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William Blake A Shepherd Reading the Epitaph (Design 115)

William Blake, 1757–1827

A Shepherd Reading the Epitaph (Design 115)

between 1797 and 1798

William Blake Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)

William Blake, 1757–1827

Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)

between 1797 and 1798

William Blake "Her Henry's holy shade..." (Design 15)

William Blake, 1757–1827

"Her Henry's holy shade..." (Design 15)

between 1797 and 1798

William Blake "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)

William Blake, 1757–1827

"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)

between 1797 and 1798

William Blake "To chase the rolling circle's speed..." (Design 17)

William Blake, 1757–1827

"To chase the rolling circle's speed..." (Design 17)

between 1797 and 1798

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

ca. 1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

ca. 1797

William Blake Night the First. On Life, Death, and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death, and Immortality; Title Page

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake Night the Second. On Time, Death and Friendship; Title Page

Print made by William Blake, 1757–1827

Night the Second. On Time, Death and Friendship; Title Page

ca. 1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake 'The thunder if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)

William Blake, 1757–1827

"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)

between 1797 and 1798

William Blake "At the chapel-door stand sentry... (Design 31)

William Blake, 1757–1827

"At the chapel-door stand sentry... (Design 31)

between 1797 and 1798

William Blake "Up stairs in a whirlwind rattle..." (Design 29)

William Blake, 1757–1827

"Up stairs in a whirlwind rattle..." (Design 29)

between 1797 and 1798

William Blake The Purple Year awaking from the Roots of Nature (Design 3)

William Blake, 1757–1827

The Purple Year awaking from the Roots of Nature (Design 3)

between 1797 and 1798

William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)

William Blake, 1757–1827

"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)

between 1797 and 1798

William Blake "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)

William Blake, 1757–1827

"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)

between 1797 and 1798

William Blake The Parable of the Wise and Foolish Virgins

William Blake, 1757–1827

The Parable of the Wise and Foolish Virgins

ca. 1825

William Blake The Complaint, and the Consolation; or, Night Thoughts

Print made by William Blake, 1757–1827

The Complaint, and the Consolation; or, Night Thoughts

ca. 1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

William Blake The Complaint, and the Consolation; or, Night Thoughts

Print made by William Blake, 1757–1827

The Complaint, and the Consolation; or, Night Thoughts

1797

William Blake Illustrations of The Book of Job, in Twenty-one Plates

Print made by William Blake, 1757–1827

Illustrations of The Book of Job, in Twenty-one Plates

1825

George Romney David before Saul

George Romney, 1734–1802

David before Saul

undated

George Romney Viscountess Bulkeley as Hebe

George Romney, 1734–1802

Viscountess Bulkeley as Hebe

undated

George Romney Borghese Gladiator

George Romney, 1734–1802

Borghese Gladiator

undated

George Romney Sketch for the Portrait of a Lady

George Romney, 1734–1802

Sketch for the Portrait of a Lady

undated

William Henry Hunt Portrait of a Gentleman

William Henry Hunt, 1790–1864

Portrait of a Gentleman

undated

Christian von Mechel Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Christian von Mechel, 1737–1817

Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Paul Sandby The Westgate, Canterbury

Paul Sandby, 1731–1809

The Westgate, Canterbury

ca. 1783

Francis Wheatley Donnybrook Fair

Francis Wheatley, 1747–1801

Donnybrook Fair

1788

James Bruce Right Corinthian Temple at Suttetula Modern Sheitla

James Bruce, 1730–1794

Right Corinthian Temple at Suttetula Modern Sheitla

undated

James Bruce Left Corinthian Temple at Suttetula Modern Sheitla

James Bruce, 1730–1794

Left Corinthian Temple at Suttetula Modern Sheitla

undated

James Bruce Drawing of Temple Ruins and Figures

James Bruce, 1730–1794

Drawing of Temple Ruins and Figures

ca. 1768

Thomas Jeavons Exeter

Print made by Thomas Jeavons, ca. 1800–1867

Exeter

1827-1838

W. R. Smith Longships Lighthouse, Lands End

Print made by W. R. Smith, active 1819–1851

Longships Lighthouse, Lands End

1836

W. R. Smith Saltash, Cornwall

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

1827-1838

Robert Wallis Barnard Castle, Durham

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827-1838

Robert Wallis Barnard Castle, Durham

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827-1838

W. R. Smith Richmond, Yorkshire

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827-1838

Edward Goodall Fall of the Tees

Print made by Edward Goodall, 1795–1870

Fall of the Tees

1827-1838

Edward Goodall Cologne

Print made by Edward Goodall, 1795–1870

Cologne

1824

Robert Wallis Lancaster from the Aqueduct Bridge

Print made by Robert Wallis, 1794–1878

Lancaster from the Aqueduct Bridge

1827-1838

Augustus Welby Northmore Pugin Designs for Gothic Ornamentation

Augustus Welby Northmore Pugin, 1812–1852

Designs for Gothic Ornamentation

undated

Henry Phillip Hope Welgelegen: Vue de la Facade de Welgelegen

Henry Phillip Hope, active 1799–1818

Welgelegen: Vue de la Facade de Welgelegen

undated

James Baynes Extensive wooded landscape with figures in foreground left

James Baynes, 1766–1837

Extensive wooded landscape with figures in foreground left

Undated

Sir Richard Colt Hoare Convent at Valmontone. November 1790

Sir Richard Colt Hoare, 1758–1838

Convent at Valmontone. November 1790

1790

Jonathan Richardson the Elder Self-Portrait

Jonathan Richardson the Elder, 1667–1745

Self-Portrait

undated

William Pars A View at Lucerne

William Pars, 1742–1782

A View at Lucerne

1775

Benjamin West A Mother and Two Children

Benjamin West, 1738–1820

A Mother and Two Children

1786

James Bruce Ruins of Temples at Saltronza

James Bruce, 1730–1794

Ruins of Temples at Saltronza

ca. 1768

James Bruce Juniperus procera Endl. (African Pencil Cedar): finished drawing of trees's habit

James Bruce, 1730–1794

Juniperus procera Endl. (African Pencil Cedar): finished drawing of trees's habit

undated

Benjamin Robert Haydon Sketches for a Scene from 'Macbeth'

Benjamin Robert Haydon, 1786–1846

Sketches for a Scene from 'Macbeth'

ca. 1811

John Frederick Lewis Figures and Animals in a Vineyard

John Frederick Lewis, 1804–1876

Figures and Animals in a Vineyard

ca. 1829

William Marlow Nîmes from the Tour Magne

William Marlow, 1740–1813

Nîmes from the Tour Magne

ca. 1765

James Wyatt Design for the Staircase at Stratford Place

James Wyatt, 1746–1813

Design for the Staircase at Stratford Place

undated

Edward Goodall Prudoe Castle, Northumberland

Print made by Edward Goodall, 1795–1870

Prudoe Castle, Northumberland

1827-1838

W. R. Smith Entrance to Fowey Harbour, Cornwall

Print made by W. R. Smith, active 1819–1851

Entrance to Fowey Harbour, Cornwall

1827-1838

J. C. Varrall Valle Crucis Abbey, Denbighshire

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1827-1838

Robert Brandard Lancaster Sands

Print made by Robert Brandard, 1805–1862

Lancaster Sands

1827-1838

James Tibbits Willmore Okehampton, Devonshire

Print made by James Tibbits Willmore, 1800–1863

Okehampton, Devonshire

1827-1838

J. C. Varrall Malmsbury Abbey, Wiltshire

Print made by J. C. Varrall, active 1815–1827

Malmsbury Abbey, Wiltshire

1827-1838

William Miller Stamford, Lincolnshire

Print made by William Miller, 1796–1882

Stamford, Lincolnshire

1827-1838

unknown artist Indian Woman in Red and Gold Dress

unknown artist

Indian Woman in Red and Gold Dress

undated

Edward Goodall Venice (vignettes)

Print made by Edward Goodall, 1795–1870

Venice (vignettes)

1830

Edward Goodall Aldborough, Suffolk

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827-1838

Robert Brandard Orford, Suffolk

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827-1838

Charles Westwood Hampton Court Palace

Print made by Charles Westwood, active 1819–1838

Hampton Court Palace

1827-1838

Robert Brandard Dunstanborough Castle, Northumberland

Print made by Robert Brandard, 1805–1862

Dunstanborough Castle, Northumberland

1827-1838

Robert Wallis Cowes, Isle of Wight

Print made by Robert Wallis, 1794–1878

Cowes, Isle of Wight

1827-1838