Width [cm]: 21 - YCBA Collections Search Search Results

1001. Carlisle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof (b) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 7 1/4 × 10 inches (18.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1002. Troyes

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1003. Caerlaverock Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 11 1/2 inches (21 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1004. Inverness

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 × 11 3/8 inches (22.9 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1005. Dryburgh Abbey

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1006. Horse and Dog

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 3/8 inches (14.3 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1007. Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 8 3/8 inches (17.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1008. "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1009. "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 8 3/16 inches (16.4 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1010. "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 × 8 1/8 inches (16.2 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1011. "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1012. "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 1/4 inches (16.7 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1013. "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 13/16 × 8 5/16 inches (17.3 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1014. "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk and white gouache on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 5/16 inches (16.5 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1015. "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1016. "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1017. "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 8 7/16 inches (17.5 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1018. A Young Man with a Horse, with Studies of Hounds and Dead Hare

Creator:: John Hoppner, 1758–1810
Date:: ca. 1785
Materials & Techniques:: Watercolor, with pen, in brown ink, with graphite, and gouache on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/4 × 8 1/16 inches (26 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1019. Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, "The Fox who Lost His Tail"

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, with pen, in black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 10 11/16 × 10 1/16 inches (27.1 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1020. An English Postilion

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Mount: 6 3/8 × 9 3/16 inches (16.2 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1021. Dominica: View from Mrs. Ogilvy's lodging-house window at Roseau

Creator:: Lionel Grimston Fawkes, 1849–1931
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 8 3/8 inches (14.6 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1022. Untitled

Creator:: Jake Chapman, born 1966
Date:: 1999
Materials & Techniques:: Soft-ground etching on white 300 gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

1023. Knight Falling From His Horse at a Squire's Tilt

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 5 × 8 1/8 inches (12.7 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1024. A Wagon With Hops and Two Sketches of Horses

Creator:: Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 8 3/8 inches (15.9 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1025. Coastal Profiles of Dominica and Santa Cruz, after the original by John White in the British Museum [Caribbean and Oceanic, No. 2]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Pen in brown ink, over graphite, with watercolor and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 8 7/16 inches (24.1 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1026. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Image: 17 1/8 × 13 5/8 inches (43.5 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1027. a. The Staircase at Longleat / b. Ground Plan of Longleat House, Wiltshire

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1028. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: undated
Materials & Techniques:: Graphite, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 16 15/16 × 13 1/4 inches (43 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1029. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: undated
Materials & Techniques:: Graphite and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 × 13 1/4 inches (43.2 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1030. Robert Streater

Creator:: Print made by Alexander Bannerman, ca. 1730–1780
Date:: 1762
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 8 1/8 inches (27.6 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1031. Loch Achray

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 6 1/4 × 8 1/2 inches (15.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1032. Plan of Wollaton Hall, Notthinghamshire

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1033. Lewis Francis Roubiliac

Creator:: Print made by Thomas Chambars, ca. 1724–1789
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 7/8 x 8 1/8 inches (27.6 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1034. Sir Godfrey Kneller

Creator:: Print made by John Corner, 1788–1825
Date:: 1821
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 7/8 x 8 1/4 inches (27.6 x 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1035. Rouen - Distant View

Creator:: Print made by William Richardson, active 1842–1877
Date:: 1836
Materials & Techniques:: Etching and line engraving, with white chalk and scratching out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 8 5/8 inches (17.1 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1036. Château d'Arc, near Dieppe

Creator:: Print made by William Forrest, 1802–1889
Date:: 1836
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 9 × 11 5/8 inches (22.9 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1037. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1038. Comforts of Bath: The Concert

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and gray and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 1/2 x 8 1/8 inches (14 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1039. Comforts of Bath: Coaches Arriving

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 5/8 x 8 7/16 inches (14.3 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1040. Comforts of Bath: The Pump Room

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1041. View of the Thames at Kingston

Creator:: attributed to Peter DeWint, 1784–1849
Date:: 1809
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 6 3/8 x 8 1/8 inches (16.2 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1042. Comforts of Bath: The Ball

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 11/16 x 8 1/4 inches (14.4 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1043. Comforts of Bath: Gouty Persons Fall on Steep HIll

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor, pen and black ink, and graphite; verso: extensive watercolor blots on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 13/16 x 8 5/16 inches (14.8 x 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1044. Italian Evening (Quiet Chat), Verona

Creator:: Eleanor Erlund Hudson, 1912–2011
Date:: 1939, reprinted 2003
Materials & Techniques:: Etching on wove paper
Dimensions:: Plate: 5 7/16 x 8 3/16in. (13.8 x 20.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Erlund Hudson, R.W.S., R.E., R.C.A.

1045. Shakespeare

Creator:: Thomas Cook, 1744–1818
Date:: 1776
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 10 1/2 x 8 1/8in. (26.7 x 20.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1046. Shakspeare

Date:: 1827
Materials & Techniques:: Etching, line engraving and stipple engraving on wove paper
Dimensions:: Sheet: 10 3/4 × 8 1/8 inches (27.3 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1047. Corfe Castle

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 8 3/8 inches (17 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1048. Bindon Abbey, Dorset, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Pen and black ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1049. The Old Church Portland

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1050. A Child on a Couch, No. 1

Creator:: James McNeill Whistler, 1834–1903
Date:: between 1873 and 1875
Materials & Techniques:: Etching and drypoint, printed from canceled plate on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 12 7/8 inches (24.8 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

1051. Hats!

Creator:: Eleanor Erlund Hudson, 1912–2011
Date:: January 2003 (reprinted)
Materials & Techniques:: Etching on Arches Crème wove paper
Dimensions:: Plate: 6 3/4 × 8 3/8 inches (17.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Erlund Hudson, R.W.S., R.E., R.C.A.

1052. Cerne Abbey

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1053. Milton Abbey, Dorset

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1054. Buckfast Abbey, Devon, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1055. Exeter Cathedral, Devon, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1056. Okehampton Bridge

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 × 8 3/8 inches (17.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1057. Berry Pomeroy Castle Devon, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1058. Dr. Syntax Copying the Wit of the Window

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1809 and 1812
Materials & Techniques:: Watercolor with pen and gray and brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 8 3/16 inches (13.7 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1059. Rogero

Creator:: after Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 8 1/8 inches (28.4 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1060. Battersea Reach

Creator:: James McNeill Whistler, 1834–1903
Date:: 1863
Materials & Techniques:: Etching and drypoint, printed from canceled plate on medium, smooth, cream laid paper
Dimensions:: Sheet: 10 x 12 7/8 inches (25.4 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

1061. Comforts of Bath: Private Practice Previous to the Ball

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor, gray wash, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 15/16 x 8 1/4 inches (15.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1062. The Land Gate, Rye, Sussex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and black ink, gray wash and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 7/8 × 6 5/8 inches (22.5 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1063. Cottage near Newcastle, Northumberland

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 8 1/8 inches (11.7 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1064. Boat Building

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1799
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 5/16 x 8 1/4 inches (13.5 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1065. Bolton Abbey, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1801
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 8 3/8 inches (14.6 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1066. Windsor Castle, Berkshire: Distant View from the South

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1830
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 3 × 8 1/4 inches (7.6 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1067. The Riding School

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 11/16 x 8 3/8 inches (14.4 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1068. Untitled: Dwarf painting

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1736
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 12 x 8 1/8in. (30.5 x 20.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1069. Three Figures Under a Tree, One Reading a Book

Creator:: Print made by Charles Knapton, 1700–1760
Date:: 1735
Materials & Techniques:: Etching printed in brown ink
Dimensions:: Sheet: 6 1/2 x 8 1/4in. (16.5 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1070. Labourers at Rest

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1790 and 1795
Materials & Techniques:: Watercolor with pen and red-brown and blue ink, over graphite with pen and gray ink and wash line on border on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 7/16 x 8 1/4 inches (13.8 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1071. An Artist's Studio

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1814
Materials & Techniques:: Watercolor with pen and red-brown, brown, and gray ink, over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 8 7/16 inches (26.7 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1072. Two Girls Tippling

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 8 7/8 x 8 1/16 inches (22.5 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1073. Chapel of the Holy Ghost, Basingstoke, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1074. Amsbury Abbey, Wiltshsire, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1075. Salisbury Cathedral

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Gray wash, yellow wash, graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1076. Chapel of the Holy Ghost, Basingstoke, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1077. Study of Sections from the Church of the Holy Ghost

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1078. Weymouth Harbour

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1079. Stonehenge

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1080. Sandsfoot Castle, Weymouth

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1081. Part of Weymouth Harbour, Dorset, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1082. Abbotsbury Abbey, Dorset, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1083. Abbotsbury Abbey, Dorset, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite, gray wash, and yellow wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1084. The Esplanade, Weymouth

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1085. Abbotsbury Abbey, Dorset, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Gray wash, graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1086. Abbotsbury Abbey, Dorset, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1087. St. Catherine's Chapel, Abbotsbury, Dorset, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1088. Abbotsbury Abbey, Dorset, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1089. Corfe Castle

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1090. Corfe Castle, Dorset, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1091. Corfe Castle

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1092. Cerne Abbey

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1093. The Old Parsonage, Portland, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1094. Wimborne Minster, Dorset, Englad

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1095. Christchurch Priory, Dorset

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1096. Berry Pomeroy Castle, Devon, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Pen and bllack ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1097. Bow & Arrow Castle, Portland, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1098. Netley Abbey, Hampshire, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1099. Netley Abbey, Hampshire, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1100. Netley Abbey, Hampshire, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1001. Carlisle

1002. Troyes

1003. Caerlaverock Castle

1004. Inverness

1005. Dryburgh Abbey

1006. Horse and Dog

1007. Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.

1008. "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

1009. "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

1010. "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

1011. "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

1012. "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'

1013. "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

1014. "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

1015. "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

1016. "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

1017. "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

1018. A Young Man with a Horse, with Studies of Hounds and Dead Hare

1019. Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, "The Fox who Lost His Tail"

1020. An English Postilion

1021. Dominica: View from Mrs. Ogilvy's lodging-house window at Roseau

1022. Untitled

1023. Knight Falling From His Horse at a Squire's Tilt

1024. A Wagon With Hops and Two Sketches of Horses

1025. Coastal Profiles of Dominica and Santa Cruz, after the original by John White in the British Museum [Caribbean and Oceanic, No. 2]

1026. [One from] A Volume of Drawings and Prints

1027. a. The Staircase at Longleat / b. Ground Plan of Longleat House, Wiltshire

1028. [One from] A Volume of Drawings and Prints

1029. [One from] A Volume of Drawings and Prints

1030. Robert Streater

1031. Loch Achray

1032. Plan of Wollaton Hall, Notthinghamshire

1033. Lewis Francis Roubiliac

1034. Sir Godfrey Kneller

1035. Rouen - Distant View

1036. Château d'Arc, near Dieppe

1037. Junction of the Greta and the Tees

1038. Comforts of Bath: The Concert

1039. Comforts of Bath: Coaches Arriving

1040. Comforts of Bath: The Pump Room

1041. View of the Thames at Kingston

1042. Comforts of Bath: The Ball

1043. Comforts of Bath: Gouty Persons Fall on Steep HIll

1044. Italian Evening (Quiet Chat), Verona

1045. Shakespeare

1046. Shakspeare

1047. Corfe Castle

1048. Bindon Abbey, Dorset, England

1049. The Old Church Portland

1050. A Child on a Couch, No. 1

1051. Hats!

1052. Cerne Abbey

1053. Milton Abbey, Dorset

1054. Buckfast Abbey, Devon, England

1055. Exeter Cathedral, Devon, England

1056. Okehampton Bridge

1057. Berry Pomeroy Castle Devon, England

1058. Dr. Syntax Copying the Wit of the Window

1059. Rogero

1060. Battersea Reach

1061. Comforts of Bath: Private Practice Previous to the Ball

1062. The Land Gate, Rye, Sussex

1063. Cottage near Newcastle, Northumberland

1064. Boat Building

1065. Bolton Abbey, Yorkshire

1066. Windsor Castle, Berkshire: Distant View from the South

1067. The Riding School

1068. Untitled: Dwarf painting

1069. Three Figures Under a Tree, One Reading a Book

1070. Labourers at Rest

1071. An Artist's Studio

1072. Two Girls Tippling

1073. Chapel of the Holy Ghost, Basingstoke, England

1074. Amsbury Abbey, Wiltshsire, England

1075. Salisbury Cathedral