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John Constable Ploughing Scene in Suffolk
John Constable, 1776–1837
Ploughing Scene in Suffolk
1824 to 1825
Not on view
John Constable Cloud Study
John Constable, 1776–1837
Cloud Study
1822
Not on view
John Constable Cloud Study
John Constable, 1776–1837
Cloud Study
1822
Not on view
Richard Parkes Bonington Near Quillebeuf
Richard Parkes Bonington, 1802–1828
Near Quillebeuf
between 1824 and 1825
On view at YUAG
William Blake Virgin and Child
William Blake, 1757–1827
Virgin and Child
between 1810 and 1820
Not on view
James Stark Sheep Washing at Postwick Grove, Norwich
James Stark, 1794–1859
Sheep Washing at Postwick Grove, Norwich
ca. 1822
Not on view
Sir Lawrence Alma-Tadema Sunny Days
Sir Lawrence Alma-Tadema, 1836–1912
Sunny Days
1874
Not on view
Richard Wilson Cicero's Villa and the Gulf of Pozzuoli
Richard Wilson, 1713/4–1782
Cicero's Villa and the Gulf of Pozzuoli
1773 to 1780
Not on view
Richard Wilson Hadrian's Villa
Richard Wilson, 1713/4–1782
Hadrian's Villa
between 1775 and 1782
Not on view
Henry Singleton The Surrender of the Two Sons of Tipu Sahib, Sultan of Mysore, to Sir David Baird
Henry Singleton, 1766–1839
The Surrender of the Two Sons of Tipu Sahib, Sultan of Mysore, to Sir David Baird
ca. 1800
Not on view
George Smith An Autumn Landscape with Apple Pickers
George Smith, 1714–1776
An Autumn Landscape with Apple Pickers
mid-18th century
Not on view
George Smith Hop Pickers Outside a Cottage
George Smith, 1714–1776
Hop Pickers Outside a Cottage
mid-18th century
Not on view
George Smith Winter Landscape
George Smith, 1714–1776
Winter Landscape
ca. 1750
Not on view
Maria Spilsbury Greenwich Fair
Attributed to Maria Spilsbury, 1777–1820
Greenwich Fair
ca. 1800
Not on view
Thomas Gainsborough Wooded Landscape with a Cottage and Shepherd
Thomas Gainsborough, 1727–1788
Wooded Landscape with a Cottage and Shepherd
1748 to 1750
Not on view
Sawrey Gilpin Mares and Foals, facing left
Sawrey Gilpin, 1733–1807
Mares and Foals, facing left
between 1790 and 1800
Not on view
James Pollard Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell
James Pollard, 1792–1867
Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell
1818
Not on view
James Arthur O'Connor A Wooded River Landscape with Mother and Child
James Arthur O'Connor, 1792–1841
A Wooded River Landscape with Mother and Child
1830
Not on view
unknown artist Poppies and Tradascanthus
unknown artist
Poppies and Tradascanthus
ca. 1800
Not on view
Jacques-Laurent Agasse Clouded Leopards
Jacques-Laurent Agasse, 1767–1849
Clouded Leopards
ca. 1825
Not on view
Claude de Jongh The Thames at Westminster
Claude de Jongh, ca. 1600–1663
The Thames at Westminster
ca. 1630
Not on view
James Pollard Outside the Pike and Anchor Inn at Ponders End, Middlesex
James Pollard, 1792–1867
Outside the Pike and Anchor Inn at Ponders End, Middlesex
1834
Not on view
James Arthur O'Connor A Wooded River Landscape with Fishermen
James Arthur O'Connor, 1792–1841
A Wooded River Landscape with Fishermen
ca. 1830
Not on view
George Jones Studies of Military Accoutrements: a study for `The Battle of Waterloo'
George Jones, 1786–1869
Studies of Military Accoutrements: a study for `The Battle of Waterloo'
1815
Not on view
Richard Wilson Dover
Richard Wilson, 1713/4–1782
Dover
between 1746 and 1747
Not on view
Sawrey Gilpin Mares and Foals, facing right
Sawrey Gilpin, 1733–1807
Mares and Foals, facing right
between 1790 and 1800
Not on view
Thomas Woodward Grey Shooting Pony, Probably the Property of Johnston King, with a Groom
Thomas Woodward, 1801–1852
Grey Shooting Pony, Probably the Property of Johnston King, with a Groom
1835
Not on view
Richard Wilson View of the Wilderness in St. James's Park
Richard Wilson, 1713/4–1782
View of the Wilderness in St. James's Park
between 1770 and 1775
Not on view
Gwen John The Brown Tea Pot
Gwen John, 1876–1939
The Brown Tea Pot
between 1915 and 1916
Not on view
Bernard Sickert Trooping the Colour
Bernard Sickert, 1863–1932
Trooping the Colour
1897
Not on view
John Singleton Copley Study for 'The Red Cross Knight'
John Singleton Copley, 1738–1815
Study for 'The Red Cross Knight'
ca. 1793
Not on view
Cecil Rochfort D'Oyly John Juan-les-Pins
Cecil Rochfort D'Oyly John, 1906–1993
Juan-les-Pins
undated
Not on view
Cecil Rochfort D'Oyly John Cafe Tabac
Cecil Rochfort D'Oyly John, 1906–1993
Cafe Tabac
undated
Not on view
Gwen John Seated Woman in a Broad-Brimmed Hat
Gwen John, 1876–1939
Seated Woman in a Broad-Brimmed Hat
undated
Not on view
Claude Harrison Annual Holiday
Claude Harrison, 1922–2009
Annual Holiday
undated
Not on view
Sir Peter Francis Bourgeois Coastal Landscape with a Ferry Boat
Sir Peter Francis Bourgeois, 1756–1811
Coastal Landscape with a Ferry Boat
1796
Not on view
Robert Scaddan Portrait of a Man, called Tobias Smollett
Attributed to Robert Scaddan, 1720–1802
Portrait of a Man, called Tobias Smollett
ca. 1750
Not on view
Philippe-Jacques de Loutherbourg Coach in a Thunderstorm
Philippe-Jacques de Loutherbourg, 1740–1812
Coach in a Thunderstorm
ca. 1795
Not on view
Henry Walton A Country Gentleman
Henry Walton, 1746–1813
A Country Gentleman
ca. 1776
Not on view
George Jones Study for 'Battle of Waterloo'
George Jones, 1786–1869
Study for 'Battle of Waterloo'
1815
Not on view
Herbert Haseltine Splendour, Queen Alexandra's Carriage Horse
Herbert Haseltine, 1877–1962
Splendour, Queen Alexandra's Carriage Horse
1910
Not on view
Tessa Pullan Glint of Gold
Tessa Pullan, born 1953
Glint of Gold
1983
Not on view
Joseph Edgar Boehm Muhammad Bakhsh Shakh
Joseph Edgar Boehm, 1834–1890
Muhammad Bakhsh Shakh
1889
Not on view
Sheila Girling Chichester (Cathedral series)
Sheila Girling, 1924–2015
Chichester (Cathedral series)
2009
Not on view
Robert Polhill Bevan Timber Hauling
Robert Polhill Bevan, 1865–1925
Timber Hauling
ca. 1917
George Stubbs Plate VII, Human Body, Lateral View
Print made after George Stubbs, 1724–1806
Plate VII, Human Body, Lateral View
1804
Joseph Mallord William Turner Villa d'Este
Joseph Mallord William Turner, 1775–1851
Villa d'Este
ca. 1796
Edward Lear Fruit trees, 3 April 1863
Edward Lear, 1812–1888
Fruit trees, 3 April 1863
1863
George Romney Achilles Wounded
George Romney, 1734–1802
Achilles Wounded
undated
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797