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William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
Edward Burne-Jones Studies of a Suit of Armor
Edward Burne-Jones, 1833–1898
Studies of a Suit of Armor
1875
James Ward Study of Trees
James Ward, 1769–1859
Study of Trees
undated
John Michael Rysbrack Design for a Monument to Sir James Reade, Hatfield
John Michael Rysbrack, 1694–1770
Design for a Monument to Sir James Reade, Hatfield
undated
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827-1838
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827-1838
John Dean Mercury
Print made by John Dean, 1754–1798
Mercury
1777
Charles Howard Hodges The Cottage Girl
Print made by Charles Howard Hodges, 1764–1837
The Cottage Girl
1794
Luigi Schiavonetti Two Bunches of Penny Primroses, Two Bunches a Penny
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches of Penny Primroses, Two Bunches a Penny
1793
Gottlieb Heiss Boy Seated at a Table
Print made by Gottlieb Heiss, 1684–1740
Boy Seated at a Table
undated
Elisha Kirkall Virgin and Child
Print made by Elisha Kirkall, ca. 1682–1742
Virgin and Child
undated
Johann Jacobus Haid Le garcon content
Print made by Johann Jacobus Haid, 1704–1767
Le garcon content
undated
Johann Jacobus Haid L'Antiquaire
Print made by Johann Jacobus Haid, 1704–1767
L'Antiquaire
undated
unknown artist The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
Print made by unknown artist
The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
between 1720 and 1750
Edward Fisher Charles Watson Esq., Vice-Admiral of the White
Edward Fisher, 1722–1785
Charles Watson Esq., Vice-Admiral of the White
between 1758 and 1782
Louisa Augusta Greville Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground
Print made by Louisa Augusta Greville, 1743–active 1762
Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground
1760
M. Gauci George Vertue
M. Gauci, 1810–1846
George Vertue
1821
James Fittler Benjamin West, P.R.A.
James Fittler, 1758–1835
Benjamin West, P.R.A
1817
W. R. Smith Entrance to Fowey Harbour, Cornwall
Print made by W. R. Smith, active 1819–1851
Entrance to Fowey Harbour, Cornwall
1827-1838
William Miller Great Yarmouth, Norfolk
Print made by William Miller, 1796–1882
Great Yarmouth, Norfolk
1827-1838
John Young The Flower Girl
Print made by John Young, 1755–1825
The Flower Girl
1785
Giovanni Vendramini Hot Spice Gingerbread, Smoking Hot!
Print made by Giovanni Vendramini, 1769–1839
Hot Spice Gingerbread, Smoking Hot!
1796
Anthony Cardon Do You Want Any Matches?
Print made by Anthony Cardon, 1772–1813
Do You Want Any Matches?
1794
Francesco Bartolozzi William Cobbett
Print made by Francesco Bartolozzi, 1728–1815
William Cobbett
1801
Francesco Bartolozzi Alvise Pisani
Print made by Francesco Bartolozzi, 1728–1815
Alvise Pisani
1793
Henri Charles Guérard Portrait of Whistler
Henri Charles Guérard, 1846–1897
Portrait of Whistler
ca. 1888
Samuel Cousins Sir Thomas Lawrence P. R. A.
Print made by Samuel Cousins, 1801–1887
Sir Thomas Lawrence P. R. A
1830
unknown artist Content and Discontent
unknown artist
Content and Discontent
1792
Giovanni Vendramini Old Chairs to Mend
Print made by Giovanni Vendramini, 1769–1839
Old Chairs to Mend
1795
Charles Robert Cockerell The Temple of Aphaia at Aegina: Elevation and Partial Section
Charles Robert Cockerell, 1788–1863
The Temple of Aphaia at Aegina: Elevation and Partial Section
undated
Thomas Hartley Cromek St. Marks Square from the Doges Palace
Thomas Hartley Cromek, 1809–1873
St. Marks Square from the Doges Palace
1841
William Hogarth Before
Print made by William Hogarth, 1697–1764
Before
1736
William Blake Title Page, Illustrations of The Book of Job
Print made by William Blake, 1757–1827
Title Page, Illustrations of The Book of Job
1826
William Blake Illustrations of the Book of Job, in Twenty-one Plates
Print made by William Blake, 1757–1827
Illustrations of the Book of Job, in Twenty-one Plates
1825
Samuel Cousins Countess Grey and Children
Print made by Samuel Cousins, 1801–1887
Countess Grey and Children
1831
John Jones Miss Kemble
John Jones, ca. 1745–1797
Miss Kemble
1784
unknown artist Maria, D.G. Angliae, Scotiae, Franciae et Hiberniae Regina; Nicolaus Visscher exc.
Print made by unknown artist
Maria, D.G. Angliae, Scotiae, Franciae et Hiberniae Regina; Nicolaus Visscher exc
between 1682 and 1702
Samuel William Reynolds Anne Page and Slender
Samuel William Reynolds, 1773–1835
Anne Page and Slender
1829
Sir Hubert von Herkomer Self Portrait
Print made by Sir Hubert von Herkomer, 1849–1914
Self Portrait
1879