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Vanessa Bell Flowers in a Lustre Pot
Vanessa Bell, 1879–1961
Flowers in a Lustre Pot
ca. 1950
Not on view
John Constable Cloud Study
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
John Constable Dedham Lock
John Constable, 1776–1837
Dedham Lock
between 1819 and 1820
Not on view
John Constable Cloud Study
John Constable, 1776–1837
Cloud Study
1821
Not on view
John Constable Cloud Study
John Constable, 1776–1837
Cloud Study
1821
Not on view
Edward Lear Corfu from Santa Decca
Edward Lear, 1812–1888
Corfu from Santa Decca
1862
Not on view
Edward Lear Butrinto, Albania
Edward Lear, 1812–1888
Butrinto, Albania
1861
Not on view
Edward Lear Corfu from Ascension
Edward Lear, 1812–1888
Corfu from Ascension
ca. 1860
Not on view
Edward Lear Kinchinjunga
Edward Lear, 1812–1888
Kinchinjunga
1877
Not on view
Edward Lear Mount Athos and the Monastery of Stavronikétes
Edward Lear, 1812–1888
Mount Athos and the Monastery of Stavronikétes
1857
Not on view
John R. Skeaping Key to the Mint
John R. Skeaping, 1901–1980
Key to the Mint
1971
Not on view
unknown artist Portrait of the Artist
unknown artist
Portrait of the Artist
1733 or after
Not on view
Francis Wheatley Portrait of an Unknown Man
Francis Wheatley, 1747–1801
Portrait of an Unknown Man
ca. 1778
Not on view
John Rogers Herbert David, the Future King of Israel, While a Shepherd at Bethlehem
John Rogers Herbert, 1810–1890
David, the Future King of Israel, While a Shepherd at Bethlehem
1877
Not on view
Richard Parkes Bonington Seated Turk
Richard Parkes Bonington, 1802–1828
Seated Turk
1826
Not on view
Charles Ginner Design for Tiger Hunting Mural in the Cabaret Theatre Club
Charles Ginner, 1878–1952
Design for Tiger Hunting Mural in the Cabaret Theatre Club
1912
Not on view
Sir George Hayter Studies for the Duke of Wellington
Sir George Hayter, 1792–1871
Studies for the Duke of Wellington
ca. 1820
Not on view
Gwen John The Brown Tea Pot
Gwen John, 1876–1939
The Brown Tea Pot
between 1915 and 1916
Not on view
William Marlow View on the River Thames at Richmond
William Marlow, 1740–1813
View on the River Thames at Richmond
ca. 1776
Not on view
William Alfred Delamotte On the Isis, Waterperry, Oxfordshire
William Alfred Delamotte, 1775–1863
On the Isis, Waterperry, Oxfordshire
1805
Not on view
Gwen John Still Life with a Prayer Book, Shawl, Vase of Flowers and Inkwell
Gwen John, 1876–1939
Still Life with a Prayer Book, Shawl, Vase of Flowers and Inkwell
late 1920s
Not on view
Frank Auerbach Portrait of Leon Kossoff
Frank Auerbach, 1931-2024
Portrait of Leon Kossoff
ca. 1955
Not on view
George Morland Setters
George Morland, 1763–1804
Setters
between 1798 and 1799
Not on view
Sir Alfred J. Munnings Royal Grey in State Harness
Sir Alfred J. Munnings, 1878–1959
Royal Grey in State Harness
ca. 1925
Not on view
Joseph Edgar Boehm Study of a Coat Belonging to John, 11th Earl of Westmorland
Joseph Edgar Boehm, 1834–1890
Study of a Coat Belonging to John, 11th Earl of Westmorland
mid-19th century
Not on view
Lionel Constable Landscape at Hampstead, with Harrow in the Distance
Lionel Constable, 1828–1887
Landscape at Hampstead, with Harrow in the Distance
between 1849 and 1855
Not on view
Richard Parkes Bonington Grand Canal, Venice
Richard Parkes Bonington, 1802–1828
Grand Canal, Venice
1826
Not on view
George Chambers Two Fishing Boats on the Banks of Inland Waters
George Chambers, 1803–1840
Two Fishing Boats on the Banks of Inland Waters
1831
Not on view
William Hamilton The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
William Hamilton, 1751–1801
The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
ca. 1790
Not on view
William James Muller An Enslaved African
William James Muller, 1812–1845
An Enslaved African
1838
Not on view
Thomas Gainsborough The Rev. Samuel Uvedale
Thomas Gainsborough, 1727–1788
The Rev. Samuel Uvedale
1770 to 1774
Not on view
William James Muller Gillingham on the Medway
William James Muller, 1812–1845
Gillingham on the Medway
1842
Not on view
Alfred Turner Charlotte Turner (née Gavin)
Alfred Turner, 1874–1940
Charlotte Turner (née Gavin)
ca. 1910 or ca. 1930, exhibited 1930
Not on view
Adrian Jones Horse and Stable Lad
Adrian Jones, 1845–1938
Horse and Stable Lad
ca. 1890
Not on view
Staffordshire pottery Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting
Staffordshire pottery
Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting
19th to mid-19th century
Not on view
Staffordshire pottery Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting
Staffordshire pottery
Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting
19th-mid-19th century
Not on view
Robert Polhill Bevan The White House (Gould's Farm Luppitt)
Robert Polhill Bevan, 1865–1925
The White House (Gould's Farm Luppitt)
ca. 1920
Robert Polhill Bevan The Bayhorse, Tattersall’s
Robert Polhill Bevan, 1865–1925
The Bayhorse, Tattersall’s
1921
Robert Polhill Bevan A Morning at Tattersalls (with further sketches in left margin folded over)
Robert Polhill Bevan, 1865–1925
A Morning at Tattersalls (with further sketches in left margin folded over)
undated
Robert Polhill Bevan Study for Mare and Foal, Lytchetts, Clayhidon
Robert Polhill Bevan, 1865–1925
Study for Mare and Foal, Lytchetts, Clayhidon
1917
Robert Polhill Bevan Sussex Landscape
Robert Polhill Bevan, 1865–1925
Sussex Landscape
undated
John Constable A Recollection of the New R.A.
John Constable, 1776–1837
A Recollection of the New R.A
1837
Samuel Palmer Study for "The Shearers"
Samuel Palmer, 1805–1881
Study for "The Shearers"
between 1833 and 1834
George Stubbs A Horse Affrighted by a Lion
Print made by George Stubbs, 1724–1806
A Horse Affrighted by a Lion
1777
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
William Hogarth Southwark Fair
Print made by William Hogarth, 1697–1764
Southwark Fair
1733
William Hogarth Southwark Fair
William Hogarth, 1697–1764
Southwark Fair
1733
Joseph Mallord William Turner Chain of Alps from Grenoble to Chamberi
Etched by Joseph Mallord William Turner, 1775–1851
Chain of Alps from Grenoble to Chamberi
1812
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
ca. 1793
Edward Lear (Swindern's Parrakeet) (Plate 42)
Edward Lear, 1812–1888
(Swindern's Parrakeet) (Plate 42)
1832
Edward Lear Turin, Italy
Edward Lear, 1812–1888
Turin, Italy
after 1872
Edward Lear Benares
Edward Lear, 1812–1888
Benares
1873
George Romney The Wave
George Romney, 1734–1802
The Wave
undated
George Romney Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
George Romney, 1734–1802
Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
William Blake "Jehovah stood among the Druids..." (Plate 63)
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
William Blake "Such are Cathedrons golden Halls..." (Plate 73)
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
William Blake "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
Print made by William Blake, 1757–1827
"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
1804 to 1820
William Blake "Repose on me till the morning of the Grave..." (Plate 62)
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
William Blake "Of the Mundane Shell which froze..." (Plate 64)
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820
William Blake "To decide Two Worlds with a great decision..." (Plate 65)
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
William Blake "The clouds of Albions Druid Temples..." (Plate 60)
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
William Blake "O Skofield why art thou cruel?..." (Plate 68)
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake "Was living: panting like a frighted wolf..." (Plate 7)
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
Print made by William Blake, 1757–1827
"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
1804 to 1820
William Blake "Her voice pierc'd Albions clay cold ear..." (Plate 95)
Print made by William Blake, 1757–1827
"Her voice pierc'd Albions clay cold ear..." (Plate 95)
1804 to 1820
William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
William Blake "And that toward Eden, four..." (Plate 13)
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
William Blake "Reuben return'd to his place, in vain..." (Plate 36)
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake "These were his last words, and the merciful Saviour in his arms..." (Plate 48)
Print made by William Blake, 1757–1827
"These were his last words, and the merciful Saviour in his arms..." (Plate 48)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
William Blake "The Four Zoa's clouded rage..." (Plate 74)
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
Print made by William Blake, 1757–1827
"My tents are fall'n! my pillars are in ruins!..." (Plate 79)
1804 to 1820
William Blake "Rose up against me thundering..." (Plate 8)
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
William Blake "I have heard Jerusalems groans..." (Plate 82)
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
William Blake "Corruptability appears upon thy limbs..." (Plate 83)
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
William Blake "The Feminine separates from the Masculine..." (Plate 90)
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
William Blake "It is easier to forgive an enemy..." (Plate 91)
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820