Height [cm]: 16 / Topic subjectplace ss: England - YCBA Collections Search Search Results

1. A View across the Artist's Garden from his House at Exmouth, Devonshire

Creator:: Francis Danby, 1793–1861
Date:: mid-19th century
Materials & Techniques:: Oil on paper mounted on card
Dimensions:: 6 1/8 x 8 15/16 inches (15.6 x 22.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Flatford Mill

Creator:: Attributed to John Constable, 1776–1837
Date:: between 1810 and 1811
Materials & Techniques:: Oil on panel
Dimensions:: 6 5/16 x 11 9/16 inches (16 x 29.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Somerset House Terrace from Waterloo Bridge

Creator:: John Constable, 1776–1837
Date:: ca. 1819
Materials & Techniques:: Oil on panel
Dimensions:: 6 1/8 x 7 3/8 inches (15.6 x 18.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. A View at Hampstead with Stormy Weather

Creator:: John Constable, 1776–1837
Date:: ca. 1830
Materials & Techniques:: Oil on paper on panel
Dimensions:: 6 1/8 x 7 5/8 inches (15.6 x 19.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Cleve Toot, near Bristol

Creator:: William James Muller, 1812–1845
Date:: ca. 1840
Materials & Techniques:: Oil on panel
Dimensions:: 6 1/4 x 10 7/8 inches (15.9 x 27.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. London Bridge, with St. Paul's Cathedral in the distance

Creator:: William Anderson, 1757–1837
Date:: 1815
Materials & Techniques:: Oil on panel
Dimensions:: 6 3/8 × 12 3/4 inches (16.2 × 32.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. A View of Westminster Bridge and the Abbey from the South Side

Creator:: William Anderson, 1757–1837
Date:: 1818
Materials & Techniques:: Oil on panel
Dimensions:: 6 3/8 x 12 9/16 inches (16.2 x 31.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. The Serpentine, Hyde Park

Creator:: Attributed to George Sidney Shepherd, 1784–1862
Date:: mid-19th century
Materials & Techniques:: Oil on panel
Dimensions:: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. An Ancient Barn at Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, brown wash, and graphite on moderately textured, moderately thick, cream wove paper
Dimensions:: Sheet: 6 1/8 × 11 inches (15.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Lulworth Castle, Dorset

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1820
Materials & Techniques:: Watercolor and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 3/8 inches (15.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Margate

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1822
Materials & Techniques:: Watercolor and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 1/4 inches (15.6 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Waterfall of Lodore, Cumberland

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: undated
Materials & Techniques:: Watercolor, gray wash, blue wash, graphite and black chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38

Creator:: William Blake, 1757–1827
Date:: 1819
Materials & Techniques:: Graphite and black chalk on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/8 x 8 inches (15.6 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Keith C., Yale BA 1968, and Mildred B. Marshall

14. Edgware Road, London

Creator:: John Linnell, 1792–1882
Date:: 1806
Materials & Techniques:: Black and white chalk on moderately thick, slightly textured, blue-gray wove paper
Dimensions:: Contemporary drawn border: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Netley Abbey

Creator:: John Linnell, 1792–1882
Date:: 1810
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 x 9 1/8 inches (15.9 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Windsor Forest

Creator:: John Linnell, 1792–1882
Date:: 1815
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 6 1/8 x 8 3/8 inches (15.6 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. St. Paul's First Stone Laid June 21, 1675 by Sir Christopher Wren / Finished 35 years after 1710

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, graphite, pen and brown ink and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/16 × 7 7/8 inches (16 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Hanworth Park, Middlesex

Creator:: Charles Tomkins, 1757–1823
Date:: undated
Materials & Techniques:: Watercolor and gouache with pen and black and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 8 1/4 inches (15.9 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Study of a Cedar Tree

Creator:: Sir Stanley Spencer, 1891–1959
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 10 inches (16.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

20. Design for the Parterre at Hampton Court

Creator:: unknown artist
Date:: early 18th century
Materials & Techniques:: Gray ink with watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/16 × 19 15/16 inches (16 × 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. View at Harrow: with farm-worker, cart and ruined barn

Creator:: Amelia Long, 1762–1837
Date:: undated
Materials & Techniques:: Black chalk and gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 7/8 inches (15.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Creator:: Print made by William Angus, 1752–1821
Date:: 1793
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. View of Lichfield, The Birth Place of Dr. Samuel Johnson

Creator:: Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/4 × 9 5/16 inches (15.9 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Yarmouth, Norfolk

Creator:: Edward Francis Finden, 1791–1857
Date:: 1837
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 8 3/4 inches (28.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. View of the Old Corn Market and Tuns Inn, Guildford

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1819
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 11/16 x 15 1/8 inches (29.7 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Christ Church College, Oxford

Creator:: Print made by James Redway, active 1827–1838
Date:: 1834
Materials & Techniques:: Etching and engraving; third state on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 × 14 11/16 inches (27.9 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Castle Upnor, on the River Medway

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Etching and line engraving; 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/16 × 14 15/16 inches (28.1 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Mines de Botallack

Creator:: Edwin Edwards, 1823–1879
Date:: 1866
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 x 6 15/16 inches (27.9 x 17.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

29. Carlisle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 5/8 × 11 3/4 inches (21.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 8 1/2 inches (15.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Scotland, Cheshire, &c.

Creator:: Maria Leycester, 1798–1870
Date:: 1819 to 1823
Materials & Techniques:: Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mark Emanuel

32. Falmouth, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 14 1/8 inches (26 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 16 inches (32.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Falmouth, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching and engraving; engraver's proof (a) on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 11/16 × 17 1/2 inches (29.7 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Falmouth, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/16 × 17 1/16 inches (29.1 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 3/16 × 15 15/16 inches (36 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 9/16 × 22 5/16 inches (37 × 56.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 × 17 1/4 inches (27.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Miller, 1796–1882
Date:: 1820
Materials & Techniques:: Etching and line engraving; unpublished state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 × 16 13/16 inches (28.7 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and line engraving, with chine collé, graphite, and scraping out; touched engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 14 5/8 inches (26.5 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Mouth of the Humber

Creator:: Hercules Brabazon Brabazon, 1821–1906
Date:: undated
Materials & Techniques:: Watercolor and gouache with graphite and scratching out on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 6 1/8 × 10 inches (15.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Clare Castle, Suffolk

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: between 1797 and 1800
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/4 x 8 3/8 inches (15.9 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Brook End, Essex

Creator:: Paul Sandby, 1731–1809
Date:: between 1795 and 1809
Materials & Techniques:: Watercolor, graphite and gouache on medium, slightly textured laid paper
Dimensions:: Sheet: 6 3/8 x 8 inches (16.2 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Reading Abbey Gateway

Creator:: Edward Hawke Locker, 1777–1849
Date:: 1803
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 5/8 inches (15.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The History of the Blind Beggar of Bethnal Green

Creator:: Print made by unknown artist
Date:: 1909
Materials & Techniques:: Woodcut on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 x 5 inches (15.9 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Part of Regent's Park

Creator:: Patrick Nasmyth, 1787–1831
Date:: 1805
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 5 inches (16.4 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Cobham Hall, Kent: Design for a Cornice

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Gray wash, graphite and pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 16 1/2 inches (15.6 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. London from the South West

Creator:: John Varley, 1778–1842
Date:: 1831
Materials & Techniques:: Watercolor and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 10 3/4 inches (15.6 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Moonlight over the Sea, Broadstairs

Creator:: Attributed to George Richmond, 1809–1896
Date:: 1843
Materials & Techniques:: Watercolor on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 9/16 inches (16.2 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching; open etched state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving with graphite; touched proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/16 × 17 3/8 inches (29.1 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 × 17 1/4 inches (28.4 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 × 14 1/16 inches (25.6 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving, with chine collé, scraping out, and white gouache; touched engraver's proof 6(a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Watchet, Somersetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Ilfracombe, North Devon

$Ilfracombe, North Devon$

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 × 15 13/16 inches (30.5 × 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. East and West Looe, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 21 1/8 inches (37.8 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Opening of the Liverpool and Manchester Railway

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/16 × 8 1/2 inches (15.7 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Viaduct over the Sankey Canal

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 7/16 inches (15.6 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Chat Moss

Creator:: Isaac Shaw, active 1830
Date:: undated
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/16 × 8 1/2 inches (15.7 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. View on the Liverpool and Manchester Railway with the Locomotive "Twin Sisters" in a Siding

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 11/16 inches (15.6 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. View on the Line of the Liverpool and Manchester Railway

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 5/8 inches (15.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Belvoir Castle, Rutland

Creator:: M. J. Starling, active 1830
Date:: 1835
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 7 7/8 x 10 1/8 inches (20 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Brighton

Creator:: Print made by George Cooke, 1781–1834
Date:: 1825
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. St. Catherine's Hill, near Guildford, Surrey

Creator:: Print made by James H. Kernot, 1802–1858
Date:: 1832
Materials & Techniques:: Etching and line engraving with chine collé; 2nd state on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 × 14 15/16 inches (27.1 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Durham Cathedral

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Bolton Abbey, Wharfdale

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1826
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 6 3/8 × 8 5/16 inches (16.2 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Bell at Abberton Church, Essex

Creator:: Print made by Austin, Robert, 1895-1973, 1895–1973
Date:: 1927
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 7/8 x 8 3/8 inches (30.2 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

71. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 × 16 5/16 inches (27.9 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Kensington Gardens, no. 1 (small plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper
Dimensions:: Sheet: 8 1/2 x 6 5/8 inches (21.6 x 16.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

73. Kensington Gardens, no. 1 (small plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, smooth, cream Asian paper
Dimensions:: Sheet: 8 1/8 x 5 13/16 inches (20.6 x 14.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

74. Egham

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/16 x 9 1/16 inches (16.1 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

75. Shere Mill Pond, no. 1 (small plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint on thin, smooth, cream Asian paper
Dimensions:: Sheet: 6 1/4 x 7 13/16 inches (15.8 x 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

76. By Twickenham

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1865
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 6 7/16 x 9 7/16 inches (16.4 x 23.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

77. Entrance to Fowey Harbour, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1829
Materials & Techniques:: Etching and line engraving; 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 × 14 9/16 inches (27 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Devonport and Dockyard, Devonshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1830
Materials & Techniques:: Etching and line engraving with chine collé; 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 × 14 9/16 inches (27.8 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Devonport and Dockyard, Devonshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1830
Materials & Techniques:: Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Kensington Gardens, no. 1 (small plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on thin, smooth, cream laid paper
Dimensions:: Sheet: 8 1/8 x 5 11/16 inches (20.6 x 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna, B.A. 1910

81. Ilfracombe, North Devon

$Ilfracombe, North Devon$

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. East and West Looe, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching; early first proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Watchet, Somersetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/16 × 20 9/16 inches (34.1 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Torbay from Brixham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814 to 1826
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 17 inches (34 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Torbay from Brixham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1821
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Millbank

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 3/8 x 11 5/8 inches (16.2 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Oxford, Folly Bridge

Creator:: William Turner of Oxford, 1789–1862
Date:: undated
Materials & Techniques:: Graphite on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 6 1/8 x 9 7/8 inches (15.6 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Wycliffe, near Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 11 7/8 inches (21.6 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (c) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 21 inches (37.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Lowestoffe Lighthouse

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Lowestoffe Lighthouse

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching; open etched state on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Addington Place, Surrey

Creator:: John Preston Neale, 1771/80–1847
Date:: 1813
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 9 inches (15.6 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Crofton Hall, Yorkshire

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/2 x 17 3/16 inches (29.2 x 43.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Dover

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 x 8 1/8 inches (15.6 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Summer Evening

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 x 16 3/8 inches (37.8 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Arundel Castle, on the River Arun

Creator:: Print made by George H. Phillips, active 1819–1825
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint and etching; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 × 15 1/8 inches (30.5 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Arundel Castle, with Rainbow

Creator:: Print made by unknown artist
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 10 1/2 inches (21 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Spring

Creator:: Print made by David Lucas, 1802–1881
Date:: 1829 to 1830
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 17 inches (29.8 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Egham

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly thick, cream laid paper
Dimensions:: Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Kensington Gardens, no. 1 (small plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper
Dimensions:: Sheet: 7 5/8 x 5 9/16 inches (19.3 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Height [cm] 16

Topic subjectplace ss England

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1. A View across the Artist's Garden from his House at Exmouth, Devonshire

2. Flatford Mill

3. Somerset House Terrace from Waterloo Bridge

4. A View at Hampstead with Stormy Weather

5. Cleve Toot, near Bristol

6. London Bridge, with St. Paul's Cathedral in the distance

7. A View of Westminster Bridge and the Abbey from the South Side

8. The Serpentine, Hyde Park

9. An Ancient Barn at Shoreham

10. Lulworth Castle, Dorset

11. Margate

12. Waterfall of Lodore, Cumberland

13. Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38

14. Edgware Road, London

15. Netley Abbey

16. Windsor Forest

17. St. Paul's First Stone Laid June 21, 1675 by Sir Christopher Wren / Finished 35 years after 1710

18. Hanworth Park, Middlesex

19. Study of a Cedar Tree

20. Design for the Parterre at Hampton Court

21. View at Harrow: with farm-worker, cart and ruined barn

22. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

23. View of Lichfield, The Birth Place of Dr. Samuel Johnson

24. Yarmouth, Norfolk

25. View of the Old Corn Market and Tuns Inn, Guildford

26. Christ Church College, Oxford

27. Castle Upnor, on the River Medway

28. Mines de Botallack

29. Carlisle

30. Junction of the Greta and the Tees

31. Scotland, Cheshire, &c.

32. Falmouth, Cornwall

33. The Mew Stone at the Entrance of Plymouth Sound

34. Falmouth, Cornwall

35. Falmouth, Cornwall

36. Plymouth Dock from Mount Edgecumbe

37. The Mew Stone at the Entrance of Plymouth Sound

38. Plymouth Dock from Mount Edgecumbe

39. Plymouth from Mount Batten

40. Plymouth Dock from Mount Edgecumbe

41. Plymouth from Mount Batten

42. Mouth of the Humber

43. Clare Castle, Suffolk

44. Brook End, Essex

45. Reading Abbey Gateway

46. The History of the Blind Beggar of Bethnal Green

47. Funeral of the Late Duke of Wellington

48. Part of Regent's Park

49. Cobham Hall, Kent: Design for a Cornice

50. London from the South West

51. Moonlight over the Sea, Broadstairs

52. Plymouth from Mount Batten

53. Pendennis Castle, and Entrance of Falmouth Harbour

54. Pendennis Castle, and Entrance of Falmouth Harbour

55. Pendennis Castle, and Entrance of Falmouth Harbour

56. Pendennis Castle, and Entrance of Falmouth Harbour

57. Watchet, Somersetshire

58. Ilfracombe, North Devon

59. East and West Looe, Cornwall

60. Opening of the Liverpool and Manchester Railway

61. The Viaduct over the Sankey Canal

62. Chat Moss

63. View on the Liverpool and Manchester Railway with the Locomotive "Twin Sisters" in a Siding

64. View on the Line of the Liverpool and Manchester Railway

65. Belvoir Castle, Rutland

66. Brighton

67. St. Catherine's Hill, near Guildford, Surrey

68. Durham Cathedral

69. Bolton Abbey, Wharfdale

70. The Bell at Abberton Church, Essex

71. The Mew Stone at the Entrance of Plymouth Sound

72. Kensington Gardens, no. 1 (small plate)

73. Kensington Gardens, no. 1 (small plate)

74. Egham