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Ben Nicholson May 64 (Kepler)
Ben Nicholson, 1894–1982
May 64 (Kepler)
1964
Not on view
William Henry Stothard Scott Brighton
William Henry Stothard Scott, 1783–1850
Brighton
1817
Not on view
William Ashford Mount Kennedy, County Wicklow, Ireland
William Ashford, 1746–1824
Mount Kennedy, County Wicklow, Ireland
1785
Not on view
Walter Richard Sickert A View of the Laguna, Venice
Walter Richard Sickert, 1860–1942
A View of the Laguna, Venice
1895 to 1896
Not on view
Walter Richard Sickert Carolina dell'Acqua
Walter Richard Sickert, 1860–1942
Carolina dell'Acqua
1903 to 1904
Not on view
Thomas Thornycroft Queen Victoria on Horseback
Thomas Thornycroft, 1815–1885
Queen Victoria on Horseback
1853
Not on view
unknown artist Allegory of Geometry
unknown artist
Allegory of Geometry
1796
Not on view
Robert Polhill Bevan The Bayhorse, Tattersall’s
Robert Polhill Bevan, 1865–1925
The Bayhorse, Tattersall’s
1921
George Stubbs Labourers
Print made by George Stubbs, 1724–1806
Labourers
1789
George Stubbs Human Figure, Anterior View, Undissected (Finished Study for Table VI)
George Stubbs, 1724–1806
Human Figure, Anterior View, Undissected (Finished Study for Table VI)
1795 to 1806
George Stubbs Human Figure, Lateral View, Undissected (Finished Study for Table VIII)
George Stubbs, 1724–1806
Human Figure, Lateral View, Undissected (Finished Study for Table VIII)
between 1795 and 1806
George Stubbs Human Figure, Posterior View, Undissected (Finished Study for Table VII)
George Stubbs, 1724–1806
Human Figure, Posterior View, Undissected (Finished Study for Table VII)
1795 to 1806
George Stubbs Human Figure, Anterior View (Outline drawing)
George Stubbs, 1724–1806
Human Figure, Anterior View (Outline drawing)
1795 to 1806
George Stubbs Study of the Human Figure, Anterior View (Probably related to Table XI)
George Stubbs, 1724–1806
Study of the Human Figure, Anterior View (Probably related to Table XI)
1795 to 1806
George Stubbs Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)
George Stubbs, 1724–1806
Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)
between 1795 and 1806
George Stubbs Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
George Stubbs, 1724–1806
Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
1795 to 1806
George Stubbs Human Figure, Posterior View
George Stubbs, 1724–1806
Human Figure, Posterior View
1795 to 1806
George Stubbs Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)
George Stubbs, 1724–1806
Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)
between 1795 and 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Fowl Body, Lateral View (Study for the Key Figure to Table XV)
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for the Key Figure to Table XV)
1795 to 1806
George Stubbs Fowl Body, Lateral View
George Stubbs, 1724–1806
Fowl Body, Lateral View
1795 to 1806
George Stubbs Fowl Body, Lateral View
George Stubbs, 1724–1806
Fowl Body, Lateral View
1795 to 1806
George Stubbs Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)
George Stubbs, 1724–1806
Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)
between 1795 and 1806
George Stubbs Human Skeleton, Anterior View (Finished Study for Table I)
George Stubbs, 1724–1806
Human Skeleton, Anterior View (Finished Study for Table I)
1795 to 1806
George Stubbs Human Skeleton, Posterior View (Finished Study for Table II)
George Stubbs, 1724–1806
Human Skeleton, Posterior View (Finished Study for Table II)
1795 to 1806
George Stubbs Human Figure, Anterior View (Intended for a Plate That was Never Published)
George Stubbs, 1724–1806
Human Figure, Anterior View (Intended for a Plate That was Never Published)
1795 to 1806
George Stubbs Human Figure, Posterior View (Outline drawing for the key figure of an unpublished plate)
George Stubbs, 1724–1806
Human Figure, Posterior View (Outline drawing for the key figure of an unpublished plate)
1795 to 1806
George Stubbs Human Figure, Posterior View (Finished Study for an Unpublished Plate)
George Stubbs, 1724–1806
Human Figure, Posterior View (Finished Study for an Unpublished Plate)
1795 to 1806
George Stubbs Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
George Stubbs, 1724–1806
Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)
George Stubbs, 1724–1806
Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
Edward Lear Lesser Sulphur-crested Cockatoo (Plate 4)
Edward Lear, 1812–1888
Lesser Sulphur-crested Cockatoo (Plate 4)
1832
James Wyatt Cobham Hall, Kent: Sketch of Stables
James Wyatt, 1746–1813
Cobham Hall, Kent: Sketch of Stables
ca. 1790
Thomas Harrison Working Drawing for the Plasterwork of a Frieze for Clifton Castle
Attributed to Thomas Harrison, 1744–1829
Working Drawing for the Plasterwork of a Frieze for Clifton Castle
ca. 1780-1790
Sir Frank William Brangwyn Study for "Arabian Nights"
Sir Frank William Brangwyn, 1867–1956
Study for "Arabian Nights"
undated
unknown artist Sketch for the Oil Painting "The Conversion of St. Paul"
unknown artist
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
Samuel Davis View of Shershah's Tomb at Sasaram in Bihar
Samuel Davis, 1760–1819
View of Shershah's Tomb at Sasaram in Bihar
ca. 1779
Samuel Davis Rocky River Scene with Sepoys
Samuel Davis, 1760–1819
Rocky River Scene with Sepoys
undated
Samuel Davis View in St. Helena
Samuel Davis, 1760–1819
View in St. Helena
1806
Samuel Davis The Hurduar Looking Up the River
Samuel Davis, 1760–1819
The Hurduar Looking Up the River
undated
Samuel Davis Ladrone Islands in the China Sea
Samuel Davis, 1760–1819
Ladrone Islands in the China Sea
undated
Robert Adam Headfort House, Ireland: Section of the Staircase
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
between 1771 and 1775
Robert Adam Headfort House, Ireland: Section of the Staircase
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
1771 or 1772
Robert Adam Headfort House, Ireland: Section of the Staircase
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
between 1771 and 1775
Robert Adam Headfort House, Ireland: Staircase Ceiling
Robert Adam, 1728–1792
Headfort House, Ireland: Staircase Ceiling
between 1771 and 1775
Robert Adam Headfort House, Ireland: Section of the Staircase
Robert Adam, 1728–1792
Headfort House, Ireland: Section of the Staircase
between 1771 and 1775
Robert Adam Headfort House, Ireland: Detail of Entablature in the Staircase
Robert Adam, 1728–1792
Headfort House, Ireland: Detail of Entablature in the Staircase
between 1771 and 1775
Thomas Harrison Ceiling Plan for Clifton Castle
Attributed to Thomas Harrison, 1744–1829
Ceiling Plan for Clifton Castle
ca. 1780-1790
William Dickinson Elizabeth Godden (née Houghton), Lady Taylor
Print made by William Dickinson, 1746–1823
Elizabeth Godden (née Houghton), Lady Taylor
ca. 1775
Ludwig von Siegen Mary Stuart, Princess of Orange
Print made by Ludwig von Siegen, 1609–c.1680
Mary Stuart, Princess of Orange
1643
Ludwig von Siegen William II, Prince of Orange
Print made by Ludwig von Siegen, 1609–c.1680
William II, Prince of Orange
1644
Richard Earlom Colonel Mordaunt's Cock Match at Lucknow
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
James Ward The Douglas Children
Print made by James Ward, 1769–1859
The Douglas Children
1799
William Say The Ecstasy of St. Francis
Print made by William Say, 1768–1834
The Ecstasy of St. Francis
1809
Thomas Cheesman Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip
Print made by Thomas Cheesman, 1760–1834/35
Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip
1791
John Raphael Smith Sophia Western
Print made by John Raphael Smith, 1752–1812
Sophia Western
1784
Charles Knight Miss Farren
Print made by Charles Knight, 1743–c.1826
Miss Farren
1791
Charles Collins Two Wood Pigeons
Charles Collins, 1680–1744
Two Wood Pigeons
1736
William Ward The Daughters of Sir Thomas Frankland
Print made by William Ward, 1766–1826
The Daughters of Sir Thomas Frankland
1797
James Ward The Hoppner Children
Print made by James Ward, 1769–1859
The Hoppner Children
1799
Henry Moore Femme Allongée
Print made by Henry Moore, 1898–1986
Femme Allongée
1973
James Bruce Architectural Detail with Measurements both sides of Sheet; From Temple at Thignica, Modern Ain Tunga
James Bruce, 1730–1794
Architectural Detail with Measurements both sides of Sheet; From Temple at Thignica, Modern Ain Tunga
undated
James Bruce Plate II Tombe de la Chretienne
James Bruce, 1730–1794
Plate II Tombe de la Chretienne
undated
James Bruce Aquaduct of Julia Ceasarea
James Bruce, 1730–1794
Aquaduct of Julia Ceasarea
undated
James Bruce Calotropis procera (Ait.) Ait. f. (Apple of Sodom, Auricular Tree): finished drawing of flowering and fruiting plant
James Bruce, 1730–1794
Calotropis procera (Ait.) Ait. f. (Apple of Sodom, Auricular Tree): finished drawing of flowering and fruiting plant
ca. 1769
Edward Goodall Tivoli, a Composition
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
Edward Goodall Tivoli, a Composition
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
Henry Moore Adam
Print made by Henry Moore, 1898–1986
Adam
1980
Edward Goodall Tivoli, a Composition
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
James Wyatt Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
James Wyatt, 1746–1813
Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
ca. 1790
James Wyatt Cobham Hall, Kent: New Passage by Butler's Pantry
James Wyatt, 1746–1813
Cobham Hall, Kent: New Passage by Butler's Pantry
ca. 1790
Humphry Repton A Plan, from an eye-survey of Cobham Hall and the park to the west, and a plan of Cobham Hall and the park as proposed to be altered
Humphry Repton, 1752–1818
A Plan, from an eye-survey of Cobham Hall and the park to the west, and a plan of Cobham Hall and the park as proposed to be altered
ca. 1790
Giovanni Battista Borra Frieze and Capitals (from Priene?)
Giovanni Battista Borra, 1713–1770
Frieze and Capitals (from Priene?)
ca. 1750
Giovanni Battista Borra Details of a Corinthian Temple on the Acropolis of Pergamon
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Temple on the Acropolis of Pergamon
ca. 1750
James Wyatt Cobham Hall, Kent: Elevations of Stables
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1789
James Wyatt Cobham Hall, Kent: Plan of Stables and Coach Houses
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Stables and Coach Houses
1789
James Wyatt Cobham Hall, Kent: Plan of the Stables
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Stables
1790
James Wyatt Cobham Hall, Kent: Elevations of Stables
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
Sir James Thornhill A Design for a Ceiling
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
William Whiston Barney The Right Honourable John Hookham Frere
Print made by William Whiston Barney, active 1805–1817
The Right Honourable John Hookham Frere
1810
William Miller Modern Italy
Print made by William Miller, 1796–1882
Modern Italy
1842
Anthony Cardon Charlotte Sophia (née Leveson-Gower), Somerset, Duchess of Beaufort
Anthony Cardon, 1772–1813
Charlotte Sophia (née Leveson-Gower), Somerset, Duchess of Beaufort
1812
Edward Goodall Caligula's Palace and Bridge, Bay of Baiæ
Print made by Edward Goodall, 1795–1870
Caligula's Palace and Bridge, Bay of Baiæ
1842
W. R. Smith Dido and Aeneas; The Morning of the Chase
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842
Francesco Bartolozzi The Earl of Mansfield
Print made by Francesco Bartolozzi, 1728–1815
The Earl of Mansfield
1786
Edward Goodall Caligula's Palace and Bridge, Bay of Baiæ
Print made by Edward Goodall, 1795–1870
Caligula's Palace and Bridge, Bay of Baiæ
1842
George Hollis St. Mark's Place, Venice - Juliet and her Nurse
Print made by George Hollis, 1792–1842
St. Mark's Place, Venice - Juliet and her Nurse
1842
John Raphael Smith Honorable Mrs. Stanhope
John Raphael Smith, 1752–1812
Honorable Mrs. Stanhope
1783
Henry Hoppner Meyer Lieutenant-General, The Honorable Charles William Stewart, K.B.
Henry Hoppner Meyer, ca. 1782–1847
Lieutenant-General, The Honorable Charles William Stewart, K.B
1814
John Samuel Agar Lady Katherine Sophia (née Manners) Heathcote
John Samuel Agar, ca. 1773–1858
Lady Katherine Sophia (née Manners) Heathcote
1812
John Cousen Mercury and Herse
Print made by John Cousen, 1804–1880
Mercury and Herse
1842
George Hollis St. Mark's Place, Venice - Juliet and her Nurse
Print made by George Hollis, 1792–1842
St. Mark's Place, Venice - Juliet and her Nurse
1842
Samuel William Reynolds Sir Joshua Reynolds
Samuel William Reynolds, 1773–1835
Sir Joshua Reynolds
1796
Giovanni Battista Borra Plan, View and Second Plan of Ruins at Sardis
Giovanni Battista Borra, 1713–1770
Plan, View and Second Plan of Ruins at Sardis
ca. 1750
Giovanni Battista Borra Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
Giovanni Battista Borra The Members of a Corinthian Temple in Ruins at Ephesus
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
Giovanni Battista Borra Door in the Corinthian Order from Aphrodisias (now Geyve)
Giovanni Battista Borra, 1713–1770
Door in the Corinthian Order from Aphrodisias (now Geyve)
ca. 1750