Illustration to Tonson's Ovid Metamorphis (four of four)
ca. 1710
9
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
10
Thomas Rowlandson, 1756–1827
Dr. Syntax Made Free of the Cellar
undated
11
Edward Francis Burney, 1760–1848
Boarding the Ferry
undated
12
Paul Sandby, 1731–1809
Bayswater - London
undated
13
Print made by Jacob Gole, 1660–1737
The Quakers' Meeting
undated
14
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
15
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
16
Paul Sandby, 1731–1809
Two Wheeled Cart and Figures
undated
17
Michael "Angelo" Rooker, 1746–1801
Clare Castle, Suffolk
between 1797 and 1800
18
George Morland, 1763–1804
A Hop Kiln
1795
19
Peter Casteels, 1684–1749
Feeding Ducks
undated
20
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
1830
21
Print made by Johann Jacobus Haid, 1704–1767
La male consequence du celibat
undated
22
Print made by Johann Jacobus Haid, 1704–1767
Men Playing Cards
undated
23
Print made by George Cruikshank, 1792–1878
London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
after 1857
24
Print made by George Cruikshank, 1792–1878
London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
25
Georg Goldberg, 1830–1894
"Antony and Cleopatra," Act III, Scene XI
undated
26
Print made by Bradshaw & Blacklock, active ca.1850
Hampton Court
after 1850
27
Sir Francis Seymour Haden, 1818–1910
Dusty Millers
1877
28
Sir Francis Seymour Haden, 1818–1910
Dusty Millers
1877
29
Print made by James Caldwall, 1739–1819
Now Sir, You're a Complete Macaroni
1772
30
Print made by James Caldwall, 1739–1819
The Macarony Brothers
1772
31
Print made by Richard Parkes Bonington, 1802–1828
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
1824
32
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Quay
1916
33
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Quay
1916
34
Print made by Richard Parkes Bonington, 1802–1828
Les Pendus
ca. 1826
35
Robert Dixon, 1780–1815
The Late Entrance to Ber Street, Norwich
1810
36
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
37
Thomas Rowlandson, 1756–1827
How to Vault in the Saddle
1813
38
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
39
Thomas Rowlandson, 1756–1827
Picking Mulberries
undated
40
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
41
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
42
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
43
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
44
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
45
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
46
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
47
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
48
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
49
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
50
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
51
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
52
Thomas Girtin, 1775–1802
Boat Building
ca. 1799
53
Richard Dadd, 1817–1886
Eastern Letter Writer
1863
54
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
55
Paul Sandby, 1731–1809
The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
undated
56
Hubert-François Gravelot, 1699–1773
The Sporting Lady
undated
57
Print made by unknown artist
Harvest
undated
58
Thomas Rowlandson, 1756–1827
Outside the Greengrocer's Shop
between 1805 and 1810
59
Print made by John Corner, 1788–1825
Sir Godfrey Kneller
1821
60
Print made by David Allan, 1744–1796
Patie Rebukes Roger
1808
61
Peter DeWint, 1784–1849
Building a Hayrick
undated
62
Michael Angelo Hayes, 1811–1880
The Band of the 23rd Fusiliers
1838
63
Possibly Samuel Howitt, 1756–1822
The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot
undated
64
Sawrey Gilpin, 1733–1807
Studies of Two Riders, and of Rider's Heads
undated
65
Thomas Rowlandson, 1756–1827
Crowd by a Gibbet
undated
66
Thomas Rowlandson, 1756–1827
Labourers at Rest
between 1790 and 1795
67
Thomas Rowlandson, 1756–1827
'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
between 1809 and 1811
68
Thomas Rowlandson, 1756–1827
Soldiers in St. James Park
undated
69
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Concert
1798
70
James McNeill Whistler, 1834–1903
Battersea Reach
1863
71
Thomas Rowlandson, 1756–1827
Comforts of Bath: Coaches Arriving
1798
72
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Pump Room
1798
73
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Ball
1798
74
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Persons Fall on Steep HIll
1798
75
Thomas Rowlandson, 1756–1827
Dr. Syntax Copying the Wit of the Window
between 1809 and 1812
76
Thomas Rowlandson, 1756–1827
An Artist's Studio
1814
77
Thomas Rowlandson, 1756–1827
Dr. Syntax with Kitty Cowslip
1821
78
Thomas Rowlandson, 1756–1827
Time and Death and Goody Barton
undated
79
James McNeill Whistler, 1834–1903
The Long Gallery, Louvre
1894
80
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
81
John Warwick Smith, 1749–1831
The Slate Quarries at Bron Llwyd
undated
82
Alfred Diston, active 1818–1829
View of part of Realesco de abasco from the road to la Cruz Santa
1818
83
John Sell Cotman, 1782–1842
Cader Idris from the Mawddach Estuary above Barmouth
ca. 1802
84
Benjamin West, 1738–1820
The Indians Delivering up the English Captives to Colonel Bouquet near his camp at the folks of Muskingum in North America in November 1764, 1765