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John Constable Hampstead Heath
John Constable, 1776–1837
Hampstead Heath
between 1820 and 1830
Not on view
James Paterson Castlefairn
James Paterson, 1854–1932
Castlefairn
between 1890 and 1895
Not on view
James Ward Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether
James Ward, 1769–1859
Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether
between 1801 and 1807
Not on view
Richard Wilson Lago d'Agnano with the Grotta del Cane
Richard Wilson, 1713/4–1782
Lago d'Agnano with the Grotta del Cane
between 1770 and 1775
Not on view
Philippe-Jacques de Loutherbourg The Angel Binding Satan
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
Not on view
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
unknown artist Sketch for the Oil Painting "The Conversion of St. Paul"
unknown artist
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
John Glover St. Donat's Castle, Glamorganshire
John Glover, 1767–1849
St. Donat's Castle, Glamorganshire
undated
unknown artist St. Martin's Church
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
unknown artist The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
Print made by unknown artist
The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
between 1720 and 1750
George Siegmund Facius West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
1805
William Woollett Celadon and Amelia
Engraved by William Woollett, 1735–1785
Celadon and Amelia
1766
J. P. Quilley The Deluge
Print made by J. P. Quilley, active 1828
The Deluge
1828
Pierre Charles Canot The Great Bridge over the Taafe
Pierre Charles Canot, ca. 1710–1777
The Great Bridge over the Taafe
1775
Francesco Bartolozzi Juvenis auscultans seni de divinis admonenti
Print made by Francesco Bartolozzi, 1728–1815
Juvenis auscultans seni de divinis admonenti
1764
James Walker Bridgenorth
Print made by James Walker, 1748–1808
Bridgenorth
1795
Gerard van der Gucht The Cape of Good Hope
Print made by Gerard van der Gucht, 1696–1776
The Cape of Good Hope
1736
Henry Tresham The Ascent of Vesuvius
Henry Tresham, 1751–1814
The Ascent of Vesuvius
1785 to 1790
William Woollett The Fishery
Print made by William Woollett, 1735–1785
The Fishery
1768
John Robert Cozens The Bay of Naples from Capodimonte
John Robert Cozens, 1752–1797
The Bay of Naples from Capodimonte
1790
John Dean Lady Gertrude Fitzpatrick as Collina
Print made by John Dean, 1754–1798
Lady Gertrude Fitzpatrick as Collina
1780