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1
- Flatford Mill
- between 1810 and 1811
- Not on view
2
- Undergrowth
- ca. 1815
- Not on view
3
- Cloud Study with Trees
- 1821
- Not on view
4
- Stormy Sea, Brighton
- ca. 1828
- Not on view
5
- Summer - Evening Landscape
- ca. 1825
- Not on view
6
- Steeplechasing: The Brook
- 1869
- Not on view
7
- ?Petit Andeleys on the Seine
- 1822 to 1825
- Not on view
8
- Mountainous Landscape with Figures by a Lake
- 1825 to 1830
- Not on view
9
- A Harvest Scene with Workers Loading Hay on to a Farm Wagon
- ca. 1800
- Not on view
10
- At South Mickleham
- 1829
- Not on view
11
- Fanny Eaton
- 1861
- Not on view
12
- George Stubbs
- 1775
- Not on view
13
- A Married Sailor's Adieu
- ca. 1800
- Not on view
14
- The Old Fishmarket, Norwich
- 1825
- Not on view
15
- Landscape with Trees and a Figure
- ca. 1840
- Not on view
16
- The Haymarket, Norwich
- 1825
- Not on view
17
- Sheep Grazing
- 1835
- Not on view
18
- A River Landscape, Sunset
- ca. 1860
- Not on view
19
- A View of the Valley of Rocks near Mittlach (Alsace)
- ca. 1830
- Not on view
20
- A View of Eton and the Fellows Eyot
- ca. 1840
- Not on view
21
- Sir Isaac Newton
- ca. 1735
- Not on view
22
- William Congreve
- ca. 1715
- Not on view
23
- Sylvia and the Wounded Stag
- 1824
- Not on view
24
- Street Scene: Opatow Kelecki, Poland
- ca. 1907
25
- Family Gathered on a Porch, Opatow Kielecki, Poland
- ca. 1907
26
- The Bellman
- 1879
27
- The Homeward Star
- begun ca. 1880
28
- The Lonely Tower
- 1879
29
- The Bellman
- 1879
30
- The Bellman
- 1879
31
- The Lonely Tower
- 1879
32
- Foxgloves
- undated
33
- A Country Girl in the Lake District
- 1806
34
- Two Studies of Dedham Church from the East
- between 1806 and 1808
35
- Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles
- undated
![George Stubbs A Lion [A recumbent Lion]](https://media.collections.yale.edu/thumbnail/ycba/a3e0a688-dd65-4193-b627-21b22d75629a)
36
- A Lion [A recumbent Lion]
- 1788
37
- Sir William Hamilton's Villa
- ca. 1795
38
- High Street, Edinburgh
- ca. 1818
39
- Entrance to the Port of Marseille
- undated
40
- Sketches of Athens
- 1848
41
- Derwentwater
- 1836
42
- Bassenthwaite
- 1836
43
- Yewbarrow, Wastwater, 16 September 1836
- 1836
44
- Derwentwater, September 1836
- 1836
45
- Crummock Water
- 1836
46
- Ullswater, 14 Oct. 1836
- 1836
47
- Sorrento, 2 August 1838
- 1838
48
- Isola di Sora, 31 Mar. 1842
- 1842
49
- Karnak, 9:30 am, 24 February 1867 (546)
- 1867
50
- A View of the Pine Woods Above Cannes
- 1869
51
- A View of the Harbour at Cannes
- 1869
52
- A View of Cannes
- 1882
53
- "The Ox in the slaughter house moans..." (Plate 23)
- 1794
54
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
55
- "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
- 1804 to 1820
56
- Chapter V, "The globe of life blood trembled..." (Plate 17)
- 1794
57
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
58
- Praying Child and Howling Dog (Plate 25)
- 1794
59
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
60
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
- 1794
61
- Los with the child Orc and Enitharmon (Plate 18)
- 1794
62
- "But when the morn arose, her lamentation renewd..." (Plate 8)
- 1793
63
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
64
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
65
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
66
- Frontispiece (Plate 1)
- 1793
67
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
68
- Romeo and Juliet, Act IV, Scene V
- 1799
69
- Epicurus
- 1821
70
- Caius Julius Cæsar
- 1821
71
- Thomas Alphonso Hayley, Half-Length Drawing
- ca. 1800
72
- Figure Composition Study 50
- undated
73
- Figure Composition Study 21 with a Face
- undated
74
- Figure Composition Study 44
- undated
75
- Figure Composition Study 48
- 1793
76
- Plans for the House to be Built at Hampstead
- 1794
77
- Manuscript Notes
- 1773
78
- Manuscript Notes
- 1773
79
- Deposition
- undated
80
- Manuscript Notes
- 1773
81
- Manuscript Notes
- 1773
82
- Manuscript Notes
- 1773
83
- Manuscript Notes
- 1773
84
- Manuscript Notes
- 1773
85
- Manuscript Notes
- 1773
86
- Manuscript Notes
- 1773
87
- Manuscript Notes
- 1773
88
- Manuscript Notes
- 1773
89
- Standing Figure
- undated
90
- Major Thomas Pearson
- undated
91
- Birth of Man
- undated
92
- Birth of Man
- undated
93
- Possibly a Deposition
- undated
94
- The Temptation of Christ
- undated
95
- Standing Figure, Probably for Lady Macbeth
- undated
96
- Mother and Children
- undated
97
- A Standing Male Figure
- undated
98
- Standing Woman
- undated
99
- Standing Figure
- undated
100
- Profile of a Grotesque Head Facing Right
- undated