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1
- Osmington Village
- 1816 to 1817
- Not on view
2
- Study of an Ash Tree
- between 1801 and 1803 or between 1810 and 1830
- Not on view
3
- Calais Jetty, France
- ca. 1824
- On view at YUAG
4
- Horse Attacked by a Lion (Episode C)
- between 1768 and 1769
- Not on view
5
- Zagori, Greece
- 1860
- Not on view
6
- Castel Sant'Angelo, Rome
- 1776
- Not on view
7
- The Colosseum
- 1776
- Not on view
8
- The Squire's Door
- ca. 1790
- Not on view
9
- Procession of Boats on the River Cam below Clare College, Cambridge
- early 19th century
- Not on view
10
- A Harbor Scene in the Isle of Wight, Looking Towards the Needles
- 1824
- Not on view
11
- The City from Near the Terrace of Somerset House
- ca. 1750
- Not on view
12
- Westminster from Near the Terrace of Somerset House
- ca. 1750
- Not on view
13
- Landscape with Wheatfield
- ca. 1850s
- Not on view
14
- Self-Portrait
- ca. 1830s
- Not on view
15
- Portrait of a Young Man with Long Hair
- ca. 1915
- Not on view
16
- Study of an Ash Tree
- ca. 1851
- Not on view
17
- George III Irish Silver: George Chinnery Palette, presented to the Artist by the Artists of Dublin, July 27, 1801
- 1801
- Not on view
18
- Tiger Body, Lateral View (Outline drawing for a key figure)
- 1795 to 1806
19
- Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
- 1795 to 1806
20
- Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
- between 1795 and 1806
21
- Owl Standing, Anterior View
- 1795 to 1806
22
- The First Stage of Cruelty
- ca. 1750
23
- John Wilkes, Esq
- 1763
24
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
25
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
26
- The First Stage of Cruelty: Children Torturing Animals
- 1751, printed 1790
27
- The Second Stage of Cruelty: Coachman Beating a Fallen Horse
- 1751, printed 1790
28
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
29
- The Fourth Stage of Cruelty: The Reward of Cruelty
- 1751, printed 1790
30
- Marriage à la Mode, Plate 6
- 1745
31
- Simon Lord Lovat
- 1746
32
- Study for the Foundlings
- ca. 1739
33
- Winchelsea, Sussex
- 1812
34
- Ship Aground, Brighton, with the Chain Pier Beyond
- 1830
35
- A Sea Piece - A Rough Sea with a Fishing Boat
- 1820 to 1830
36
- Weymouth
- ca. 1811
37
- Sketches of a Prostrate Woman
- undated
38
- Miranda, Prospero, and Caliban: The Tempest
- undated
39
- John Henderson as Falstaff
- 1780
40
- The Christian Triumph; Title Page
- ca. 1797
41
- Title Page, Illustrations of The Book of Job
- 1825
42
- Job and His Family
- 1825
43
- Satan Smiting Job with Sore Boils
- 1825
44
- Job and His Family Restored to Prosperity
- 1825
45
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
46
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
47
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
48
- "In thoughts perturb'd they rose..." (Plate 11)
- 1794
49
- Plague (Plate 13)
- 1794
50
- "And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
- 1794
51
- "The red limb'd Angel siez'd in horror and torment..." (Plate 15)
- 1794
52
- "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
- 1794
53
- Famine (Plate 8)
- 1794
54
- "Arise 'O Rintrah eldest born..." (Plate 9)
- 1794
55
- Night the First. On Life, Death and Immortality; Title Page
- 1797
56
- "Shot from the heights of Enitharmon..." (Plate 17)
- 1794
57
- "The shrill winds wake!..." (Plate 6)
- 1794
58
- "Now comes the night of Enitharmons joy!..." (Plate 7)
- 1794
59
- Frontispiece, The Ancient of Days (Plate 1)
- 1794
60
- Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
- 1794
61
- "Enitharmon slept. ..." (Plate 10)
- 1794
62
- 'We censure nature for a span too short' (Page 23)
- 1797
63
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
64
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
65
- Title Page, Europe a Prophecy (Plate 2)
- 1794
66
- "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
- 1794
67
- A Prophecy. "The deep of winter came..." (Plate 5)
- 1794
68
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
69
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
70
- Ciampolo the Barrator Tormented by the Devils (Plate 2)
- 1827
71
- The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
- 1827
72
- The Serpent Attacking Buoso Donati (Plate 5)
- 1827
73
- Dante Striking against Bocca Degli Abati (Plate 7)
- 1827
74
- Europe. A Prophecy
- 1793, printed 1795
75
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
76
- View of Lakes Buttermere and Crummock Water
- 1803
77
- Portrait Study of a Young Man, possibly Frank Issom
- undated
78
- Saberna, or the Effects of Falshood
- 1786
79
- Cupid and Psyche
- 1784
80
- Group of Men Drinking
- undated
81
- S. Jacobus Minor
- early 1750s
82
- S. Philippus
- early 1750s
83
- Portrait of Man
- early 1750s
84
- S. Andreas
- early 1750s
85
- S. Matthaeus
- early 1750s
86
- Portrait of a Woman Holding Fruit
- undated
87
- La fille éveillée
- undated
88
- Le garcon content
- undated
89
- Le jeu de dames
- undated
90
- La petite musicienne
- undated
91
- Margaret Georgiana Spencer (née Poyntz), Countess Spencer
- 1772
92
- Sir Richard Steele
- 1733
93
- Samuel Whitbread Esq
- 1806
94
- Bishop's Palace, Wells, Somerset: Elevations of the Great Hall
- 1832
95
- Architectural Drawing of the Temple of Sunias Minerva
- 1802-1804
96
- Architectural Drawing
- 1802-1804
97
- Richard Robinson, Bishop of Kildare
- 1764
98
- Elizabeth Ann Sheridan (née Linley) as St. Cecilia
- 1779
99
- Lady Charlotte Smith and her Children; George Henry, Louisa and Charlotte
- 1789
100
- Lady Charles Spencer
- 1767