Width [cm]: 31 - YCBA Collections Search Search Results

Creator:: William Dickinson, 1746–1823
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 7/8 × 12 5/16 inches (42.9 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1653. "Curtius Leaping into the Gulph"

Creator:: George Dance, 1741–1825
Date:: undated
Materials & Techniques:: Graphite and watercolor on cream laid paper
Dimensions:: Sheet: 7 1/2 x 9 1/2in. (19.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1654. Charlotte at the Tomb of Werther

Creator:: William Dickinson, 1746–1823
Date:: 1785
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 13/16 × 13 1/2 inches (40.1 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1655. Pan and Syrinx, No. 1

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching with mezzotint (trial proof of abandoned plate) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 12 1/4 inches (24.4 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

1656. The Entrance of the Medway

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Mezzotint printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 17 1/4 inches (31.4 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1657. [One of] 25 drawings and prints for ceilings

Creator:: George Richardson, ca.1738–ca.1813
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 12 inches (39.4 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1658. [One of] 25 drawings and prints for ceilings

Creator:: George Richardson, ca.1738–ca.1813
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 12 inches (30.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1659. Little Devil's Bridge

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1885
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 1/4 inches (28.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

1660. [One of] 25 drawings and prints for ceilings

Creator:: George Richardson, ca.1738–ca.1813
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 12 3/8 inches (25.7 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1661. Net Poles, Studland Bay

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1912
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 9 1/2 × 12 1/4 inches (24.1 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

1662. The Farm on the Hilltop

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1926
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1663. A Breton Farm

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1921
Materials & Techniques:: Drypoint on laid paper
Dimensions:: Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1664. Westminster Abbey from Dean's Yard

Creator:: Print made by Ernest L. Hampshire, born 1882
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 x 12 1/4 inches (21.9 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

1665. Nevilles Court

Creator:: unknown artist
Date:: between 1911 and 1924
Materials & Techniques:: Etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 18 1/16 x 12 5/16 inches (45.9 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

1666. The Hilltop

Creator:: William Lee Hankey, 1869–1952
Date:: 1912
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 5/8 x 14 5/16 inches (29.6 x 36.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1667. The remarkable characters who were at Tunbridge Wells with Richardson in 1748...

Creator:: unknown artist
Date:: 1804
Materials & Techniques:: Colored etching on wove paper
Dimensions:: Plate: 7 1/2 x 12in. (19.1 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Chauncey B. Tinker, B.A. 1899

1668. Untitled

Creator:: Print made by Stephen Buckley, born 1944
Date:: 1977
Materials & Techniques:: Color printed etching, aquatint, and roulette from four plates; artist's proof on moderately thick, moderately textured, white Arches wove paper
Dimensions:: Sheet: 25 1/8 × 19 1/2 inches (63.8 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1669. Untitled

Creator:: Print made by Stephen Buckley, born 1944
Date:: 1977
Materials & Techniques:: Color printed aquatint from four plates; artist's proof on moderately thick, moderately textured, white Arches wove paper
Dimensions:: Sheet: 25 1/2 × 19 1/2 inches (64.8 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1670. Still Waters

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1906
Materials & Techniques:: Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 13 inches (17.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1671. Chain Bridge over the River Tees

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1838
Materials & Techniques:: Etching and line engraving with chine collé; 2nd state on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 × 14 3/4 inches (27.9 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1672. Richmond Terrace, Surrey

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1838
Materials & Techniques:: Etching and line engraving with chine collé; 1st state on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/16 × 18 1/8 inches (33.5 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1673. Spanish Wheelwrights

Creator:: Sir William Russell Flint, 1880–1969
Date:: 1930
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 17 3/8 inches (32.2 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1674. Stonehenge

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1928
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 12 3/8 inches (20.3 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1675. Campden, Gloucestershire

Creator:: Charles John Watson, 1846–1927
Materials & Techniques:: Etching on laid paper
Dimensions:: Plate: 8 1/2 x 12in. (21.6 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

1676. St. Marks, Venice

Creator:: Charles John Watson, 1846–1927
Materials & Techniques:: Etching on laid paper
Dimensions:: Plate: 7 x 10in. (17.8 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

1677. Hebe

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1791
Materials & Techniques:: Stipple engraving on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 17 3/8 × 13 1/2 inches (44.1 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1678. Ragged Sails, II

Creator:: Print made by Ernest Stephen Lumsden, 1883–1948
Date:: 1925
Materials & Techniques:: Etching and drypoint, with open biting on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/8 × 17 1/2 inches (33.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1679. Lady Mary Dudley

Creator:: George Perfect Harding, 1780–1853
Date:: undated
Materials & Techniques:: Watercolor and gouache on moderately textured, wove paper
Dimensions:: Sheet: 10 3/8 × 6 inches (26.4 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

1680. Arquata: The British Base in Italy

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1919
Materials & Techniques:: Drypoint; trial proof on laid paper
Dimensions:: Sheet: 8 1/2 × 12 1/8 inches (21.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

1681. Set of seven [Animals]. 1. [Head of a lion]. 2. Head of a lion. 3. Sleeping Lion and Lioness. 4. Sleeping Lion. 6. Lion and Lioness. 7. Head of a Tigress.

Creator:: John Frederick Lewis, 1804–1876
Date:: 1824-1825
Materials & Techniques:: Etching
Dimensions:: Sheet: 8 1/4 x 12 1/8in. (21 x 30.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1682. Mail Coach by Moonlight

Creator:: Charles Hunt, 1803–1877
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 1/4in. (21.6 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1683. Weeping Willows

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1684. Hawthorn

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/8 inches (36.5 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1685. Poplar

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/4 × 21 inches (36.2 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1686. Horse Chestnut

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/4 × 21 inches (36.2 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1687. Aspin

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1688. Leicester Square

Creator:: Hans Schleger, 1898–1976
Date:: 1935
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 9 7/8 x 12 3/8 inches (25.1 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

1689. George Romney, Esq.

Creator:: Print made by William Thomas Fry, 1789–1843
Date:: 1817
Materials & Techniques:: Crayon manner and stipple engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 13/16 x 12 5/16 inches (40.2 x 31.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1690. The Death of Mark Antony

Creator:: Print made by Jean Marie Delatre, 1746–1840
Date:: 1805
Materials & Techniques:: Line engraving and stipple engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/8 × 12 1/4 inches (37.2 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1691. Motor Show, Olympia

Creator:: Anna Katrina Zinkeisen, 1901–1976
Date:: 1934
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 10 11/16 x 12 3/8 inches (27.1 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

1692. Africa

Creator:: Print made by unknown artist
Date:: 1672
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 5/8 x 12 5/16in. (24.4 x 31.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1693. Samuel Johnson's House

Creator:: unknown artist
Materials & Techniques:: Photoreproduction
Dimensions:: Sheet: 17 x 12in. (43.2 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

1694. A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte

Creator:: John Laporte, 1761–1839
Date:: 1802-1804
Materials & Techniques:: Etching and aquatint
Dimensions:: Sheet: 9 5/8 x 12 1/4in. (24.4 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1695. Aldbury Lodge, Ashridge: Chamber Plan and North Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 18 1/2 × 12 1/4 inches (47 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1696. Distant View of Exeter Cathedral

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on thick cream rough wove paper
Dimensions:: Sheet: 9 1/2 x 12 inches (24.1 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914

1697. Woman near a River

Creator:: unknown artist
Date:: after 1797
Materials & Techniques:: Graphite on medium cream moderately textured laid paper
Dimensions:: Sheet: 7 1/2 x 12 3/8 inches (19.1 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914

1698. English Landscape

Creator:: Rev. William Warren Porter, 1776–1804
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium cream moderately textured laid paper
Dimensions:: Sheet: 8 3/4 x 12 3/8 inches (22.2 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914

1699. Design for a Small Gothic Church: Section

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: undated
Materials & Techniques:: Graphite, watercolor, and pen and black ink on slightly textured, medium, white wove paper
Dimensions:: Sheet: 19 13/16 × 12 5/16 inches (50.3 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1700. Design for a Small Gothic Church: Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink on slightly textured, thick, white wove paper
Dimensions:: Sheet: 17 1/4 × 12 1/16 inches (43.8 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1601. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1602. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1603. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1604. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1605. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1606. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1607. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1608. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1609. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1610. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1611. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1612. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1613. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1614. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1615. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1616. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1617. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1618. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1619. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1620. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1621. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1622. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1623. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1624. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1625. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1626. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1627. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1628. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1629. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1630. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1631. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1632. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1633. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1634. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1635. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1636. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1637. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1638. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1639. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1640. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1641. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1642. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1643. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1644. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1645. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1646. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1647. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1648. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1649. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1650. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1651. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

1652. Emilia, Duchess of Leinster

1653. "Curtius Leaping into the Gulph"

1654. Charlotte at the Tomb of Werther

1655. Pan and Syrinx, No. 1

1656. The Entrance of the Medway

1657. [One of] 25 drawings and prints for ceilings

1658. [One of] 25 drawings and prints for ceilings

1659. Little Devil's Bridge

1660. [One of] 25 drawings and prints for ceilings

1661. Net Poles, Studland Bay

1662. The Farm on the Hilltop

1663. A Breton Farm

1664. Westminster Abbey from Dean's Yard

1665. Nevilles Court

1666. The Hilltop

1667. The remarkable characters who were at Tunbridge Wells with Richardson in 1748...

1668. Untitled

1669. Untitled

1670. Still Waters

1671. Chain Bridge over the River Tees

1672. Richmond Terrace, Surrey

1673. Spanish Wheelwrights

1674. Stonehenge

1675. Campden, Gloucestershire