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1
- A Married Sailor's Adieu
- ca. 1800
- Not on view
2
- A River Landscape, Sunset
- ca. 1860
- Not on view
3
- The Haymarket, Norwich
- 1825
- Not on view
4
- The Homeward Star
- begun ca. 1880
5
- Chapter V, "The globe of life blood trembled..." (Plate 17)
- 1794
6
- "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
- 1804 to 1820
7
- Los with the child Orc and Enitharmon (Plate 18)
- 1794
8
- Frontispiece (Plate 1)
- 1793
9
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
10
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
11
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
12
- "But when the morn arose, her lamentation renewd..." (Plate 8)
- 1793
13
- Intemperance
- undated
14
- The End of the Day
- 1919
15
- Bologna
- 1828
16
- Battersea Reach
- 1863
17
- Dusty Millers
- 1877
18
- Quayside, Notre Dame in Distance
- undated
19
- Les Pendus
- ca. 1826
20
- Bachanalia Scene
- undated
21
- Unidentified Periodical/Play Illustration
- undated
22
- A Sloop of War in a Light Breeze
- 1811
23
- A Seventy-four in a Fresh Gale
- 1811
24
- Coldham Hall, with H. Priest and C. Turner Angling, 1835
- 1835
25
- The Harvesters
- undated
26
- The Travelling Musicians
- undated
27
- Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
- undated
28
- Two Horsemen
- undated
29
- A Frigate in a Calm
- 1811
30
- A First Rate after a Storm
- 1811
31
- The Return
- undated
![Sir David Young Cameron Via ai Prati, Genoa [North Italian Set: No. 8]](https://media.collections.yale.edu/thumbnail/ycba/6435b0f9-3d84-481d-9932-f48f96e66c87)
32
- Via ai Prati, Genoa [North Italian Set: No. 8]
- 1896
33
- North West View, Lincoln's Inn
- between 1845 and 1850
34
- The Baron's Hall
- 1844
35
- June - Society at the Drawing Room
- undated
36
- July - Society Masquerading
- undated
37
- Miserable Sinners
- undated
38
- Shopping
- undated
39
- Crystal Palace
- undated
40
- Italian Fair
- 1923
41
- The Cresset
- 1915
42
- The Quay
- 1916
43
- The Quay
- 1916
44
- The Cresset
- 1915
45
- Samson Overcome by the Philistines
- ca. 1758
46
- Lac de Killin
- 1826
47
- Feste, as Sir Topas, addressing Malvolio
- 1822
48
- Landscape with Two Men on a Hill and a Castle in the Distance
- between 1762 and 1783
49
- Two Men Looking Into Landscape with Castle, River and Mountain Scene
- between 1762 and 1783
50
- Haymaking
- undated
51
- Shipping in Southampton Water, off Calshott Castle
- undated
52
- Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
- 1821
53
- Canvasing for Member of Parliament
- undated
54
- A Country Amusement - Bull Baiting
- undated
55
- Administering the Oath at Highgate
- undated
56
- The Travelling Show Man
- undated
57
- A Modern Diversion
- undated
58
- The Produce of Industry
- undated
59
- The Ferry
- undated
60
- Relieving the Distressed Travellers
- undated
61
- Modern Exercise
- undated
62
- The Harmonious Family
- undated
63
- Two Jeyties Fighting
- ca. 1792
64
- Castle Above a Waterfall
- ca. 1830
65
- Preparing to lay eel traps
- undated
66
- Hotspur and the Plotters at Bangor
- 1825
67
- Double Hairpin Set
- after 1850
68
- Figures Harvesting
- undated
69
- Andromache Mourning the Death of Hector
- between 1760 and 1763
70
- Landscape with Hay Cart before a Cottage
- undated
71
- Group of Caricature Heads
- undated
72
- Edinburgh
- ca. 1778
73
- The Picnic
- undated
74
- Loading Sacks into a Cart
- undated
75
- A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background
- undated
76
- The Good Samaritan
- undated
77
- The Chelsea Pensioners Reading the Waterloo Dispatch
- before 1822
78
- Feeding Ducks
- undated
79
- Studies of Two Riders, and of Rider's Heads
- undated
80
- The Fishers
- 1925
81
- "The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
- 1729
82
- The Sporting Lady
- undated
83
- Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
- between 1809 and 1823
84
- A Hunting Party
- undated
85
- "Scraps", no. 34: Mounted Mameluke Pointing a Pistol
- 1823
86
- "Scraps", no. 32: Two Mamelukes Talking, One Mounted
- 1823
87
- "Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
- undated
88
- "Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
- 1823
89
- "Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
- 1823
90
- "Scraps", No. 39: Mounted Hussars
- 1823
91
- "Scraps", No. 8: Scenes of a Lancer and Other Cavalry
- 1823
92
- Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
- between 1818 and 1822
93
- Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
- between 1818 and 1822
94
- "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
- between 1831 and 1832
95
- "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
- between 1831 and 1832
96
- "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
- between 1831 and 1832
97
- "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
- between 1831 and 1832
98
- "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
- between 1831 and 1832
99
- "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
- between 1831 and 1832
100
- "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
- between 1831 and 1832