Height [cm]: 50 - YCBA Collections Search Search Results

William Sharp, 1749–1824

King Lear: Act III, Scene IV

1793

Print made by Henry Kingsbury, active 1750–1780

Anthony Webster as Comus

1781

Peter Simon, 1750–1810

Taming of the Shrew, Act II Scene II

1795

Figures engraved by William Sharp, 1749–1824

Niobe

1792

Print made by Francesco Bartolozzi, 1728–1815

St. Nil

1762

William Ward, 1766–1826

The Sportsman's Return

1792 (re-issue of 1791)

Joseph Grozer, ca. 1755–1798

Morning or the Benevolent Sportsman

1795

Frederick Rosenberg, active 1816–1832

Coaching: The Royal Mails Preparing to Start for the West of England

1831

James Gillray, 1756–1815

Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"

1798

John Buckler FSA Title Page: Castellated and Domestic Architecture of England and Wales from the 11th Century to the 19th, Vol. 2, Drawn by J. Buckler, F.S.A. & J.C. Buckler for T. L. Parker, Esqr.

John Buckler FSA, 1770–1851

Title Page: Castellated and Domestic Architecture of England and Wales from the 11th Century to the 19th, Vol. 2, Drawn by J. Buckler, F.S.A. & J.C. Buckler for T. L. Parker, Esqr

undated

Print made by Johann Jacobus Haid, 1704–1767

La fille éveillée

undated

Keith Vaughan, 1912–1977

Foreshore and Figures

1948

Niccoló Schiavonetti, 1771–1813

Sir Joseph Banks, 1st Baronet

1812

William Say, 1768–1834

Reverend. Shute Barrington L.L.D

1812

John Raphael Smith, 1752–1812

Shepherd's Meal

1803

Thomas Malton the Younger, 1748–1804

Cambridge University: Emmanuel College

1799

Thomas Malton the Younger, 1748–1804

The Sessions House for the County of Middlesex

1799

Thomas Malton the Younger, 1748–1804

Cambridge University: Queens College

1800

Print made by Frederick Bromley, active 1856–1860

Sir Robert Chambers

1862

Print made by Francesco Bartolozzi, 1728–1815

Cupid Disarmed by Venus

1804

Robert Dunkarton, 1744–1811

Portrait of Mr. James Brindley

1770

Edward Wadsworth, 1889–1949

Study for "Rue Bompart, Marseilles"

1924

William Johnstone White, active 1804–died c.1870

Representation of the Festival for the Return of Peace

1815

John Raphael Smith, 1752–1812

"William and Margaret"

1802

Francesco Bartolozzi, 1728–1815

The Rural Italian's Wedding

1775

Thomas Burke, 1749–1815

Samma the Demoniac weeping over the ashes of his youngest son Benoi

1772

Print made by Pierre Charles Canot, ca. 1710–1777

Geometrical Plan of his Majesty's Dockyard, Deptford

1755

Print made by Pierre Charles Canot, ca. 1710–1777

Geometrical Plan of his Majesty's dockyard, at Sheerness

1755

Print made by Pierre Charles Canot, ca. 1710–1777

Geometrical Plan of his Majesty's Dockyard, at Chatham

1755

Thomas Robins the elder, 1715–1770

View of Gloucestershire Country House

ca. 1755

Richard Earlom, 1743–1822

The Inside of the Pantheon in Oxford Road

1772

Print made by William Daniell, 1769–1837

An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs

1802

George Denholm Armour, 1864–1949

Some Have Greatness Thrust Upon Them

undated

Francesco Bartolozzi, 1728–1815

To the Royal Kentish Bowmen, This Plate of His Royal Highness, The Prince of Wales

1795

Allan Ramsay, 1713–1784

Study for the Portrait of William Guise

ca. 1761

Paul Sandby, 1731–1809

Woolwich Warren

undated

attributed to Thomas Hearne, 1744–1817

Giant Oaks

undated

William Henry Hunt, 1790–1864

The Portico of St. Martin-in-the-Fields

ca. 1862

attributed to Richard Wilson, 1713/4–1782

Full-length Study of a Young Man

undated

James Barry, 1741–1806

Male with Arms Spread Wide Seen from Behind

undated

unknown artist

Interior of Milan Cathedral

undated

Print made by Edward Goodall, 1795–1870

Cologne on the Rhine

1824

John Miller, Before c.1750

St. Paul's, Covent Garden

between 1765 and 1775

James Bruce, 1730–1794

Quadrifrontal Arch, Tripoli

undated

George Morland, 1763–1804

Youth Diverting Age

1789

L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]

L. Truchy, 1721–1764

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]

1735

L. Truchy, 1721–1764

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]

1735

L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]

L. Truchy, 1721–1764

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]

1735

Print made by Henry Hoppner Meyer, ca. 1782–1847

Lady Elizabeth and Lady Henrietta Montagu

1812

Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1792

Print made by Charles Knight, 1743–c.1826

Miss Farren

1791

Print made by Charles Knight, 1743–c.1826

Miss Farren

1791

Print made by Charles Knight, 1743–c.1826

Miss Farren

1791

Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1792

Print made by Samuel Cousins, 1801–1887

Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart

1833

George Morland, 1763–1804

Childish Amusement

1789

Richard Gilson Reeve, 1803–1889

Set of four: (3) A Litter of Hares

1811