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Landscape with Horse and Oxen Cart
Creator:
Philippe-Jacques de Loutherbourg, 1740–1812
Date:
1770 to 1780
Materials & Techniques:
Oil on panel
Dimensions:
12 1/2 × 18 3/4 inches (31.8 × 47.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Before the Race
Creator:
John Willis Good, 1845–1879
Date:
1875
Materials & Techniques:
Bronze
Dimensions:
Overall: 12 3/4 x 11 1/4 x 4 1/8 inches (32.4 x 28.6 x 10.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Destruction of Niobe's Children
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 3/4 x 20 5/8 inches (32.4 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
View of Oxford from the South Side of Heddington Hill
Creator:
Print made by James Basire II, 1769–1822
Date:
1808
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Exeter College, All Saints Church, &c. from the Turl
Creator:
Print made by James Basire II, 1769–1822
Date:
1806
Materials & Techniques:
Etching and line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 × 18 1/8 inches (35.6 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Oxford from the South Side of Heddington Hill
Creator:
Print made by James Basire II, 1769–1822
Date:
1808
Materials & Techniques:
Etching and line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 1/4 × 17 7/8 inches (36.2 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
How to Ride Without a Bridle
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Hand-colored etching on thick beige card
Dimensions:
Sheet: 12 1/2 x 9 5/8 inches (31.7 x 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Englishman at Paris, 1767
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1799
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/16 x 18 7/8 inches (36.7 x 48 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Exeter College, All Saints Church, &c. from the Turl
Creator:
Print made by James Basire II, 1769–1822
Date:
1806
Materials & Techniques:
Etching and line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 1/4 × 18 inches (33.7 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
How to Vault in the Saddle
Creator:
Thomas Rowlandson, 1756–1827
Date:
1813
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 x 10 3/4 inches (33 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coal Miners Next to Work Horse
Creator:
Bruce Davidson, born 1933
Date:
1965
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 11 x 14 inches (27.9 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig
Creator:
unknown artist
Date:
ca. 1860
Materials & Techniques:
Graphite on medium, slightly textured, laid paper
Dimensions:
Sheet: 6 5/8 × 10 3/4 inches (16.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Abbey Mill, Knaresborough
Creator:
Thomas Girtin, 1775–1802
Date:
1801
Materials & Techniques:
Watercolor, graphite, and white gouache with scratching out on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 11/16 x 20 11/16 inches (32.2 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
V. Plummer’s Residence
Creator:
Michel Jean Cazabon, 1813–1888
Date:
ca. 1850
Materials & Techniques:
Watercolor, gouache, and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Frame: 18 × 25 × 2 1/2 inches (45.7 × 63.5 × 6.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Purinton Family, in memory of our mother Katherine Rowley Purinton Tuttle and our ancestors
No cover image available
Creator:
George Dance, 1741–1825
Date:
undated
Materials & Techniques:
Graphite and watercolor on cream laid paper
Dimensions:
Sheet: 7 1/2 x 9 1/2in. (19.1 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection