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William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
William Blake "To chase the rolling circle's speed..." (Design 17)
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
William Blake "Fear to stop, and shame to fly..." (Design 91)
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
1797
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
William Blake Illustrations of The Book of Job, in Twenty-one Plates
Print made by William Blake, 1757–1827
Illustrations of The Book of Job, in Twenty-one Plates
1825
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
Edward Lear Sorrento
Edward Lear, 1812–1888
Sorrento
1838
Edward Lear Reggio
Edward Lear, 1812–1888
Reggio
1847
George Romney David before Saul
George Romney, 1734–1802
David before Saul
undated
George Romney Viscountess Bulkeley as Hebe
George Romney, 1734–1802
Viscountess Bulkeley as Hebe
undated
George Romney Borghese Gladiator
George Romney, 1734–1802
Borghese Gladiator
undated
George Romney Sketch for the Portrait of a Lady
George Romney, 1734–1802
Sketch for the Portrait of a Lady
undated
unknown artist Townhead and Drummore
unknown artist
Townhead and Drummore
undated
William Marlow Nîmes from the Tour Magne
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
James Wyatt Design for the Staircase at Stratford Place
James Wyatt, 1746–1813
Design for the Staircase at Stratford Place
undated
Sir Richard Colt Hoare Convent at Valmontone. November 1790
Sir Richard Colt Hoare, 1758–1838
Convent at Valmontone. November 1790
1790
William Pars A View at Lucerne
William Pars, 1742–1782
A View at Lucerne
1775
Jonathan Richardson the Elder Self-Portrait
Jonathan Richardson the Elder, 1667–1745
Self-Portrait
undated
Benjamin West A Mother and Two Children
Benjamin West, 1738–1820
A Mother and Two Children
1786
Henry Phillip Hope Welgelegen: Vue de la Facade de Welgelegen
Henry Phillip Hope, active 1799–1818
Welgelegen: Vue de la Facade de Welgelegen
undated
Christian von Mechel Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Francis Wheatley Donnybrook Fair
Francis Wheatley, 1747–1801
Donnybrook Fair
1788
Paul Sandby The Westgate, Canterbury
Paul Sandby, 1731–1809
The Westgate, Canterbury
ca. 1783
Nicholas Pocock The River Avon: with Passing Vessels
Nicholas Pocock, 1740–1821
The River Avon: with Passing Vessels
1785
James Baynes Extensive wooded landscape with figures in foreground left
James Baynes, 1766–1837
Extensive wooded landscape with figures in foreground left
Undated
James Bruce Drawing of Temple Ruins and Figures
James Bruce, 1730–1794
Drawing of Temple Ruins and Figures
ca. 1768
James Bruce Ruins of Temples at Saltronza
James Bruce, 1730–1794
Ruins of Temples at Saltronza
ca. 1768
unknown artist Woman in Egyptian Dress
unknown artist
Woman in Egyptian Dress
undated
John Frederick Lewis Figures and Animals in a Vineyard
John Frederick Lewis, 1804–1876
Figures and Animals in a Vineyard
ca. 1829
Samuel Prout The Porch, Reims Cathedral
Samuel Prout, 1783–1852
The Porch, Reims Cathedral
ca. 1840
Allan Ramsay Study for a Portrait of a Seated Gentleman
Allan Ramsay, 1713–1784
Study for a Portrait of a Seated Gentleman
undated
Paul Sandby Italianate Landscape with Castle, Cascade and Anglers
Paul Sandby, 1731–1809
Italianate Landscape with Castle, Cascade and Anglers
between 1780 and 1790
John James Chalon Music: Composition in a Garden
John James Chalon, 1778–1854
Music: Composition in a Garden
ca. 1832
Edward Francis Burney The Elegant Establishment for Young Ladies (study for)
Edward Francis Burney, 1760–1848
The Elegant Establishment for Young Ladies (study for)
undated
Cornelius Varley Study of Boats on Shore
Cornelius Varley, 1781–1873
Study of Boats on Shore
1829
James Wilcox Buckingham Palace from St. James's Park
James Wilcox, active 1830
Buckingham Palace from St. James's Park
1830
William Hamilton Hero and Leander
William Hamilton, 1751–1801
Hero and Leander
1801
Sir David Young Cameron The Gargoyles: Stirling Castle
Print made by Sir David Young Cameron, 1865–1945
The Gargoyles: Stirling Castle
1898
Elisha Kirkall Ships
Print made by Elisha Kirkall, ca. 1682–1742
Ships
1720-1730
Sir Francis Seymour Haden Thomas Haden of Derby
Print made by Sir Francis Seymour Haden, 1818–1910
Thomas Haden of Derby
1864
Francesco Bartolozzi Shakespeare's Tomb
Francesco Bartolozzi, 1728–1815
Shakespeare's Tomb
1782
Edward Goodall The Campagna of Rome
Print made by Edward Goodall, 1795–1870
The Campagna of Rome
1830
William Miller Venice, the Campanile
Print made by William Miller, 1796–1882
Venice, the Campanile
1835
Sir Frank William Brangwyn Bridge at Alcantara
Print made by Sir Frank William Brangwyn, 1867–1956
Bridge at Alcantara
1917
John Dixon Henry, tenth Earl of Pembroke and seventh Earl of Montgomery
John Dixon, ca. 1740–1811
Henry, tenth Earl of Pembroke and seventh Earl of Montgomery
1769
Abraham Raimbach The Spanish Mother
Abraham Raimbach, 1784–1868
The Spanish Mother
1836
Frederick Christian Lewis the Elder Tivoli
Frederick Christian Lewis the Elder, 1779–1856
Tivoli
1800
Francesco Bartolozzi St. Nil
Print made by Francesco Bartolozzi, 1728–1815
St. Nil
1762
Francesco Bartolozzi Sir John More
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
Francesco Bartolozzi Elizabeth, Lady Vaux
Print made by Francesco Bartolozzi, 1728–1815
Elizabeth, Lady Vaux
Francesco Bartolozzi Elizabeth, Lady Vaux
Print made by Francesco Bartolozzi, 1728–1815
Elizabeth, Lady Vaux
John Dixon Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert
Print made by John Dixon, ca. 1740–1811
Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert
1771
William Miller The Dead Eagle, Oran
Print made by William Miller, 1796–1882
The Dead Eagle, Oran
1837
Francesco Bartolozzi Jane, Lady Lister
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792