<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Height [cm] 54

Remove constraint Height [cm]: 54

Search Results

Ben Nicholson May 64 (Kepler)
Ben Nicholson, 1894–1982
May 64 (Kepler)
1964
Not on view
William Ashford Mount Kennedy, County Wicklow, Ireland
William Ashford, 1746–1824
Mount Kennedy, County Wicklow, Ireland
1785
Not on view
Walter Richard Sickert A View of the Laguna, Venice
Walter Richard Sickert, 1860–1942
A View of the Laguna, Venice
1895 to 1896
Not on view
Walter Richard Sickert Carolina dell'Acqua
Walter Richard Sickert, 1860–1942
Carolina dell'Acqua
1903 to 1904
Not on view
William Henry Stothard Scott Brighton
William Henry Stothard Scott, 1783–1850
Brighton
1817
Not on view
Thomas Thornycroft Queen Victoria on Horseback
Thomas Thornycroft, 1815–1885
Queen Victoria on Horseback
1853
Not on view
unknown artist Allegory of Geometry
unknown artist
Allegory of Geometry
1796
Not on view
Robert Polhill Bevan The Bayhorse, Tattersall’s
Robert Polhill Bevan, 1865–1925
The Bayhorse, Tattersall’s
1921
George Stubbs Human Figure, Anterior View (Intended for a Plate That was Never Published)
George Stubbs, 1724–1806
Human Figure, Anterior View (Intended for a Plate That was Never Published)
1795 to 1806
George Stubbs Study of the Human Figure, Anterior View (Probably related to Table XI)
George Stubbs, 1724–1806
Study of the Human Figure, Anterior View (Probably related to Table XI)
1795 to 1806
George Stubbs Human Figure, Anterior View (Outline drawing)
George Stubbs, 1724–1806
Human Figure, Anterior View (Outline drawing)
1795 to 1806
George Stubbs Human Skeleton, Anterior View (Finished Study for Table I)
George Stubbs, 1724–1806
Human Skeleton, Anterior View (Finished Study for Table I)
1795 to 1806
George Stubbs Human Skeleton, Posterior View (Finished Study for Table II)
George Stubbs, 1724–1806
Human Skeleton, Posterior View (Finished Study for Table II)
1795 to 1806
George Stubbs Human Figure, Lateral View, Undissected (Finished Study for Table VIII)
George Stubbs, 1724–1806
Human Figure, Lateral View, Undissected (Finished Study for Table VIII)
between 1795 and 1806
George Stubbs Human Figure, Anterior View, Undissected (Finished Study for Table VI)
George Stubbs, 1724–1806
Human Figure, Anterior View, Undissected (Finished Study for Table VI)
1795 to 1806
George Stubbs Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)
George Stubbs, 1724–1806
Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)
between 1795 and 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
George Stubbs Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)
George Stubbs, 1724–1806
Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)
between 1795 and 1806
George Stubbs Human Figure, Posterior View, Undissected (Finished Study for Table VII)
George Stubbs, 1724–1806
Human Figure, Posterior View, Undissected (Finished Study for Table VII)
1795 to 1806
George Stubbs Human Figure, Posterior View
George Stubbs, 1724–1806
Human Figure, Posterior View
1795 to 1806
George Stubbs Fowl Body, Lateral View
George Stubbs, 1724–1806
Fowl Body, Lateral View
1795 to 1806
George Stubbs Fowl Body, Lateral View
George Stubbs, 1724–1806
Fowl Body, Lateral View
1795 to 1806
George Stubbs Labourers
Print made by George Stubbs, 1724–1806
Labourers
1789
George Stubbs Human Figure, Posterior View (Finished Study for an Unpublished Plate)
George Stubbs, 1724–1806
Human Figure, Posterior View (Finished Study for an Unpublished Plate)
1795 to 1806
George Stubbs Human Figure, Posterior View (Outline drawing for the key figure of an unpublished plate)
George Stubbs, 1724–1806
Human Figure, Posterior View (Outline drawing for the key figure of an unpublished plate)
1795 to 1806
George Stubbs Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)
George Stubbs, 1724–1806
Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)
between 1795 and 1806
George Stubbs Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)
George Stubbs, 1724–1806
Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
George Stubbs Fowl Body, Lateral View (Study for the Key Figure to Table XV)
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for the Key Figure to Table XV)
1795 to 1806
George Stubbs Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
George Stubbs, 1724–1806
Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
1795 to 1806
George Stubbs Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
George Stubbs, 1724–1806
Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
Edward Lear Lesser Sulphur-crested Cockatoo (Plate 4)
Edward Lear, 1812–1888
Lesser Sulphur-crested Cockatoo (Plate 4)
1832
Thomas Harrison Ceiling Plan for Clifton Castle
Attributed to Thomas Harrison, 1744–1829
Ceiling Plan for Clifton Castle
ca. 1780-1790
Johann Gottfried Haid Portrait of a Boy with a Sword
Print made by Johann Gottfried Haid, 1704–1767
Portrait of a Boy with a Sword
undated
John Raphael Smith Honorable Mrs. Stanhope
John Raphael Smith, 1752–1812
Honorable Mrs. Stanhope
1783
Niccoló Schiavonetti Charlotte (née Percy) Ashburnham, Viscountess St.Asaph
Niccoló Schiavonetti, 1771–1813
Charlotte (née Percy) Ashburnham, Viscountess St.Asaph
1812
Anthony Cardon Charlotte Sophia (née Leveson-Gower), Somerset, Duchess of Beaufort
Anthony Cardon, 1772–1813
Charlotte Sophia (née Leveson-Gower), Somerset, Duchess of Beaufort
1812
John Samuel Agar Lady Katherine Sophia (née Manners) Heathcote
John Samuel Agar, ca. 1773–1858
Lady Katherine Sophia (née Manners) Heathcote
1812
Anthony Cardon Mary Isabella, Duchess of Rutland
Anthony Cardon, 1772–1813
Mary Isabella, Duchess of Rutland
1812
John Dixon Lady Mary O'Brien
John Dixon, ca. 1740–1811
Lady Mary O'Brien
1774
Samuel William Reynolds Sir Joshua Reynolds
Samuel William Reynolds, 1773–1835
Sir Joshua Reynolds
1796
Henry Hoppner Meyer Lieutenant-General, The Honorable Charles William Stewart, K.B.
Henry Hoppner Meyer, ca. 1782–1847
Lieutenant-General, The Honorable Charles William Stewart, K.B
1814
Edward Fisher Elizabeth, Countess of Northumberland
Edward Fisher, 1722–1785
Elizabeth, Countess of Northumberland
undated
Henry Hoppner Meyer Hon. Charles William Stewart
Henry Hoppner Meyer, ca. 1782–1847
Hon. Charles William Stewart
1814
unknown artist Sketch for the Oil Painting "The Conversion of St. Paul"
unknown artist
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
James Wyatt Cobham Hall, Kent: Elevations of Stables
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1789
James Wyatt Cobham Hall, Kent: Plan of Stables and Coach Houses
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Stables and Coach Houses
1789
Humphry Repton A Plan, from an eye-survey of Cobham Hall and the park to the west, and a plan of Cobham Hall and the park as proposed to be altered
Humphry Repton, 1752–1818
A Plan, from an eye-survey of Cobham Hall and the park to the west, and a plan of Cobham Hall and the park as proposed to be altered
ca. 1790
Thomas Harrison Working Drawing for the Plasterwork of a Frieze for Clifton Castle
Attributed to Thomas Harrison, 1744–1829
Working Drawing for the Plasterwork of a Frieze for Clifton Castle
ca. 1780-1790
Sir Frank William Brangwyn Study for "Arabian Nights"
Sir Frank William Brangwyn, 1867–1956
Study for "Arabian Nights"
undated
James Bruce Tomb of Juba II near Algiers
James Bruce, 1730–1794
Tomb of Juba II near Algiers
undated
James Bruce Plan of the great temple of Baalbec and of Portico and Courts leading to it
James Bruce, 1730–1794
Plan of the great temple of Baalbec and of Portico and Courts leading to it
undated
James Parker The Fall of Agandecca
Print made by James Parker, 1750–1805
The Fall of Agandecca
1783
George Clint Edmond Antrobus, 1st Baronet
George Clint, 1770–1854
Edmond Antrobus, 1st Baronet
undated
James Jefferys Self-Portrait
James Jefferys, 1751–1784
Self-Portrait
between 1771 and 1775
Henry Moore Adam
Print made by Henry Moore, 1898–1986
Adam
1980
George Vertue Lincoln's - Inn Chappel
George Vertue, 1684–1756
Lincoln's - Inn Chappel
1751
William Humphrey Temptation
William Humphrey, 1745–1810
Temptation
1790
John Martin The Fall of Ninevah
John Martin, 1789–1854
The Fall of Ninevah
1829
Samuel Cousins Robert Burns
Print made by Samuel Cousins, 1801–1887
Robert Burns
1830
Thomas Malton the Younger The Great Court and Chapel of Trinity College in the University of Cambridge
Thomas Malton the Younger, 1748–1804
The Great Court and Chapel of Trinity College in the University of Cambridge
1798
James Walker The Spell, or Hobnelia
Print made by James Walker, 1748–1808
The Spell, or Hobnelia
1783
unknown artist Divo Antonino et Divae Faustinae
Print made by unknown artist
Divo Antonino et Divae Faustinae
1565
unknown artist Richard II - "Richard II", Act III, Scene II
unknown artist
Richard II - "Richard II", Act III, Scene II
ca. 1837
Giovanni Battista Borra Plan of the Second Theater of Laodicea and Details of a Composite Order
Giovanni Battista Borra, 1713–1770
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
Giovanni Battista Borra View of a Passage Cut into a Hillside
Giovanni Battista Borra, 1713–1770
View of a Passage Cut into a Hillside
ca. 1750
Giovanni Battista Borra Plan and View of the Third Theater at Laodicea
Giovanni Battista Borra, 1713–1770
Plan and View of the Third Theater at Laodicea
ca. 1750
Giovanni Battista Borra Details of the Ionic Temple at Toreh
Giovanni Battista Borra, 1713–1770
Details of the Ionic Temple at Toreh
ca. 1750
Giovanni Battista Borra Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
Giovanni Battista Borra, 1713–1770
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750
Giovanni Battista Borra View and Plan of the Theater of Hierapolis (now Pamukkale)
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
Giovanni Battista Borra Details of a Doric Order from Toreh
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from Toreh
ca. 1750
Giovanni Battista Borra Plan of the Temple of Juno at Samos and Details of a Column
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Juno at Samos and Details of a Column
ca. 1750
Giovanni Battista Borra Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
Giovanni Battista Borra, 1713–1770
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
ca. 1750
Giovanni Battista Borra Stromboli
Giovanni Battista Borra, 1713–1770
Stromboli
1750
Giovanni Battista Borra Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
Giovanni Battista Borra, 1713–1770
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
Giovanni Battista Borra Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
Giovanni Battista Borra, 1713–1770
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
Giovanni Battista Borra Members of a Ionic Temple in Ruins at Priene (now Turunclar)
Giovanni Battista Borra, 1713–1770
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
ca. 1750
Giovanni Battista Borra Members of an Ionic Temple at Teos
Giovanni Battista Borra, 1713–1770
Members of an Ionic Temple at Teos
ca. 1750
Giovanni Battista Borra The Members of a Corinthian Temple in Ruins at Ephesus
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
Giovanni Battista Borra Door in the Corinthian Order from Aphrodisias (now Geyve)
Giovanni Battista Borra, 1713–1770
Door in the Corinthian Order from Aphrodisias (now Geyve)
ca. 1750
Giovanni Battista Borra Remains of an Ionic Order and Circus at Aphrodisias
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
Giovanni Battista Borra Remains of an Ionic Temple of Bacchus at Aphrodisias
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Temple of Bacchus at Aphrodisias
ca. 1750
Giovanni Battista Borra Topographical View of the Pyramids at Giza
Giovanni Battista Borra, 1713–1770
Topographical View of the Pyramids at Giza
ca. 1750
Giovanni Battista Borra View and Plan of the Grotto of St. Jerome at Lydda (Lod)
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of St. Jerome at Lydda (Lod)
ca. 1750
Giovanni Battista Borra Sepolcro di Absalon
Giovanni Battista Borra, 1713–1770
Sepolcro di Absalon
ca. 1750
Giovanni Battista Borra View and Plan of the Grotto of Gethsemene
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of Gethsemene
ca. 1750
Giovanni Battista Borra Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
Giovanni Battista Borra Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
Giovanni Battista Borra, 1713–1770
Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
ca. 1750
Giovanni Battista Borra Details of a Composite Order from the Temple of Augustus at Mylasa
Giovanni Battista Borra, 1713–1770
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
Giovanni Battista Borra Details of a Corinthian Order at Geramo
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order at Geramo
ca. 1750
Giovanni Battista Borra A Doorway from Geramo
Giovanni Battista Borra, 1713–1770
A Doorway from Geramo
ca. 1750
Giovanni Battista Borra Details of a Corinthian Order from a Temple at Cnidus
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Cnidus
ca. 1750
Giovanni Battista Borra Details of a Corinthian Order, Possibly from Mylasa
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
Giovanni Battista Borra Details of the Doric Order from the Athenian Temple of Apollo at Delos
Giovanni Battista Borra, 1713–1770
Details of the Doric Order from the Athenian Temple of Apollo at Delos
1751
Giovanni Battista Borra View of the Valley of Sardis and View of a Ruined Bridge
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
Giovanni Battista Borra Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
Giovanni Battista Borra Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
Giovanni Battista Borra, 1713–1770
Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
ca. 1750