Height [cm]: 37 - YCBA Collections Search Search Results

501. The Charmer

Creator:: John Raphael Smith, 1752–1812
Date:: ca. 1780
Materials & Techniques:: Black chalk, white chalk, and gray ground on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 10 1/2 inches (36.5 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

502. Portrait of Charles Conder at the Academie Julian, 1890

Creator:: Sir William Rothenstein, 1872–1945
Date:: 1890
Materials & Techniques:: Black chalk and white chalk on thin, slightly textured, brown wove paper
Dimensions:: Sheet: 14 1/2 × 9 3/8 inches (36.8 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

503. Independencia (Steam Iron Clad Built for the Peruvian Navy)

Creator:: Thomas Goldsworth Dutton, 1819/20–1891
Date:: ca. 1866
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 1/2 x 23 3/4in. (36.8 x 60.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

504. Colombo and Cabral (Floating Batteries Built for the Imperial Brazilian Navy)

Creator:: Thomas Goldsworth Dutton, 1819/20–1891
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 1/2 x 24 1/2in. (36.8 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

505. His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board

Creator:: Louis Haghe, 1806–1885
Date:: ca. 1840
Materials & Techniques:: Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 19 3/16 inches (36.9 x 48.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

506. Young Ladies

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1795
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 11/16 x 10 7/8 inches (37.3 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

507. The World is Folly's Toy

Creator:: Print made by Alfred Henry Forrester, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 17 13/16 x 12 7/8 inches (45.3 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

508. The Follies of Costume

Creator:: Print made by Alfred Henry Forrester, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 17 7/8 x 13 inches (45.4 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

509. Jacob Bates / The Famous English Horse Rider

Creator:: Georg Paul Nusbiegel, 1713–1776
Date:: 1766
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 3/8 x 18 3/4in. (36.5 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

510. Grouse Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 5/8 x 20 7/8 inches (37.2 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

511. Coaching: The Last Change Down

Creator:: John Harris, 1811–1865
Date:: 1863
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

512. Coaching: The Early Delivery

Creator:: John Harris, 1811–1865
Date:: 1863
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

513. Coaching: The Right Sort

Creator:: John Harris, 1811–1865
Date:: 1863
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

514. "The National Sports of Great Britain" 1821: Badger Catching

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 14 1/2 × 19 5/16 inches (36.8 × 49.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

515. A Gentleman Standing, Seen Full Face, Wearing a Driving or Riding Coat

Creator:: Heywood Hardy, 1843–1933
Date:: undated
Materials & Techniques:: Black chalk, with white chalk on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 13 3/8 × 8 5/16 inches (34 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

516. Four Horses Standing in a Group in the Shade of Large Trees by Water

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 10 5/16 inches (36.5 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

517. Talk of an Ostrich! An Ostrich is Nothing to Him; Johnny Bull will Swallow any Thing!

Creator:: unknown artist
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 14 3/8 x 11 7/16in. (36.5 x 29.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

518. The Shah Nujeef

Creator:: William Simpson, 1823–1899
Date:: 1861
Materials & Techniques:: Watercolor with gouache and graphite on moderately thick, moderately textured, cream wove paper, pasted on contemporary mount made of moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 14 5/8 x 20 7/8 inches (37.1 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

519. The Right Honourable William Pitt

Creator:: John Young, 1755–1825
Date:: 1797
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 14 7/16 x 10 1/2in. (36.7 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Susan L. Darling in Memory of Arthur Burr Darling, Yale 1916

520. Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States

Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States

Creator:: Francis Jukes, 1747–1812
Date:: 1800
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 14 7/16 x 19in. (36.7 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

521. "A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: 1758-1760
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 3/16 × 22 9/16 inches (43.6 × 57.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

522. Study of a Plunging Eagle

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Varnish over graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/2 x 13 5/8 inches (36.8 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

523. Plate IX: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

524. Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 14 1/2 × 6 inches (36.8 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

525. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:: Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

526. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

527. View in Basement Story under House of Lords

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 5/8 inches (36.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

528. A View of Wilton, in Wiltshire

Creator:: Luke Sullivan, 1705–1771
Date:: 1759
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 1/2 x 20 1/2in. (36.8 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

529. Meeting in Copenhagen Fields of the Trades Union

Creator:: W. Summers, active 1833
Date:: 1836
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 14 1/2 x 19 3/4in. (36.8 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

530. The Parthenon

Creator:: Thomas Hartley Cromek, 1809–1873
Date:: ca. 1834
Materials & Techniques:: Watercolor over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 21 7/16 inches (37.4 x 54.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

531. An Irish Bull Bait in England

Creator:: unknown artist
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 14 1/2 x 19 7/8in. (36.8 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

532. Justice and Humility at Home

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 14 3/8 x 19 5/8in. (36.5 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

533. Sturdy Beggars Collecting for the Emigrant French Clergy

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 14 5/8 x 20 1/8in. (37.1 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

534. Henry VI, Part II: Act III, Scene iii, Cardinal Beaufort's Bed Chamber

Creator:: Print made by Caroline Watson, 1760–1814
Date:: 1803
Materials & Techniques:: Etching
Dimensions:: Sheet: 14 1/2 x 19 7/8in. (36.8 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

535. Plant Sketches

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 × 10 3/8 inches (35.6 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

536. The South Farm at Earlham

Creator:: Isaac Johnson, 1754–1835
Date:: 1754
Materials & Techniques:: Graphite, pen and brown ink, watercolor and gouache on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 14 11/16 × 23 3/4 inches (37.3 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

537. The North or Great Barn Farm at Earlham

Creator:: Isaac Johnson, 1754–1835
Date:: 1753
Materials & Techniques:: Graphite, pen and brown ink, watercolor and gouache on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 14 1/2 × 22 3/4 inches (36.8 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

538. Staircase Leading from the hall at Burton Agnes Yorkshire

Creator:: John Buckler FSA, 1770–1851
Date:: 1818
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

539. Leaving Home

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 9 inches (36.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

540. Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'

Creator:: Peter Simon, 1750–1810
Date:: 1789
Materials & Techniques:: Colored stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 7/8 × 19 7/8 inches (42.9 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

541. Smailholm Tower

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

542. Greenwich Hospital

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 9 1/8 inches (36.8 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

543. The Alps at Daybreak

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (a) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 3/8 × 9 inches (36.5 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

544. George Gower

Creator:: Print made by James Basire, 1730–1802
Date:: 1800
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 11/16 inches (36.8 x 27.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

545. The Boscawen and Sheerness Privateers

Creator:: Print made by John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream laid paper, laid on mount
Dimensions:: Sheet: 14 5/8 x 20 9/16 inches (37.1 x 52.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

546. La Conversation

Creator:: Print made by Rose Joseph Lemercier, 1803–1887
Date:: 1826
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 3/8 x 11 inches (36.5 x 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

547. Le Repos

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 7/8 inches (36.8 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

548. Two Women Enjoying Their Time by a Stream

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pena and red ink, gouache, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 3 1/2 × 4 3/16 inches (8.9 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

549. Banquet Scene, with a Roman Soldeir Kneeling to a Famale Figure Sitting on a Throne

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, graphite and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/16 × 4 3/16 inches (12.9 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

550. Scene from Don Quixote

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, and varnish, with scratching out; squared for transfer on moderately thick, moderately textured, beige laid paper
Dimensions:: Image: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

551. Bachanalia Scene

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Image: 5 × 3 1/2 inches (12.7 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

552. The Letter Woman

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: ca. 1769
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 10 1/8 inches (37.4 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

553. The Oyster Woman

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1769
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 9 15/16 inches (36.9 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

554. The Monk

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: between 1833 and 1853
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 15/16 x 13 9/16 inches (50.6 x 34.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

555. The Bank

Creator:: Print made by Thomas Malton the Younger, 1748–1804
Date:: 1781
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 17 7/16 × 22 15/16 inches (44.3 × 58.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

556. Bank of England Royal Exchange

Creator:: James H. Kernot, 1802–1858
Date:: 1800
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 14 9/16 × 19 3/8 inches (37 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

557. Bank of England Royal Exchange

Creator:: James H. Kernot, 1802–1858
Date:: 1800
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 14 5/8 × 18 15/16 inches (37.1 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

558. London Bridge from the Upper Landing of the Steps near Tooley Street

Creator:: Edward William Cooke, 1811–1880
Date:: 1833
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 3/8 x 10 3/4in. (36.5 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

559. King Street, Guildhall

Creator:: Thomas Malton, 1726–1801
Date:: 1783
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 14 1/2 x 20in. (36.8 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

560. The Decisive Victory over the Enterprizing Monsieur Thurot (off the Isle of Man)

Creator:: J. Miller, active 1769–1825
Date:: 1762
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 28 1/8 inches (49.2 × 71.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

561. Atalanta and Hippomanes

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1763
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 11/16 x 11 5/16 inches (42.4 x 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

562. Kew: The White House from the Lawn

Creator:: James Mason, 1710–1783
Date:: 1766
Materials & Techniques:: Hand colored engraving
Dimensions:: Plate: 14 1/2 x 21 1/4in. (36.8 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

563. A View of the Lawn from the Palace, with the Pagoda, The Temple of Victory, and the Colonade in the Royal Gardens at Kew

Creator:: James Mason, 1710–1783
Date:: 1766
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 14 1/2 x 21 1/4in. (36.8 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

564. Lord FitzGibbon

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1790
Materials & Techniques:: Stipple engraving and etching in black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 10 11/16 inches (37.2 x 27.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

565. Nymphs Bathing

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Stipple engraving, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 10 inches (36.5 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

566. The Interview of Tom Jones and Sophia, After the Reconciliation.

Creator:: Peter Simon, 1750–1810
Date:: 1789
Materials & Techniques:: Colored stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 13/16 × 20 inches (42.7 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

567. Medallions of F. Hutcheson and L. Natter

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Mezzotint, stipple engraving, and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 10 7/16 inches (36.9 x 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

568. Guillaume Laud

Creator:: Print made by Benoit Audran, 1661–1721
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 7/16 x 9 7/16 inches (36.7 x 23.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

569. Cupid Overpowering a Satyr

Creator:: Richard Cosway, 1742–1821
Date:: undated
Materials & Techniques:: Watercolor and graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 10 7/8 x 6 1/2 inches (27.6 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld

570. Figure Study

Creator:: Augustus Edwin John, 1878–1961
Date:: undated
Materials & Techniques:: Graphite, black chalk, and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Estate of Brian Sewell

571. Culver Cliff, Isle of Wight

Creator:: William Dyce, 1806–1864
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 19 3/8in. (37.1 x 49.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

572. Queen Square, London

Creator:: Edward Dayes, 1763–1804
Date:: 1786
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, smooth, cream wove paper
Dimensions:: Sheet: 17 1/16 x 23 1/2 inches (43.4 x 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

573. Mountainous Scene with a lake

Creator:: Thomas Colman Dibdin, 1810–1893
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on thick, rough, beige wove paper
Dimensions:: Sheet: 14 1/2 × 21 3/8 inches (36.8 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

574. Waterfall and Tree Trunk

Creator:: Anthony Devis, 1729–1817
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, gray wash and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 9/16 × 21 1/8 inches (37 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

575. Pont Aber Glaslyn

Creator:: William Burgess, 1749–1812
Date:: 1785
Materials & Techniques:: Watercolor, pen and black ink, gray ink, gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 14 9/16 × 18 3/4 inches (37 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

576. Study of a Tree Overgrown with Ivy

Creator:: Attributed to James Mudd, 1821–ca. 1906
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 × 11 1/2 inches (36.8 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

577. The Foot-Bridge

Creator:: Alfred Rosling, 1802–ca. 1880
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/8 × 6 1/2 inches (20.6 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

578. Sir Giles Rooke

Creator:: Print made by William Daniell, 1769–1837
Date:: 1809
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper mounted on board
Dimensions:: Sheet: 14 5/8 × 11 3/8 inches (37.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

579. Lion Family

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 13 3/8 inches (27.3 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

580. Scenographia Americana: Untitled view (perhaps of Boston?)

Creator:: unknown artist
Date:: 1758-1760
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/4 × 22 1/16 inches (38.7 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

581. Cracker and Friend lying in an Armchair (Turps finds a new use for bull terriers)

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: undated
Materials & Techniques:: Black chalk and gouache on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 × 8 11/16 inches (34 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

582. The Ootacamund Hunt Meeting at Mr. Chalmers' House at Gindy, Madras, 1845

Creator:: Justinian Gantz, 1802–1862
Date:: 1845
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 20 1/8 inches (32.7 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

583. Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1745
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 x 18 3/4 inches (37.4 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

584. Two Women Bathing a Child II

Creator:: Henry Moore, 1898–1986
Date:: 1973
Materials & Techniques:: Lithograph in black and gray
Dimensions:: Sheet: 14 1/2 x 16 1/2in. (36.8 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Bequest of Susan Morse Hilles

585. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David M. Doret

586. A Scarlet Ibis

Creator:: Sarah Stone, ca. 1760–1844
Date:: ca. 1786
Materials & Techniques:: Watercolor heightened with white
Dimensions:: Sheet: 14 1/2 x 10 3/8in. (36.8 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

587. St. Davids Head, Pembrokeshire

Creator:: John Glover, 1767–1849
Date:: ca. 1805
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/8 × 25 3/16 inches (36.5 × 64 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Iola S. Haverstick Fund

588. The Old Stables, Petworth

Creator:: John Melchior Barralet, active 1750–1787
Date:: 1778
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 × 14 15/16 inches (28.4 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

589. A Riding-House

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1780
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 14 3/8 x 21 1/4in. (36.5 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

590. Study for an Allegorical Figure of Religion

Creator:: Edward John Poynter, 1836–1919
Date:: 1895
Materials & Techniques:: Black chalk, white chalk, and graphite, squared for transfer on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

591. Why... Because...

Creator:: Print made by Alfred Henry Forrester, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 17 13/16 x 13 inches (45.3 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

592. Spruce Fir

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

593. Palm

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

594. Oak

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

595. `Hold Back, Sir!'

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: 1904
Materials & Techniques:: Pen and black ink, graphite, black chalk, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 15/16 inches (25.1 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

596. The Famous Lincolnshire Ox

Creator:: Print made by unknown artist
Date:: 1823
Materials & Techniques:: Etching and aquatint with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 x 20 1/2 inches (43.2 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

597. Trees in Northwick Park

Creator:: David Roberts, 1796–1864
Date:: 1830
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 14 1/16 x 8 7/8in. (35.7 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

598. A Thames Wharf with Westminster Bridge in the Distance

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 35 3/4 inches (36.8 x 90.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

599. A View of Edinburgh from the South Looking towards Dalkeith

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 1/4 x 38 1/4 inches (38.7 x 97.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

600. The Miller's Cottage at Chatsworth, Derbyshire: North Front Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: after 1818
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper with black ink border
Dimensions:: Sheet: 14 5/8 × 21 inches (37.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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501. The Charmer

502. Portrait of Charles Conder at the Academie Julian, 1890

503. Independencia (Steam Iron Clad Built for the Peruvian Navy)

504. Colombo and Cabral (Floating Batteries Built for the Imperial Brazilian Navy)

505. His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board

506. Young Ladies

507. The World is Folly's Toy

508. The Follies of Costume

509. Jacob Bates / The Famous English Horse Rider

510. Grouse Shooting

511. Coaching: The Last Change Down

512. Coaching: The Early Delivery

513. Coaching: The Right Sort

514. "The National Sports of Great Britain" 1821: Badger Catching

515. A Gentleman Standing, Seen Full Face, Wearing a Driving or Riding Coat

516. Four Horses Standing in a Group in the Shade of Large Trees by Water

517. Talk of an Ostrich! An Ostrich is Nothing to Him; Johnny Bull will Swallow any Thing!

518. The Shah Nujeef

519. The Right Honourable William Pitt

520. Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States

521. "A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana

522. Study of a Plunging Eagle

523. Plate IX: St Stephen's Chapel

524. Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

525. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

526. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

527. View in Basement Story under House of Lords

528. A View of Wilton, in Wiltshire

529. Meeting in Copenhagen Fields of the Trades Union

530. The Parthenon

531. An Irish Bull Bait in England

532. Justice and Humility at Home

533. Sturdy Beggars Collecting for the Emigrant French Clergy

534. Henry VI, Part II: Act III, Scene iii, Cardinal Beaufort's Bed Chamber

535. Plant Sketches

536. The South Farm at Earlham

537. The North or Great Barn Farm at Earlham

538. Staircase Leading from the hall at Burton Agnes Yorkshire

539. Leaving Home

540. Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'

541. Smailholm Tower

542. Greenwich Hospital

543. The Alps at Daybreak

544. George Gower

545. The Boscawen and Sheerness Privateers

546. La Conversation

547. Le Repos

548. Two Women Enjoying Their Time by a Stream

549. Banquet Scene, with a Roman Soldeir Kneeling to a Famale Figure Sitting on a Throne

550. Scene from Don Quixote

551. Bachanalia Scene

552. The Letter Woman

553. The Oyster Woman

554. The Monk

555. The Bank

556. Bank of England Royal Exchange

557. Bank of England Royal Exchange

558. London Bridge from the Upper Landing of the Steps near Tooley Street

559. King Street, Guildhall

560. The Decisive Victory over the Enterprizing Monsieur Thurot (off the Isle of Man)

561. Atalanta and Hippomanes

562. Kew: The White House from the Lawn

563. A View of the Lawn from the Palace, with the Pagoda, The Temple of Victory, and the Colonade in the Royal Gardens at Kew

564. Lord FitzGibbon

565. Nymphs Bathing

566. The Interview of Tom Jones and Sophia, After the Reconciliation.

567. Medallions of F. Hutcheson and L. Natter

568. Guillaume Laud

569. Cupid Overpowering a Satyr

570. Figure Study

571. Culver Cliff, Isle of Wight

572. Queen Square, London

573. Mountainous Scene with a lake

574. Waterfall and Tree Trunk

575. Pont Aber Glaslyn