Height [cm]: 43 / Width [cm]: 32 - YCBA Collections Search Search Results

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

ca. 1797

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

ca. 1797

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

ca. 1797

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

ca. 1797

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

Print made by William Blake, 1757–1827

Night the First. On Life, Death, and Immortality; Title Page

1797

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

Print made by William Blake, 1757–1827

Night the Second. On Time, Death and Friendship; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

Print made by William Blake, 1757–1827

The Complaint, and the Consolation; or, Night Thoughts

1797

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

Edward Fisher, 1722–1785

Charles Watson Esq., Vice-Admiral of the White

between 1758 and 1782

Walter Greaves, 1846–1930

Cremorne Gardens, Chelsea

1871

James Ward, 1769–1859

Study of Trees

undated

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827-1838

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827-1838

John Michael Rysbrack, 1694–1770

Design for a Monument to Sir James Reade, Hatfield

undated

Print made by unknown artist

The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

between 1720 and 1750

Print made by W. R. Smith, active 1819–1851

Entrance to Fowey Harbour, Cornwall

1827-1838

Print made by William Miller, 1796–1882

Great Yarmouth, Norfolk

1827-1838

Edward Burne-Jones, 1833–1898

Studies of a Suit of Armor

1875

Print made by Anthony Cardon, 1772–1813

Do You Want Any Matches?

1794

Print made by Giovanni Vendramini, 1769–1839

Hot Spice Gingerbread, Smoking Hot!

1796

Print made by Johann Jacobus Haid, 1704–1767

L'Antiquaire

undated

Print made by Elisha Kirkall, ca. 1682–1742

Virgin and Child

undated

Print made by Johann Jacobus Haid, 1704–1767

Le garcon content

undated

Print made by Luigi Schiavonetti, 1765–1810

Two Bunches of Penny Primroses, Two Bunches a Penny

1793

Print made by Ernest Stephen Lumsden, 1883–1948

The Shrine

1922

Henri Charles Guérard, 1846–1897

Portrait of Whistler

ca. 1888

Print made by John Young, 1755–1825

The Flower Girl

1785

Print made by Gottlieb Heiss, 1684–1740

Boy Seated at a Table

undated

Print made by Charles Howard Hodges, 1764–1837

The Cottage Girl

1794

Print made by John Dean, 1754–1798

Mercury

1777

Print made by Francesco Bartolozzi, 1728–1815

Alvise Pisani

1793

M. Gauci, 1810–1846

George Vertue

1821

James Fittler, 1758–1835

Benjamin West, P.R.A

1817

George Denholm Armour, 1864–1949

The Huntsman

undated

Print made by Samuel Cousins, 1801–1887

Sir Thomas Lawrence P. R. A

1830

Print made by Giovanni Vendramini, 1769–1839

Old Chairs to Mend

1795

unknown artist

Content and Discontent

1792

Print made by Francesco Bartolozzi, 1728–1815

William Cobbett

1801

Print made by Louisa Augusta Greville, 1743–active 1762

Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

1760

Michael Childers, born 1944

David Hockney at Rising Glen, Hollywood Hills, Los Angeles

1978

Duncan Grant, 1885–1978

The Cheese Dish

undated

Charles Robert Cockerell, 1788–1863

The Temple of Aphaia at Aegina: Elevation and Partial Section

undated

Thomas Hartley Cromek, 1809–1873

St. Marks Square from the Doges Palace

1841

Print made by William Hogarth, 1697–1764

Before

1736

Print made by William Blake, 1757–1827

Title Page, Illustrations of The Book of Job

1826

Print made by William Blake, 1757–1827

Illustrations of the Book of Job, in Twenty-one Plates

1825

Samuel William Reynolds, 1773–1835

Anne Page and Slender

1829

John Jones, ca. 1745–1797

Miss Kemble

1784

Print made by unknown artist

Maria, D.G. Angliae, Scotiae, Franciae et Hiberniae Regina; Nicolaus Visscher exc

between 1682 and 1702

Print made by Samuel Cousins, 1801–1887

Countess Grey and Children

1831

Ken Currie, born 1960

Story from Glasgow

1989

Ken Currie, born 1960

Story from Glasgow, Plate 72

1989

Ken Currie, born 1960

Story from Glasgow, Plate 76

1989

Ken Currie, born 1960

Story from Glasgow, Plate 83

1989

Ken Currie, born 1960

Story from Glasgow, Plate 81

1989

Ken Currie, born 1960

Story from Glasgow, Plate 74

1989

Ken Currie, born 1960

Story from Glasgow, Plate 82

1989

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Height [cm] 43

Width [cm] 32

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Height [cm] 43

Width [cm] 32

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