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William Hamilton The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i

William Hamilton, 1751–1801

The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i

ca. 1790

Not on view

Robert Polhill Bevan A Morning at Tattersalls (with further sketches in left margin folded over)

Robert Polhill Bevan, 1865–1925

A Morning at Tattersalls (with further sketches in left margin folded over)

undated

George Romney Howard Visiting a Prison

George Romney, 1734–1802

Howard Visiting a Prison

undated

George Romney Prison Scene

George Romney, 1734–1802

Prison Scene

undated

William Blake "His Children exil'd from his breast..." (Plate 19)

Print made by William Blake, 1757–1827

"His Children exil'd from his breast..." (Plate 19)

1804 to 1820

William Blake "But when they saw Albion fall'n..." (Plate 20)

Print made by William Blake, 1757–1827

"But when they saw Albion fall'n..." (Plate 20)

1804 to 1820

William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

1804 to 1820

William Blake "To the Public. After my three years slumber..." (Plate 3)

Print made by William Blake, 1757–1827

"To the Public. After my three years slumber..." (Plate 3)

1804 to 1820

William Blake "His face and bosom with petrific hardness..." (Plate 38)

Print made by William Blake, 1757–1827

"His face and bosom with petrific hardness..." (Plate 38)

1804 to 1820

William Blake "Bath who is Legions..." (Plate 41)

Print made by William Blake, 1757–1827

"Bath who is Legions..." (Plate 41)

1804 to 1820

William Blake "Thus Albion sat, studious of others..." (Plate 42)

Print made by William Blake, 1757–1827

"Thus Albion sat, studious of others..." (Plate 42)

1804 to 1820

William Blake "Jehovah stood among the Druids..." (Plate 63)

Print made by William Blake, 1757–1827

"Jehovah stood among the Druids..." (Plate 63)

1804 to 1820

William Blake "Of the Mundane Shell which froze..." (Plate 64)

Print made by William Blake, 1757–1827

"Of the Mundane Shell which froze..." (Plate 64)

1804 to 1820

William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

Print made by William Blake, 1757–1827

"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

1804 to 1820

William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

Print made by William Blake, 1757–1827

"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

1804 to 1820

William Blake "Encompass'd by the frozen Net..." (Plate 80)

Print made by William Blake, 1757–1827

"Encompass'd by the frozen Net..." (Plate 80)

1804 to 1820

William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Print made by William Blake, 1757–1827

"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

1804 to 1820

William Blake "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

Print made by William Blake, 1757–1827

"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

1804 to 1820

William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)

Print made by William Blake, 1757–1827

"Repelling weeping Enion blind & age-bent..." (Plate 87)

1804 to 1820

William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

Print made by William Blake, 1757–1827

"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

1804 to 1820

William Blake "Condens'd his Emanations..." (Plate 9)

Print made by William Blake, 1757–1827

"Condens'd his Emanations..." (Plate 9)

1804 to 1820

William Blake "And this the form of mighty Hand..." (Plate 70)

Print made by William Blake, 1757–1827

"And this the form of mighty Hand..." (Plate 70)

1804 to 1820

William Blake "One hair nor particle of dust..." (Plate 14)

Print made by William Blake, 1757–1827

"One hair nor particle of dust..." (Plate 14)

1804 to 1820

William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Print made by William Blake, 1757–1827

Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

1804 to 1820

William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Print made by William Blake, 1757–1827

"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

1804 to 1820

William Blake "What have I said? What have I done?..." (Plate 24)

Print made by William Blake, 1757–1827

"What have I said? What have I done?..." (Plate 24)

1804 to 1820

William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

Print made by William Blake, 1757–1827

"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

1804 to 1820

William Blake "His western heaven with rocky clouds..." (Plate 31)

Print made by William Blake, 1757–1827

"His western heaven with rocky clouds..." (Plate 31)

1804 to 1820

William Blake "Then the Divine hand found the Two Limits..." (Plate 35)

Print made by William Blake, 1757–1827

"Then the Divine hand found the Two Limits..." (Plate 35)

1804 to 1820

William Blake "And One stood forth from the Divine Family..." (Plate 37)

Print made by William Blake, 1757–1827

"And One stood forth from the Divine Family..." (Plate 37)

1804 to 1820

William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

1804 to 1820

William Blake "Los shudder'd at beholding Albion..." (Plate 40)

Print made by William Blake, 1757–1827

"Los shudder'd at beholding Albion..." (Plate 40)

1804 to 1820

William Blake "Bath, healing City!..." (Plate 45)

Print made by William Blake, 1757–1827

"Bath, healing City!..." (Plate 45)

1804 to 1820

William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

Print made by William Blake, 1757–1827

"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

1804 to 1820

William Blake "And Rahab Babylon the Great..." (Plate 75)

Print made by William Blake, 1757–1827

"And Rahab Babylon the Great..." (Plate 75)

1804 to 1820

William Blake "Rose up against me thundering..." (Plate 8)

Print made by William Blake, 1757–1827

"Rose up against me thundering..." (Plate 8)

1804 to 1820

William Blake "I have mock'd those who refused cruelty..." (Plate 81)

Print made by William Blake, 1757–1827

"I have mock'd those who refused cruelty..." (Plate 81)

1804 to 1820

William Blake "From every-one of the Four Regions..." (Plate 18)

Print made by William Blake, 1757–1827

"From every-one of the Four Regions..." (Plate 18)

1804 to 1820

William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

Print made by William Blake, 1757–1827

"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

1804 to 1820

William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)

Print made by William Blake, 1757–1827

"Then the Divine Vision like a silent Sun..." (Plate 29)

1804 to 1820

William Blake "Leaning against the pillars..." (Plate 32)

Print made by William Blake, 1757–1827

"Leaning against the pillars..." (Plate 32)

1804 to 1820

William Blake "The banks of the Thames are clouded..." (Plate 5)

Print made by William Blake, 1757–1827

"The banks of the Thames are clouded..." (Plate 5)

1804 to 1820

William Blake "In Great Eternity every particular Form..." (Plate 54)

Print made by William Blake, 1757–1827

"In Great Eternity every particular Form..." (Plate 54)

1804 to 1820

William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

Print made by William Blake, 1757–1827

"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

1804 to 1820

William Blake "And formed into Four precious stones..." (Plate 59)

Print made by William Blake, 1757–1827

"And formed into Four precious stones..." (Plate 59)

1804 to 1820

William Blake "Was living: panting like a frighted wolf..." (Plate 7)

Print made by William Blake, 1757–1827

"Was living: panting like a frighted wolf..." (Plate 7)

1804 to 1820

William Blake "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

Print made by William Blake, 1757–1827

"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

1804 to 1820

William Blake "The Four Zoa's clouded rage..." (Plate 74)

Print made by William Blake, 1757–1827

"The Four Zoa's clouded rage..." (Plate 74)

1804 to 1820

William Blake "Fear & hope are -- Vision" (Plate 15)

Print made by William Blake, 1757–1827

"Fear & hope are -- Vision" (Plate 15)

1826

William Blake "I found him beneath a Tree" (Plate 3)

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

William Blake For the Sexes: The Gates of Paradise, Title Page (Plate 1)

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Title Page (Plate 1)

1826

William Blake "To labours mighty, with vast strength..." (Plate 11)

Print made by William Blake, 1757–1827

"To labours mighty, with vast strength..." (Plate 11)

1804 to 1820

William Blake "Why wilt thou give to her a Body..." (Plate 12)

Print made by William Blake, 1757–1827

"Why wilt thou give to her a Body..." (Plate 12)

1804 to 1820

William Blake "And that toward Eden, four..." (Plate 13)

Print made by William Blake, 1757–1827

"And that toward Eden, four..." (Plate 13)

1804 to 1820

William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

1804 to 1820

William Blake "The clouds of Albions Druid Temples..." (Plate 60)

Print made by William Blake, 1757–1827

"The clouds of Albions Druid Temples..." (Plate 60)

1804 to 1820

William Blake "Albion cold lays on his Rock..." (Plate 94)

Print made by William Blake, 1757–1827

"Albion cold lays on his Rock..." (Plate 94)

1804 to 1820

William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)

Print made by William Blake, 1757–1827

"What do I see! The Briton Saxon Roman Norman..." (Plate 92)

1804 to 1820

William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Print made by William Blake, 1757–1827

"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

1804 to 1820

William Blake "Became a Space & an Allegory..." (Plate 85)

Print made by William Blake, 1757–1827

"Became a Space & an Allegory..." (Plate 85)

1804 to 1820

William Blake "Then all the Males conjoined into One Male..." (Plate 69)

Print made by William Blake, 1757–1827

"Then all the Males conjoined into One Male..." (Plate 69)

1804 to 1820

Lewis Vaslet The Spoiled Child, Scene II

Lewis Vaslet, 1742–1808

The Spoiled Child, Scene II

ca. 1802

Richard Westall The Seven Bishops Going To Trial

Richard Westall, 1765–1836

The Seven Bishops Going To Trial

1790

Edward Radclyffe Calais Pier

Print made by Edward Radclyffe, 1809–1863

Calais Pier

after 1832

Edward Radclyffe Peat-Gatherers

Print made by Edward Radclyffe, 1809–1863

Peat-Gatherers

undated

William Pars The Secundini Monument at Ighel in the Duchy of Luxembourg

William Pars, 1742–1782

The Secundini Monument at Ighel in the Duchy of Luxembourg

undated

Robert Dighton A Lesson Westward - or A Morning Visit to Betsy Cole

Robert Dighton, 1752–1814

A Lesson Westward - or A Morning Visit to Betsy Cole

1782

William Byrne A View in the Villa Madama, near Rome, called II Teatro

William Byrne, 1743–1805

A View in the Villa Madama, near Rome, called II Teatro

1765

Jacques Bouillard Franciscus Bartolozzi

Print made by Jacques Bouillard, 1744–1806

Franciscus Bartolozzi

undated

Sir David Young Cameron Notre Dame, Dinant [Belgian Set: No. 8]

Print made by Sir David Young Cameron, 1865–1945

Notre Dame, Dinant [Belgian Set: No. 8]

1907

Francesco Bartolozzi Tom Jones Assisting Molly Seagrim

Print made by Francesco Bartolozzi, 1728–1815

Tom Jones Assisting Molly Seagrim

1782

Guillaume Sulpice Chevalier Intemperance

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

George Richmond Portrait of Catherine Blake

George Richmond, 1809–1896

Portrait of Catherine Blake

ca. 1830

James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

James Gillray, 1756–1815

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

Sir William Russell Flint Bagno della Marchese

Sir William Russell Flint, 1880–1969

Bagno della Marchese

1930

Richard Parkes Bonington Rue du Gros-Horloge, Rouen

Print made by Richard Parkes Bonington, 1802–1828

Rue du Gros-Horloge, Rouen

1824

Sir David Young Cameron Ponte Vecchio [North Italian Set: No. 21]

Print made by Sir David Young Cameron, 1865–1945

Ponte Vecchio [North Italian Set: No. 21]

1895

Austin, Robert, 1895-1973 Salus Infirmorum

Print made by Austin, Robert, 1895-1973, 1895–1973

Salus Infirmorum

1922

Thomas Shotter Boys Quayside, Notre Dame in Distance

Print made by Thomas Shotter Boys, 1803–1874

Quayside, Notre Dame in Distance

undated

James Johnson Venus Bathing

Print made by James Johnson, 1803–1834

Venus Bathing

undated

Bernard Lens II The Four Elements

Print made by Bernard Lens II, 1659–1725

The Four Elements

undated

Johann Philip Koch Le Ete - Der Sommer

Print made by Johann Philip Koch, ca. 1716–1796

Le Ete - Der Sommer

undated

Johann Gottfried Haid Two Women Listening to a Bird, with a Man Holding a Gun

Print made by Johann Gottfried Haid, 1704–1767

Two Women Listening to a Bird, with a Man Holding a Gun

undated

unknown artist Lady Time Present and Lady Time Past

Print made by unknown artist

Lady Time Present and Lady Time Past

1773

unknown artist The South Sea House

Print made by unknown artist

The South Sea House

between 1720 and 1728

Richard Parkes Bonington Façade de l'Eglise de Brou

Print made by Richard Parkes Bonington, 1802–1828

Façade de l'Eglise de Brou

1825

Richard Parkes Bonington Ruines de Château d'Arlay

Print made by Richard Parkes Bonington, 1802–1828

Ruines de Château d'Arlay

1827

Thomas Shotter Boys Corner of the Palais de Justice, Paris

Print made by Thomas Shotter Boys, 1803–1874

Corner of the Palais de Justice, Paris

ca. 1833

John Browne Evening

Print made by John Browne, 1741–1801

Evening

ca. 1797

John Bruce Chain Pier at Brighton

Print made by John Bruce, fl. 1826

Chain Pier at Brighton

ca. 1830

Agostino Brunias A Negroes Dance in the Island of Dominica

Print made by Agostino Brunias, 1728–1796

A Negroes Dance in the Island of Dominica

1779

James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

Thomas Rowlandson A Village Scene with Girls Spinning

Thomas Rowlandson, 1756–1827

A Village Scene with Girls Spinning

undated

Michael Hanhart L'Adieu

Print made by Michael Hanhart, active 1841–1852

L'Adieu

ca. 1858

Walter Paris A Cricket Match of the Royal Marine Artillery, London

Walter Paris, 1842–1906

A Cricket Match of the Royal Marine Artillery, London

1888

Thomas Rowlandson Vauxhall Gardens

Thomas Rowlandson, 1756–1827

Vauxhall Gardens

ca. 1784

Bruce Davidson Brighton

Bruce Davidson, born 1933

Brighton

1960

Mary Hoare The Three Witches from Macbeth: Though the Bark Cannot be Lost...

Mary Hoare, 1744–1820

The Three Witches from Macbeth: Though the Bark Cannot be Lost..

ca. 1781

Mary Hoare The Apparition of the Armed Head: Macbeth

Mary Hoare, 1744–1820

The Apparition of the Armed Head: Macbeth

ca. 1781

Samuel Hieronymus Grimm Kennington Common

Samuel Hieronymus Grimm, 1733–1794

Kennington Common

1776