Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
5
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
6
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
7
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
8
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
9
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
10
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
11
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
12
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
13
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
14
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
15
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
16
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
17
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
18
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
19
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
20
Print made by William Blake, 1757–1827
Frontispiece, The Ancient of Days (Plate 1)
1794
21
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
22
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
23
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
24
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
25
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
26
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
27
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
28
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
29
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
30
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
31
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
32
Print made by William Blake, 1757–1827
Frontispiece, Europe. A Prophecy
ca. 1820
33
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
34
Sir David Wilkie, 1785–1841
The Chelsea Pensioners Reading the Waterloo Dispatch
before 1822
35
Robert Smirke, 1752–1845
Falstaff in the Boar's Head
1807
36
Print made by George Cruikshank, 1792–1878
London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
after 1857
37
Print made by George Cruikshank, 1792–1878
London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
38
Print made by Sir George Clausen, 1852–1944
Shifting Feed Sacks
undated
39
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach
after 1850
40
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
41
Print made by Bradshaw & Blacklock, active ca.1850
Albanian Scenes
after 1850
42
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach and View near Bingen
after 1850
43
Print made by Bradshaw & Blacklock, active ca.1850
Chepstow Castle
after 1850
44
Print made by Jacob Gole, 1660–1737
Love Scene
undated
45
Print made by Jacob Gole, 1660–1737
Drinking Scene
undated
46
John Nixon, ca. 1760–1818
The Steine, Brighton
1787
47
Sir James Thornhill, 1675–1734
Neptune
undated
48
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
49
John Linnell, 1792–1882
Millbank
1806
50
unknown artist
The Royal Sport, Pit Ticket
undated
51
Sir David Wilkie, 1785–1841
Sketch for "Reading the Will"
before 1820
52
Paul Sandby, 1731–1809
The Light Dragoons
undated
53
David Charles Read, 1790–1851
Landscape with two figures beside an old building
undated
54
unknown artist
Farmers Harvesting
undated
55
Paul Sandby, 1731–1809
A Group of Men on Westminster Pier
ca. 1752
56
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
57
Thomas Stothard, 1755–1834
For the Triumph of Britannia
undated
58
Sir James Thornhill, 1675–1734
The House of Commons
after 1731
59
Keith Vaughan, 1912–1977
Study for Fishermen and Bathers
ca. 1951
60
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808, published 1813
61
Print made by John Smith, the mezzotinter, 1652–1743
Tobias and the Angel
ca. 1685
62
Print made by Richard Parkes Bonington, 1802–1828
Les Pendus
ca. 1826
63
Print made by Richard Parkes Bonington, 1802–1828
Tour aux Archives a Vernon
1824
64
Print made by David Allan, 1744–1796
Pilgrims Paying Their Devotion in St. Peters at Rome
between 1773 and 1775
65
Thomas Ross, active from 1753
Riders, Figures and a Dog
undated
66
Thomas Rowlandson, 1756–1827
Doctor Syntax loses his Money on the Race Ground at York
1820
67
Thomas Rowlandson, 1756–1827
Fruit and Nut Picking
undated
68
Thomas Rowlandson, 1756–1827
Diners in a Chop Shop
between 1800 and 1805
69
Thomas Rowlandson, 1756–1827
Drawing Cover
undated
70
Thomas Girtin, 1775–1802
Glasgow Cathedral
between 1794 and 1795
71
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
72
Print made by Sir Charles D'Oyly, 1781–1845
Nuts or Indian Jugglers
ca. 1830
73
Print made by James McNeill Whistler, 1834–1903
The Smith's Yard
ca. 1895
74
Henry Thomas Alken, 1785–1851
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
75
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
76
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"
undated
77
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
undated
78
John Wootton, 1682–1764
A Meet: a Lady Rider Converses with a Gentleman Standing by His Horse..
undated
79
Thomas Rowlandson, 1756–1827
Dr Syntax outside the Halfway House
1821
80
Sir George Clausen, 1852–1944
Sketch of Three Laborers
undated
81
Thomas Stothard, 1755–1834
A Girl Giving a Key to a Cavalier
undated
82
Giulio Aristide Sartorio, 1860–1932
Study for Bacchanal
ca. 1894
83
unknown artist
Oh an Ill Wind that Blows Nobody Good
undated
84
Print made by Robert Spence, 1871–1964
We Went Back to Our Inn..
between 1890 and 1911
85
Print made by Robert Spence, 1871–1964
George Fox and Captain Keat
between 1890 and 1911
86
Print made by Robert Spence, 1871–1964
George Fox and the Old Priest
between 1890 and 1911
87
Print made by Robert Spence, 1871–1964
George Fox and Captain Keat
between 1890 and 1911
88
unknown artist
Portrait of Two Men
18th century
89
unknown artist
A Dissecting Scene
undated
90
Imitator of Renold Elstrack, 1570–1625(?)
George Villiers, first Duke of Buckingham
between 1700 and 1720
91
Print made by Sir David Young Cameron, 1865–1945
Porta del Molo, Genoa [North Italian Set: No. 23]
1896
92
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
93
M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
94
Print made by John Chalon, 1738 – 1795
Study
1789-1790
95
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
96
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
97
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
98
John Cousen, 1804–1880
Manse and Church of Cults, the Birthplace of Wilkie