Height [cm]: 45 / Width [cm]: 33 - YCBA Collections Search Search Results

1. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. 'The thunder, if in that the Almighty dwells' (Page 80)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Night the First. On Life, Death and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. 'Oft bursts my song beyond the bounds of life' (Page 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. 'Time, in advance, behind him hides his wings' (Page 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'Measuring his motions by revolving spheres' (Page 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'Death! great proprietor of all! 'tis thine' (Page 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. 'Swift on his downy pinion flies from woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Miss Sarah Campbell

Creator:: Valentine Green, 1739–1813
Date:: 1779
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 18 × 13 1/4 inches (45.7 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. St. Martin's Church

Creator:: Print made by unknown artist
Date:: between 1731 and 1754
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

Creator:: Print made by unknown artist
Date:: between 1720 and 1750
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 11/16 x 14 7/16 inches (44.9 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. St. Giles' Catholic Church: Elevation of the Steeple

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Pen and black ink, with line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 17 1/2 × 13 1/8 inches (44.5 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Design for a Church. Elevation of West Front

Creator:: attributed to Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, moderately textured, crean laid paper
Dimensions:: Sheet: 17 1/2 x 13 1/8 inches (44.5 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Caroline Duchess of Marlborough with Lady Caroline Spencer Her Daughter

Creator:: Print made by James Watson, 1740–1790
Date:: 1768
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 13 inches (44.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. James Paine and his Son

Creator:: Print made by James Watson, 1740–1790
Date:: 1767
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 × 13 1/8 inches (45.7 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

41. Elizabeth Godden (née Houghton), Lady Taylor

Creator:: Print made by William Dickinson, 1746–1823
Date:: ca. 1775
Materials & Techniques:: Mezzotint (only state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 × 16 1/2 inches (54 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42. Samuel Johnson, L. L. D.

Creator:: Print made by William Doughty, 1757–1782
Date:: 1779
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/8 x 13 11/16 inches (46.1 x 34.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

43. Elizabeth, Countess of Derby

Creator:: Print made by John Dean, 1754–1798
Date:: 1780
Materials & Techniques:: Mezzotint (only state) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/8 × 14 3/8 inches (51.1 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

44. Der Geiz sucht Fäden

Creator:: Print made by Valentin Daniel Preissler, 1717–1765
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 13 inches (44.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy

Creator:: John Watts, active 1766–1786
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 3/16 × 14 3/4 inches (51.3 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

46. St. Nil

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1762
Materials & Techniques:: Etching on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 19 9/16 x 12 15/16 inches (49.7 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Rev. William Mason, M. A.

Creator:: Print made by William Doughty, 1757–1782
Date:: 1779
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/16 x 14 3/4 inches (48.8 x 37.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Frank Altschul, Yale BA 1908, Yale PhD (HON.) 1967

48. Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

Creator:: John Dixon, ca. 1740–1811
Date:: 1771
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/8 x 14 inches (48.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Frances Teresa Stewart, Duchess of Richmond and Lennox

Creator:: Thomas Watson, 1743–1781
Date:: 1779
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 16 3/4 inches (49.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Henrietta, Countess of Rochester

Creator:: Thomas Watson, 1743–1781
Date:: 1779
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 16 3/8 inches (49.8 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Samuel Dyer

Creator:: Giuseppe Marchi, ca. 1735–1808
Date:: 1773
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 17 5/8 × 13 1/8 inches (44.8 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Samuel Foote

Creator:: John Blackmore, active 1740–1780
Date:: 1771
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 17 3/4 × 13 1/4 inches (45.1 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Thomas Tomkins

Creator:: Charles Turner, 1774–1857
Date:: 1805
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 17 5/8 × 13 inches (44.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. John Boydell, Engraver

Creator:: Valentine Green, 1739–1813
Date:: 1772
Materials & Techniques:: Mezzotint on moderately thick, modereately textured, cream laid paper, laid on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/8 x 13 5/16 inches (46.6 x 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Why... Because...

Creator:: Print made by Alfred Henry Forrester, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 17 13/16 x 13 inches (45.3 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The World is Folly's Toy

Creator:: Print made by Alfred Henry Forrester, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 17 13/16 x 12 7/8 inches (45.3 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Follies of Costume

Creator:: Print made by Alfred Henry Forrester, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 17 7/8 x 13 inches (45.4 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Very Fresh Fish

Creator:: Print made by Alfred Henry Forrester, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 17 13/16 x 13 inches (45.2 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. A Wife - Une Femme Mariee

Creator:: John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 7/8 × 14 1/2 inches (50.5 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. What You Will - Ce Qui Vous Plaira

Creator:: John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 23 3/16 × 17 1/4 inches (58.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Alfred Crowquill's Christmas

Creator:: Print made by Alfred Henry Forrester, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 17 13/16 x 13 inches (45.3 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Samuel Foote Esq.

Creator:: Print made by John Blackmore, active 1740–1780
Date:: 1771
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 13/16 × 13 inches (45.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Bronze Tablet in Oscan Language, Known as the ”Tavola d’Agnone”

Creator:: Stephen Thompson, active 19th century
Date:: ca. 1870
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 10 1/8 × 6 7/8 inches (25.7 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

64. Roman Bronze Bust of a Young Man in the British Museum

Creator:: Stephen Thompson, active 19th century
Date:: early 1870s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 9 5/8 × 7 1/2 inches (24.4 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

65. Marble Portrait Statue of a Veiled Priestess at the British Museum

Creator:: Stephen Thompson, active 19th century
Date:: early 1870s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 8 inches (26 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

66. The Tea Party

Creator:: Marcellus Laroon the Younger, 1679–1772
Date:: ca. 1770
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 17 7/8 × 13 inches (45.4 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. John Flaxman

Creator:: Charles Turner, 1774–1857
Date:: 1827
Dimensions:: Sheet: 17 1/2 x 13in. (44.5 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. James McArdell

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1771
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 17 13/16 × 12 15/16 inches (45.3 × 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Zoological Education

Creator:: Print made by Alfred Henry Forrester, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 17 3/4 x 12 15/16 inches (45.1 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Turnips & Carrots ho

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 × 13 3/4 inches (44.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Entrance from the Piazza

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 9/16 x 12 13/16 inches (44.6 x 32.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

72. Lady Whitmore

Creator:: Thomas Watson, 1743–1781
Date:: 1778
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 x 12 15/16in. (45.1 x 32.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Caroline Duchess of Marlborogh with Lady Caroline Spencer her Daughter

Creator:: James Watson, 1740–1790
Date:: 1768
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Lady Gertrude Fitzpatrick

Creator:: John Dean, 1754–1798
Date:: 1782
Materials & Techniques:: Mezzotint on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 22 3/4 × 18 1/16 inches (57.8 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Lady Gertrude Fitzpatrick as Collina

Creator:: Print made by John Dean, 1754–1798
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/2 x 13 15/16 inches (47 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. Mrs. Bonfoy

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: ca. 1755
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 17 9/16 × 13 inches (44.6 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. Ludlow Castle, Shropshire

Creator:: Valentine Green, 1739–1813
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 3/4 x 13in. (45.1 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Miss Kitty Dressing

Creator:: Thomas Watson, 1743–1781
Date:: 1781
Materials & Techniques:: Mezzotint, 1st state, proof before title
Dimensions:: Plate: 17 7/8 x 13in. (45.4 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Self-Portrait

Creator:: James Ward, 1769–1859
Date:: 1807
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 3/4 x 13in. (45.1 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Caroline Spencer, Duchess of Marlborough, With Her Daughter, Lady Caroline Spencer

Creator:: James Watson, 1740–1790
Date:: 1768
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/16 × 13 1/2 inches (46.2 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy

Creator:: John Watts, active 1766–1786
Date:: 1780
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 18 1/4 × 13 1/4 inches (46.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Frances Brooke, Lady Whitmore

Creator:: Thomas Watson, 1743–1781
Date:: 1778
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/8 × 13 7/16 inches (46.7 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Untitled

Creator:: John Golding, 1929–2012
Date:: 1963
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 × 13 inches (45.1 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the John Golding Artistic Trust, 2017

84. Untitled Figure Drawing

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 4 1/8 inches (19.7 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Geoffrey and Renée Hartman

85. Sir Lucas Pepys, Bart.

Creator:: Print made by James Godby, 1767–1849
Date:: 1809
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 7/8 × 14 1/2 inches (45.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

YCBA Collections Search

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1. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

2. 'What, though my soul fantastick measures trod' (Page 4)

3. The Christian Triumph; Title Page

4. 'Till death, that mighty hunter, earths them all' (Page 70)

5. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

6. 'The thunder, if in that the Almighty dwells' (Page 80)

7. 'When faith is virtue, reason makes it so' (Page 92)

8. 'If angels tremble, 'tis at such a sight' (Page 93)

9. 'The goddess bursts in thunder and in flame' (Page 95)

10. 'Till at Death's toll, whose restless iron tongue' (Page 7)

11. 'Disease invades the chastest temperence' (Page 10)

12. Night the First. On Life, Death and Immortality; Title Page

13. 'Oft bursts my song beyond the bounds of life' (Page 16)

14. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

15. 'Emblem of that which shall awake the dead' (Page 19)

16. 'We censure nature for a span too short' (Page 23)

17. 'Behold him, when past by; what then is seen' (Page 25)

18. 'Time, in advance, behind him hides his wings' (Page 24)

19. 'Measuring his motions by revolving spheres' (Page 26)

20. 'Tis greatly wise to talk with our past hours' (Page 31)

21. 'One radiant mark, – the death-bed of the just' (Page 41)

22. Night the Third. Narcissa; Title Page

23. 'Death! great proprietor of all! 'tis thine' (Page 8)

24. 'Its favours here are trials, not rewards' (Page 12)

25. 'The present moment terminates our sight' (Page 13)

26. 'Angels should paint it, angels ever there' (Page 40)

27. 'His hand the good man fastens on the skies' (Page 86)

28. 'That touch, with charm celestial heals the soul' (Page 90)

29. 'The longest night though longer far, would fail' (Page 15)

30. 'Teaching, we learn; and giving, we retain' (Page 35)

31. 'Love, and love only, is the loan for love' (Page 37)

32. 'Like that, the dial speaks; and points to thee' (Page 33)

33. 'Swift on his downy pinion flies from woe' (Page 1)

34. Miss Sarah Campbell

35. St. Martin's Church

36. The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

37. St. Giles' Catholic Church: Elevation of the Steeple

38. Design for a Church. Elevation of West Front

39. Caroline Duchess of Marlborough with Lady Caroline Spencer Her Daughter

40. James Paine and his Son

41. Elizabeth Godden (née Houghton), Lady Taylor

42. Samuel Johnson, L. L. D.

43. Elizabeth, Countess of Derby

44. Der Geiz sucht Fäden

45. Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy

46. St. Nil

47. The Rev. William Mason, M. A.

48. Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

49. Frances Teresa Stewart, Duchess of Richmond and Lennox

50. Henrietta, Countess of Rochester

51. Samuel Dyer

52. Samuel Foote

53. Thomas Tomkins

54. John Boydell, Engraver

55. Why... Because...

56. The World is Folly's Toy

57. The Follies of Costume

58. Very Fresh Fish

59. A Wife - Une Femme Mariee

60. What You Will - Ce Qui Vous Plaira

61. Alfred Crowquill's Christmas

62. Samuel Foote Esq.

63. Bronze Tablet in Oscan Language, Known as the ”Tavola d’Agnone”

64. Roman Bronze Bust of a Young Man in the British Museum

65. Marble Portrait Statue of a Veiled Priestess at the British Museum

66. The Tea Party

67. John Flaxman

68. James McArdell

69. Zoological Education

70. Turnips & Carrots ho

71. Entrance from the Piazza

72. Lady Whitmore

73. Caroline Duchess of Marlborogh with Lady Caroline Spencer her Daughter

74. Lady Gertrude Fitzpatrick