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Giovanni Battista Borra Plan, View and Second Plan of Ruins at Sardis

Giovanni Battista Borra, 1713–1770

Plan, View and Second Plan of Ruins at Sardis

ca. 1750

Joseph Skelton St. Ethelburga

Joseph Skelton, active 1820–1850

St. Ethelburga

1807

Abraham Wivell James Northcote

Print made by Abraham Wivell, 1786–1899

James Northcote

1819

John Bell And This Was Caesar

Print made by John Bell, 1811–1895

And This Was Caesar

between 1838 and 1850

William Miller Dryburgh Abbey

Print made by William Miller, 1796–1882

Dryburgh Abbey

1833

William Miller Norham Castle - Moonrise

Print made by William Miller, 1796–1882

Norham Castle - Moonrise

1834

unknown artist South View of the Cold Baths, Cold Bath Field

unknown artist

South View of the Cold Baths, Cold Bath Field

1812

unknown artist White Hart, Bishopsgate Street

unknown artist

White Hart, Bishopsgate Street

1800

James Roberts the Elder A View of London taken from the bridge near Chelsea

James Roberts the Elder, 1725–1799

A View of London taken from the bridge near Chelsea

unknown artist A View of Cold Harbor in Thames Street, London

unknown artist

A View of Cold Harbor in Thames Street, London

1818

Samuel Noble Blackheath

Samuel Noble, 1779–1853

Blackheath

1808

George Richmond Reproduction of "William Blake in Youth and Age"

Print made by George Richmond, 1809–1896

Reproduction of "William Blake in Youth and Age"

ca. 1830

James Stewart Steller Sea Lion

James Stewart, 1791–1863

Steller Sea Lion

ca. 1837

James Stewart The Crested Seal

James Stewart, 1791–1863

The Crested Seal

ca. 1837

James Stewart The Ocean Seal of Lepechin

James Stewart, 1791–1863

The Ocean Seal of Lepechin

ca. 1837

James Stewart The Steller Sea Lion

James Stewart, 1791–1863

The Steller Sea Lion

ca. 1837

James Stewart The Elephant Seal

James Stewart, 1791–1863

The Elephant Seal

ca. 1837

James Stewart New Zealand Fur Seal or Southern Fur Seal

James Stewart, 1791–1863

New Zealand Fur Seal or Southern Fur Seal

ca. 1837

James Stewart South American Sea Lion

James Stewart, 1791–1863

South American Sea Lion

ca. 1837

George Cooke Blackfriar's Bridge

George Cooke, 1781–1834

Blackfriar's Bridge

1827

unknown artist New Church, Mary-le-Bone-Middlesex

unknown artist

New Church, Mary-le-Bone-Middlesex

undated

Philip Audinet S.W. View of St. Mary's Church, Bryanston Square

Philip Audinet, 1766–1837

S.W. View of St. Mary's Church, Bryanston Square

1826

John Woods Custom House

John Woods, active 1836–1860

Custom House

1831

J. W. White St. Andrews Warchoke

J. W. White, active 1810

St. Andrews Warchoke

1810

John Greig Remains of St. Barts Priory

John Greig, active 1803–1853

Remains of St. Barts Priory

1805

Sir David Young Cameron Ponte Vecchio [North Italian Set: No. 21]

Print made by Sir David Young Cameron, 1865–1945

Ponte Vecchio [North Italian Set: No. 21]

1895

Sir David Young Cameron The Abbazia, Venice

Print made by Sir David Young Cameron, 1865–1945

The Abbazia, Venice

1900

John Bell The Assault

Print made by John Bell, 1811–1895

The Assault

between 1838 and 1850

Robert Blyth Belisarius

Print made by Robert Blyth, 1750–1784

Belisarius

1780

Robert Blyth Belisarius

Print made by Robert Blyth, 1750–1784

Belisarius

1780

Robert Blyth Silenus

Print made by Robert Blyth, 1750–1784

Silenus

1779

Robert Blyth Silenus

Print made by Robert Blyth, 1750–1784

Silenus

1779

Charles Hamilton Smith Yellow Mongoose

Charles Hamilton Smith, 1776–1859

Yellow Mongoose

ca. 1837

Frederick Landseer Maur Griggs The Quay

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Quay

1916

Frederick Landseer Maur Griggs The Quay

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Quay

1916

John Flaxman Portrait of William Blake

John Flaxman, 1755–1826

Portrait of William Blake

ca. 1804

Frederick Landseer Maur Griggs The Barbican

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Barbican

1920

J. Barlow Dr. Johnson

J. Barlow, active 1791

Dr. Johnson

John Le Keux Compartment on One Side, St Stephen's Chapel

Print made by John Le Keux, 1783–1846

Compartment on One Side, St Stephen's Chapel

1825

T. Clarke Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

Print made by T. Clarke, 1799–1839

Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

1835

Charles Williams The Westminster Seceder on Fresh Duty

Charles Williams, active 1796–1830

The Westminster Seceder on Fresh Duty

1801

unknown artist An Irish Discovery!

unknown artist

An Irish Discovery!

1800

Charles Williams The Doctor Administering His Gilded Pill

Charles Williams, active 1796–1830

The Doctor Administering His Gilded Pill

1802

William Sawrey Gilpin An Arabian Stallion Walking to Right

William Sawrey Gilpin, 1762–1843

An Arabian Stallion Walking to Right

undated

Sir Francis Grant Study of a Hound, Running

Sir Francis Grant, 1803–1878

Study of a Hound, Running

undated

Paul Sandby Four Mules with Panniers and a Cart

Paul Sandby, 1731–1809

Four Mules with Panniers and a Cart

undated

unknown artist Marlow, Bucks

unknown artist

Marlow, Bucks

1805

Thomas Rowlandson Picking Mulberries

Thomas Rowlandson, 1756–1827

Picking Mulberries

undated

Paul Sandby A Castle on a River

Paul Sandby, 1731–1809

A Castle on a River

undated

Robert Hills A Wagon With Hops and Two Sketches of Horses

Robert Hills, 1769–1844

A Wagon With Hops and Two Sketches of Horses

undated

Henry Thomas Alken Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.

Henry Thomas Alken, 1785–1851

Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One

between 1818 and 1822

Samuel Howitt Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, "The Fox who Lost His Tail"

Samuel Howitt, 1756–1822

Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, "The Fox who Lost His Tail"

undated

Samuel Howitt The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot

Possibly Samuel Howitt, 1756–1822

The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot

undated

John Hoppner A Young Man with a Horse, with Studies of Hounds and Dead Hare

John Hoppner, 1758–1810

A Young Man with a Horse, with Studies of Hounds and Dead Hare

ca. 1785

Paul Sandby The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs

Paul Sandby, 1731–1809

The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs

undated

James Seymour Kindly, with Jockey Up

James Seymour, 1702–1752

Kindly, with Jockey Up

undated

James Seymour Saddled Horse, with a Crest Branded on His Flank, Walking to Right

James Seymour, 1702–1752

Saddled Horse, with a Crest Branded on His Flank, Walking to Right

undated

unknown artist Head of an Eagle, Facing Left

unknown artist

Head of an Eagle, Facing Left

undated

Francesco Bartolozzi Angelica Kauffman

Print made by Francesco Bartolozzi, 1728–1815

Angelica Kauffman

1780

James Seymour Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch

James Seymour, 1702–1752

Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch

undated

John Frederick Tayler Six Foxhounds Resting

John Frederick Tayler, 1802–1889

Six Foxhounds Resting

undated

John Frederick Tayler Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through

John Frederick Tayler, 1802–1889

Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through

undated

George Chinnery Studies of Horses with Chinese Grooms, and a Dog, Nov. 10, 1840

George Chinnery, 1774–1852

Studies of Horses with Chinese Grooms, and a Dog, Nov. 10, 1840

1840

Hubert-François Gravelot The Sporting Lady

Hubert-François Gravelot, 1699–1773

The Sporting Lady

undated

James Seymour Le Piaffe (I): Training at the Pillar, Horse Wearing Bridle and Surcingle...

James Seymour, 1702–1752

Le Piaffe (I): Training at the Pillar, Horse Wearing Bridle and Surcingle..

undated

Henry Thomas Alken Horse and Dog

Henry Thomas Alken, 1785–1851

Horse and Dog

undated

Henry Thomas Alken "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

Henry Thomas Alken, 1785–1851

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

between 1831 and 1832

James Seymour Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder

Possibly James Seymour, 1702–1752

Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder

undated

Thomas Rowlandson An English Postilion

Thomas Rowlandson, 1756–1827

An English Postilion

ca. 1785

Henry R. Cook Richard Grosvenor, 1st Earl Grosvenor

Print made by Henry R. Cook, active 1802–1849

Richard Grosvenor, 1st Earl Grosvenor

1806

Louis Marin Bonnet Head of a Young Girl turned toward the Left

Print made by Louis Marin Bonnet, 1736–1793

Head of a Young Girl turned toward the Left

1774

George Vertue Sir Robert Harley

George Vertue, 1684–1756

Sir Robert Harley

1737

Giovanni Battista Borra Topographical View of the Pyramids at Giza

Giovanni Battista Borra, 1713–1770

Topographical View of the Pyramids at Giza

ca. 1750

James S. Storer Hampton Court, Herefordshire

Print made by James S. Storer, 1771–1853

Hampton Court, Herefordshire

1801

Robert Brandard Between Quilleboeuf and Villequier

Print made by Robert Brandard, 1805–1862

Between Quilleboeuf and Villequier

1834

John Smith, the mezzotinter Château Gaillard, from the East

Print made by John Smith, the mezzotinter, 1652–1743

Château Gaillard, from the East

1835

William Miller Jerusalem

Print made by William Miller, 1796–1882

Jerusalem

1834

William Miller Verona

Print made by William Miller, 1796–1882

Verona

1834

William Miller Melrose

Print made by William Miller, 1796–1882

Melrose

1834

William Miller Paris from Pere-la-Chaise

Print made by William Miller, 1796–1882

Paris from Pere-la-Chaise

1834

John Horsburgh Milan

Print made by John Horsburgh, 1791–1869

Milan

1834

William Miller The Simplon

Print made by William Miller, 1796–1882

The Simplon

1834-1836

William Miller Stirling

Print made by William Miller, 1796–1882

Stirling

1836

William Miller Field of Waterloo, with Lightning

Print made by William Miller, 1796–1882

Field of Waterloo, with Lightning

1835

William Miller Dunstaffnage

Print made by William Miller, 1796–1882

Dunstaffnage

1836

William Miller Inverness

Print made by William Miller, 1796–1882

Inverness

1836

William Miller Brussels, Distant View

Print made by William Miller, 1796–1882

Brussels, Distant View

1834

William Miller Dunstaffnage

Print made by William Miller, 1796–1882

Dunstaffnage

1836

Isaac Shaw The Viaduct over the Sankey Canal

Isaac Shaw, active 1830

The Viaduct over the Sankey Canal

ca. 1830

Thomas Sully Hints for Composition by Varley - 1805

Thomas Sully, 1783–1872

Hints for Composition by Varley - 1805

1805

Isaac Weld Hair as in Switzerland

Isaac Weld, 1774–1856

Hair as in Switzerland

ca. 1818

William Faithorne the Younger Portrait of a Lady

William Faithorne the Younger, ca. 1669–1703

Portrait of a Lady

undated