knight Browne, 1815–1882
The Buxom Hostess
1879
Capt. Francis Grose South Mimms Church, Hertfordshire
Capt. Francis Grose, 1731–1791
South Mimms Church, Hertfordshire
1787
Robert Blyth An Aga of the Janizaries
Print made by Robert Blyth, 1750–1784
An Aga of the Janizaries
1779
Edward Calvert The Flood
Print made by Edward Calvert, 1799–1883
The Flood
1829
Edward Calvert Ideal Pastoral Life
Print made by Edward Calvert, 1799–1883
Ideal Pastoral Life
1829
Thomas Gainsborough Wooded Landscape with Herdsman and Cows
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
Francesco Bartolozzi William Cobbett
Print made by Francesco Bartolozzi, 1728–1815
William Cobbett
1801
James Ward Studies of Anatomy, Measurements and Writing
James Ward, 1769–1859
Studies of Anatomy, Measurements and Writing
undated
John Landseer Freshwater Bay
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
Joseph Skelton View of the Chapel and Hall of Oriel College
Print made by Joseph Skelton, active 1820–1850
View of the Chapel and Hall of Oriel College
1801
Henri Charles Guérard Portrait of Whistler
Henri Charles Guérard, 1846–1897
Portrait of Whistler
ca. 1888
James Seymour A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
James Seymour, 1702–1752
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
undated
Henry Thomas Alken "Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
Francesco Bartolozzi Alvise Pisani
Print made by Francesco Bartolozzi, 1728–1815
Alvise Pisani
1793
Bruce Davidson The North
Bruce Davidson, born 1933
The North
1960
Rev. William Warren Porter Study of a Cottage and a Man Rolling the Lawn
Rev. William Warren Porter, 1776–1804
Study of a Cottage and a Man Rolling the Lawn
undated
William Whiston Barney Thomas Stewardson
Print made by William Whiston Barney, active 1805–1817
Thomas Stewardson
between 1805 and 1808
unknown artist Henry Fuseli, Esq.
unknown artist
Henry Fuseli, Esq
1808
Samuel Cousins Sir Thomas Lawrence P. R. A.
Print made by Samuel Cousins, 1801–1887
Sir Thomas Lawrence P. R. A
1830
Bruce Davidson Man Holding Child in Front of 'Royalty'
Bruce Davidson, born 1933
Man Holding Child in Front of 'Royalty'
1965
Bruce Davidson Miner on Work Horse Emerging from Tunnel
Bruce Davidson, born 1933
Miner on Work Horse Emerging from Tunnel
1965
John Downman John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
John Sell Cotman Mountainous Landscape, North Wales
John Sell Cotman, 1782–1842
Mountainous Landscape, North Wales
ca. 1802
Walter Richard Sickert Figure Studies
Walter Richard Sickert, 1860–1942
Figure Studies
undated
Edward Scriven Reverend. William Mason
Edward Scriven, 1775–1841
Reverend. William Mason
1813
Thomas Frye A Man Leaning on a Staff
Thomas Frye, 1710–1762
A Man Leaning on a Staff
ca. 1760
Anna Katrina Zinkeisen Motor Cycle and Cycle Show
Anna Katrina Zinkeisen, 1901–1976
Motor Cycle and Cycle Show
1934
Sir William Rothenstein Young Man, standing
Sir William Rothenstein, 1872–1945
Young Man, standing
between 1910 and 1911