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Ariccia, near Rome, Italy
Creator:
John William Inchbold, 1830–1888
Date:
1860
Materials & Techniques:
Oil on panel
Dimensions:
8 × 12 1/8 inches (20.3 × 30.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Corby Viaduct, the Newcastle and Carlisle Railway
Creator:
John Wilson Carmichael, 1799–1868
Date:
1836
Materials & Techniques:
Oil on canvas
Dimensions:
8 × 12 inches (20.3 × 30.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Furness Abbey East, 29 August 1836
Creator:
Edward Lear, 1812–1888
Date:
1836
Materials & Techniques:
Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 7 7/8 x 12 inches (20 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
A View of Several Palaces at Naples at Sun Rise
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 5/8 x 12 1/8 inches (24.5 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ruins of Leiston Abbey
Creator:
Thomas Hearne, 1744–1817
Date:
1781
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 3/4 x 12 3/8 inches (24.8 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Reconstruction of the Second Theatre at Laodicea
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 13/16 x 20 15/16 inches (37.6 x 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Reconstruction of the Proscenium of the Theater at Hierapolis
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 1/4 inches (38 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Palace Doorway [North Italian Set: No. 22]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1895
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Minister
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1918
Materials & Techniques:
Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 74 inches (27.3 × 188 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

10. The Ford

The Ford
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1915
Materials & Techniques:
Etching; 3rd State on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 12 inches (21 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
George Fox in Carlisle Dungeon
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 x 12 5/16 inches (24.7 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
The Headless Christ
Creator:
Print made by Sir Frank William Brangwyn, 1867–1956
Date:
1910
Materials & Techniques:
Etching on medium, slightly textured, white wove paper
Dimensions:
Plate: 15 3/8 × 12 inches (39 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel and Pearl K. Bell
Arch of Janus, after Piranesi
Creator:
Thomas Girtin, 1775–1802
Date:
between 1798 and 1799
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 5/16 x 12 1/8 inches (21.1 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching, stipple engraving and drypoint print on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rio Malibran
Creator:
Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:
undated
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 17 1/4 x 12 1/16 inches (43.8 x 30.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 15 1/4 inches (28.6 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and drypoint print on moderately thick, textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 15 9/16 inches (28.2 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 15/16 x 15 1/2 inches (27.8 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Indian Tomb
Creator:
George Chinnery, 1774–1852
Date:
between 1803 and 1825
Materials & Techniques:
Watercolor, gouache, and black ink on medium, slightly textured, cream wove paper mounted on board
Dimensions:
Sheet: 9 x 12 3/8 inches (22.9 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
River Scene with Buildings
Creator:
Samuel Davis, 1760–1819
Date:
between 1777 and 1808
Materials & Techniques:
Watercolor over graphite on medium, slightly textured,cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 inches (23.8 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Near Norwich
Creator:
pupil of Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, cream wove paper mounted on thick, slightly textured, cream wove card
Dimensions:
Sheet: 8 5/8 x 12 1/8 inches (21.9 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Sir William Russell Flint, 1880–1969
Date:
1930
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 11/16 x 17 3/8 inches (32.2 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery