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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
26
Creator
Blake, William, 1757–1827
26
Date
1804
26
On-site Access
Accessible by appointment in the Study Room
26
Image Use
Free to Use
26
Image Available
Available
26
Classification
Prints
26
Creator Gender
male
26
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
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26
Period
19th century
26
Materials & Techniques
black ink
26
relief etching
26
watercolor
26
wove paper
26
gold
3
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drawing
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relief print
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watercolor
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literary theme
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religious and mythological subject
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literary theme
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religious and mythological subject
26
sky
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text
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women
18
nudes
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men
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moon
11
clouds
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stars
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sun
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night
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wings
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vines
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branches
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fire
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flames
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gown
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angels
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arch
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Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
26
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
26
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
8
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
4
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
4
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
1
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
26
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Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
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1
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
2
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
3
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
4
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
5
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
6
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
7
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
8
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
9
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
10
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
11
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
12
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
13
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
14
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
15
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
16
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
17
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
18
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
19
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
20
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
21
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
22
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
23
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
24
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
25
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
26
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820