Height [cm]: 36 / Width [cm]: 45 - YCBA Collections Search Search Results

1. A View at Girgenti in Sicily with the Temple of Concord and Juno

Creator:: Sir Charles Lock Eastlake, 1793–1865
Date:: ca. 1818
Materials & Techniques:: Oil on paper mounted on canvas
Dimensions:: 8 1/4 × 11 3/4 inches (21 × 29.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

2. Peeling Potatoes

Creator:: Frank Holl, 1845–1888
Date:: ca. 1880
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 17 7/8 inches (35.6 x 45.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

3. An Unfinished Study of Venus and Adonis

Creator:: Thomas Stothard, 1755–1834
Date:: between 1800 and 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 14 × 17 3/4 inches (35.6 × 45.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Interior of an ironworks

Creator:: Godfrey Sykes, 1824–1866
Date:: 1850
Materials & Techniques:: Oil on canvas
Dimensions:: 14 1/4 x 17 1/2 inches (36.2 x 44.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Village Scene (possibly Colickey Green, Essex)

Creator:: Jessica Landseer, 1807–1880
Date:: 1817
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 17 1/2 inches (35.6 x 44.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

6. The Bathing Place at Ramsgate

Creator:: Benjamin West, 1738–1820
Date:: ca. 1788
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 17 1/2 inches (35.6 x 44.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Farm, Mt. Pleasant

Creator:: Jack Simcock, 1929–2012
Date:: 1959
Materials & Techniques:: Oil on board
Dimensions:: Overall: 14 1/4 × 17 1/2 × 1/4 inches (36.2 × 44.5 × 0.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Gregory F.W. Todd, Yale BA 1976, in memory of Joan Castle Sitwell
On View:: Not on view

8. Monachum Non Facit Cucullus - The Cowl Does Not Make the Monk

Creator:: Print made by Nathaniel Hone, 1718–1784
Date:: 1772
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. James Scott, 1st Duke of Monmouth, 1st Duke of Buccleuch

Creator:: Print made by William Baillie, 1723–1810
Date:: 1774
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 16 1/2 × 17 1/2 inches (41.9 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. High Force or Fall of Tees

Creator:: Print made by John Landseer, 1769–1852
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/16 × 19 5/8 inches (35.7 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Honor among Savages

Creator:: Sir David Low, 1891–1963
Date:: undated
Materials & Techniques:: Pen and black ink, white gouache, graphite, gum arabic, and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Mount: 14 1/16 × 19 3/4 inches (35.7 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles and Jennifer Monaghan

12. Fainasollis, Borbar and Fingal

Creator:: James Parker, 1750–1805
Date:: 1783
Materials & Techniques:: Line-engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 20 inches (44.5 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Revolt of the Fleet, 1642

Creator:: John Harris, active 1686–1740
Date:: ca. 1710
Materials & Techniques:: Line engraving with hand coloring in watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 5/8 × 19 5/16 inches (42.2 × 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Destruction of Sodom and Gomorrah

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Mount: 19 × 24 13/16 inches (48.3 × 63 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. William Sharp

Creator:: Print made by William Sharp, 1749–1824
Date:: 1817
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 21 1/2 × 17 1/2 inches (54.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

16. Set of four: (2) Stag Hunting

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 1/8 x 17 7/8in. (35.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Set of four: (1) Stag Hunting

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 1/8 x 17 7/8in. (35.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Set of four: (3) Stag Hunting

Creator:: Daniel Thomas Egerton, c.1800–1842
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 1/8 x 17 7/8in. (35.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Set of four: (4) Stag Hunting

Creator:: Daniel Thomas Egerton, c.1800–1842
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 1/8 x 17 7/8in. (35.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Landscape Set in an Oval (Mountain Landscape Through an Oval Window)

Creator:: George Barret, ca. 1728/32–1784
Date:: ca. 1775
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 18 1/2 × 23 1/2 inches (47 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. A View of Worcester College &c.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1804
Materials & Techniques:: Etching and line engraving; published state, late impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 18 1/4 inches (36.2 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. View of Exeter College, All Saints Church, &c. from the Turl

Creator:: Print made by James Basire II, 1769–1822
Date:: 1806
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 × 18 1/8 inches (35.6 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. View of Oxford from the South Side of Heddington Hill

Creator:: Print made by James Basire II, 1769–1822
Date:: 1808
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/4 × 17 7/8 inches (36.2 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. View of the Cathedral of Christ Church, and Part of Corpus Christi College

Creator:: Print made by James Basire II, 1769–1822
Date:: 1808
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 19 inches (37.8 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. View of the Cathedral of Christ Church, and Part of Corpus Christi College

Creator:: Print made by James Basire II, 1769–1822
Date:: 1811
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/8 × 18 1/4 inches (35.9 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Colosseum, Rome

Creator:: George Robertson, 1749–1788
Date:: undated
Materials & Techniques:: Pen and gray ink and watercolor on medium, slightly textured, beige wove paper laid down on card
Dimensions:: Sheet: 12 11/16 x 16 7/16 inches (32.2 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor over graphite, pen and brown ink, and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 17 11/16 inches (36.2 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Racing: Sedbury was for the justness of Shape the most Beautiful and ...the Best Horse of His Size at that time

Creator:: James Seymour, 1702–1752
Date:: ca. 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 1/4 x 17 3/4in. (36.2 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Pantheum Romanum nunc Mariae Cognomento

Creator:: Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:: between 1546 and 1590
Materials & Techniques:: Line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 17 3/4 inches (35.6 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Marriage A-La-Mode, Plate II: The Breakfast Scene

Creator:: Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 17 5/8in. (35.6 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Marriage A-La-Mode, Plate III: The Scene with the Quack

Creator:: Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 17 5/8in. (35.6 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

Creator:: John William Edy, 1760–1820
Date:: 1797
Materials & Techniques:: Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 18 11/16 inches (35.9 × 47.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. South East View of Hatfield House, The Seat of the Marquis of Salisbury

Creator:: John Buckler FSA, 1770–1851
Date:: 1812
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. North Front of Belton house Lincolnshire

Creator:: John Buckler FSA, 1770–1851
Date:: 1817
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Marlow Ferry

Creator:: Print made by Robert Walker Macbeth, 1848–1910
Date:: 1880
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Image: 11 3/4 × 17 7/8 inches (29.8 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

38. Aquatic Landscape; Men with Boats and Fishtraps

Creator:: unknown artist
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 5 7/8 × 7 7/8 inches (14.9 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

39. The Red House on the Lake near Norwich Oct. 7th, 1841

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 21 inches (36.2 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Hon. George Pryse Cambell (1793-1858), as a Midshipman

Creator:: Henry Edridge, 1769–1821
Date:: 1805
Materials & Techniques:: Watercolor, pen and black ink, graphite and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Mount: 14 × 19 inches (35.6 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Jesus College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and brown ink, black ink, black chalk, graphite, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Cover: 18 11/16 × 24 1/8 inches (47.5 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. St. Peter's College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and black ink, black chalk, brown chalk, gouache, scratching out, and graphite on thick, slightly textured, cream wove paper
Dimensions:: Cover: 18 11/16 × 24 1/16 inches (47.5 × 61.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Pospero Disarming Ferdinand from The Tempest, Act I, Scene II

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/4 × 17 7/8 inches (40 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

44. St. Frideswide's Shrine, in Christ-Church Cathedral

Creator:: Print made by Joseph Skelton, active 1820–1850
Date:: 1815
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 19 1/2 inches (36.2 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

YCBA Collections Search

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Height [cm] 36

Width [cm] 45

Search Results

1. A View at Girgenti in Sicily with the Temple of Concord and Juno

2. Peeling Potatoes

3. An Unfinished Study of Venus and Adonis

4. Interior of an ironworks

5. Village Scene (possibly Colickey Green, Essex)

6. The Bathing Place at Ramsgate

7. Farm, Mt. Pleasant

8. Monachum Non Facit Cucullus - The Cowl Does Not Make the Monk

9. James Scott, 1st Duke of Monmouth, 1st Duke of Buccleuch

10. High Force or Fall of Tees

11. Honor among Savages

12. Fainasollis, Borbar and Fingal

13. The Revolt of the Fleet, 1642

14. The Destruction of Sodom and Gomorrah

15. William Sharp

16. Set of four: (2) Stag Hunting

17. Set of four: (1) Stag Hunting

18. Set of four: (3) Stag Hunting

19. Set of four: (4) Stag Hunting

20. Landscape Set in an Oval (Mountain Landscape Through an Oval Window)

21. A View of Worcester College &c.

22. View of Exeter College, All Saints Church, &c. from the Turl

23. View of Oxford from the South Side of Heddington Hill

24. View of the Cathedral of Christ Church, and Part of Corpus Christi College

25. View of the Cathedral of Christ Church, and Part of Corpus Christi College

26. The Colosseum, Rome

27. Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]

28. Racing: Sedbury was for the justness of Shape the most Beautiful and ...the Best Horse of His Size at that time

29. Pantheum Romanum nunc Mariae Cognomento

30. Marriage A-La-Mode, Plate II: The Breakfast Scene

31. Marriage A-La-Mode, Plate III: The Scene with the Quack

32. View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

33. South East View of Hatfield House, The Seat of the Marquis of Salisbury

34. North Front of Belton house Lincolnshire

35. North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton

36. South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton

37. Marlow Ferry

38. Aquatic Landscape; Men with Boats and Fishtraps

39. The Red House on the Lake near Norwich Oct. 7th, 1841

40. The Hon. George Pryse Cambell (1793-1858), as a Midshipman

41. Jesus College, Cambridge

42. St. Peter's College, Cambridge

43. Pospero Disarming Ferdinand from The Tempest, Act I, Scene II

44. St. Frideswide's Shrine, in Christ-Church Cathedral