Height [cm]: 14 / Subject Terms: trees - YCBA Collections Search Search Results

1. Sunny Landscape with Trees and Monument on a Hill

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Oil on paper
Dimensions:: 5 3/8 x 11 9/16 inches (13.7 x 29.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. London from Islington Hill

Creator:: Frederick Nash, 1782–1856
Date:: ca. 1825
Materials & Techniques:: Oil on artist's board
Dimensions:: 5 5/8 × 8 1/2 inches (14.3 × 21.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 1/2 x 11 3/4 inches (21.6 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

5. The Fortified Rock of Monaco from the East

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1838
Materials & Techniques:: Watercolor, gouache, pen and brown ink and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 x 7 1/2 inches (13.7 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Rome from Monte Mario

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 7/16 inches (13.8 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Foul by God: River Landscape with Anglers Fishing From a Weir

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1830
Materials & Techniques:: Watercolor, gouache, graphite and white chalk on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 5 3/8 x 7 3/8in. (13.7 x 18.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. At Knowsley?

Creator:: Edward Lear, 1812–1888
Date:: 1834
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 x 14 15/16 inches (13.7 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

9. Knowsley Hall

Creator:: Edward Lear, 1812–1888
Date:: ca. 1834
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 7/16 x 15 1/16 inches (13.8 x 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

10. Nice from the Genoa Road

Creator:: Edward Lear, 1812–1888
Date:: 1865
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 5/8 × 9 3/4 inches (14.3 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

11. Below Rabat, Malta

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 1/2 x 6 5/8 inches (14 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

12. I Found Him Beneath a Tree (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. My Son! My Son! (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Aged Ignorance (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. I. "Man cannot naturally Percieve..."(Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. II. "Man by his reasoning power can only compare..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. "Therefore God becomes as we are..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. V. "Mans desires are limited by his perceptions..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Argument. "Man has no notion of moral fitness..." (Plate 2"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Water (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Alas! (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. III. "From a perception of only 3 senses..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. IV. "None could have other than natural or organic thoughts..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. VI. "The desires & perceptions of man untaught..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Entrance Front of Hayley's House at Eartham

Creator:: William Blake, 1757–1827
Date:: 1801
Materials & Techniques:: Pen and black ink with watercolor and graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 1/2 x 9 inches (14 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Wooded Landscape

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash with pen and brown ink on medium slightly textured cream laid paper
Dimensions:: Sheet: 5 3/8 x 3 7/8 inches (13.7 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

28. Bridge at Narni

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 x 8 3/4 inches (14.3 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Haddon Hall

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 9/16 × 4 3/16 inches (14.2 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Hampton Court

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/8 inches (14 × 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and line engraving; engraver's proof (aa) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Bayswater - London

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Pen and gray ink and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 x 8 3/8 inches (13.7 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Farmhouse

Creator:: Edward Francis Burney, 1760–1848
Date:: 1802
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 7 3/4 inches (14 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

35. Sirolo

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 5 1/2 x 10 1/4 inches (14 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Bridge of Augustus near Narni

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 x 9 inches (14.3 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Great Exhibition: Exterior View from the Southwest

Creator:: Print made by George Baxter, 1804–1867
Date:: 1851
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. In the Valley near Vietri, 20 September

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 x 9 1/2 inches (14.3 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Part of the Walls of Naples near Ponte Nuovo, 17 October

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 x 9 5/8 inches (14.3 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Monaco

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/8 x 9 7/8 inches (13.7 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Near Aiguebelle

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 x 7 1/4 inches (14 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 5 9/16 x 2 3/8 inches (14.1 x 6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Newstead Abbey

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 9/16 × 7 15/16 inches (14.2 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Temple of Janus

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/8 x 6 1/2 inches (13.7 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. View of a Villa

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 x 7 5/8 inches (14 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Monmeliant

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/8 x 7 1/4 inches (13.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. A Mill

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/4 x 14 5/8 inches (31.1 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. A Heath

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 x 13 1/2 inches (29.5 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Cader Idris

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: between 1824 and 1830
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 5 1/2 x 7 7/16 inches (13.9 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Ruins of the Old Bridge, Vernon

Creator:: Frederick Goulding, 1842–1909
Date:: 1879
Materials & Techniques:: Etching on moderately thick, slightly texture, beige laid paper
Dimensions:: Sheet: 5 3/8 x 10 1/4 inches (13.7 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

54. Sir Richard Steele's Cottage

Creator:: Print made by David Lucas, 1802–1881
Date:: 1845
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 9 3/8 inches (18.4 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Castle

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, slightly textured, beige wove paper mounted on board
Dimensions:: Mount: 5 3/8 x 5 7/8 inches (13.6 x 15 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

56. The Gipsy Encampment

Creator:: Print made by Samuel David Colkett, 1806–1863
Date:: 1830
Materials & Techniques:: Etching on very thick, rough, white wove paper
Dimensions:: Sheet: 11 7/16 x 15 3/4 inches (29.1 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Plane Tree Cottage

Creator:: Print made by Austin, Robert, 1895-1973, 1895–1973
Date:: 1926
Materials & Techniques:: Etching and drypoint on medium, smooth, cream laid paper
Dimensions:: Sheet: 8 1/16 x 11 1/8 inches (20.5 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

58. River Stour, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint; printer's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 12 3/4 inches (25.4 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. Mill at Load Water

Creator:: Thomas Stowers, 1754–active 1814
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 10 inches (14.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. A Rustic Scene

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Gray wash and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 11 3/8 x 15 3/8 inches (28.9 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Windsor Castle from the Eton Playing Fields

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Black ink and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 7 3/4 inches (14.3 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. A Park Landscape with Shepherd and Sheep

Creator:: Samuel Howitt, 1756–1822
Date:: 1793
Materials & Techniques:: Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 1/4 inches (14.3 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Windsor Castle

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Black ink and gray wash over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 x 9 inches (14 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Boulner, East Yarmouth

Creator:: George Barret Jr., 1767–1842
Date:: undated
Materials & Techniques:: Pen and black ink, pen and brown ink, brown wash and gray wash on moderately thick, slightly textured cream laid paper
Dimensions:: Sheet: 5 5/8 × 12 1/8 inches (14.3 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Landscape with Figures and Distant Castle

Creator:: John Varley, 1778–1842
Date:: 1804
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 5/8 inches (14.3 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 9 inches (14.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Botanical Garden/ Regent's Park 10 June 44

Creator:: unknown artist
Date:: 1844
Materials & Techniques:: Graphite and pastel on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 5 1/2 × 8 7/8 inches (14 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Le Pont Royal, Paris

Creator:: Thomas Shotter Boys, 1803–1874
Date:: ca. 1828
Materials & Techniques:: Watercolor with pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 9 1/2 inches (14.3 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Landscape with Castle, River and Mountain

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1762 and 1783
Materials & Techniques:: Gray wash, graphite, pen and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 7 13/16 inches (13.7 x 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

70. Lot and His Family

Creator:: Print made by John Alexander, 1686–before 1768
Date:: ca. 1718
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 15 1/16 inches (28.8 x 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

71. The Bayswater Turnpike

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, pen and black and gray ink on medium, slightly textured, wove paper mounted on card
Dimensions:: Mount: 9 1/2 x 11 1/2 inches (24.1 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. View on Exmoor

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 9 1/8 inches (14.3 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. View of Cumberland Terrace

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 7/8 inches (14.3 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Sunset in Ireland

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1863
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream Asian paper
Dimensions:: Sheet: 7 7/8 x 11 1/8 inches (20 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

75. Sunset in Ireland

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1863
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream antique laid paper
Dimensions:: Sheet: 8 3/4 x 13 1/16 inches (22.2 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

76. Sunset in Ireland

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1863
Materials & Techniques:: Etching and drypoint, with plate tone on thin, smooth, cream Asian paper
Dimensions:: Sheet: 8 x 10 13/16 inches (20.3 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

77. Newcastle in Emlyn

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1864
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 x 6 7/8 inches (14 x 17.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Glen Wright

78. Kilgaren Castle

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: 1864
Materials & Techniques:: Etching and drypoint, with plate tone on medium, smooth, cream laid paper
Dimensions:: Sheet: 5 1/2 x 6 15/16 inches (14 x 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910

79. Brentford Ferry

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1864
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 x 9 13/16 inches (17.8 x 25 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

80. Hampton Court

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: 1864
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 9 7/16 inches (17.4 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Stanley J. Halle, Yale BA 1912, in memory of His Parents Jacques S. and Hattie S. Halle, transfer from the Yale University Art Gallery

81. Newcastle Emlyn

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1864
Materials & Techniques:: Etching and drypoint on medium, smooth, cream laid paper
Dimensions:: Sheet: 5 3/8 x 6 1/2 inches (13.6 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

82. Kenarth

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1864
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/8 x 6 3/8 inches (13.6 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

83. The Towing Path

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: 1864
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 15/16 x 10 5/16 inches (20.1 x 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

84. The Towing Path

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: 1864
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/16 x 9 15/16 inches (18.5 x 25.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Miss Grace Tuttle in memory of her father Emerson Tuttle, Yale BA 1914, transfer from the Yale University Art Gallery

85. Shepperton

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1864
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 15/16 x 6 5/8 inches (20.1 x 16.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

86. The Towing Path

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: 1864
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 x 9 13/16 inches (17.8 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. J. Dwight Dana

87. Shepperton

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1864
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 6 15/16 inches (25.1 x 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

88. Sunset on the Thames

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1865
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 8 5/8 inches (16.5 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Bequest of Thomas W. Farnam, B.A. 1899

89. The Moat House

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1865
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, light blue laid paper
Dimensions:: Sheet: 7 3/8 x 11 5/16 inches (18.7 x 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

90. The Tweed at Coldstream

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1905
Materials & Techniques:: Etching and drypoint on Japanese paper
Dimensions:: Sheet: 5 1/2 × 9 inches (14 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

91. Murthly on the Tay

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1905
Materials & Techniques:: Etching and drypoint on Japanese paper
Dimensions:: Sheet: 5 1/2 × 11 1/4 inches (14 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

92. Sellenger

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1917
Materials & Techniques:: Etching; 1st state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

93. Dusty Millers

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1877
Materials & Techniques:: Etching and drypoint, with plate tone on thin, smooth, cream Asian paper
Dimensions:: Sheet: 6 3/4 x 9 1/2 inches (17.1 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

94. Dusty Millers

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1877
Materials & Techniques:: Etching and drypoint, with plate tone on thin, smooth, cream Asian paper (2 layers)
Dimensions:: Sheet: 7 7/8 x 10 7/8 inches (20 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

95. On the Thames

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

96. On the Thames

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

97. Out of Study Window

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper
Dimensions:: Sheet: 5 9/16 x 11 1/4 inches (14.1 x 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910

98. Fulham

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: after 1858
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 x 11 9/16 inches (14 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

99. A Byroad in Tipperary

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, retouched with graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 11/16 x 11 1/4 inches (14.5 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

100. Brentford Ferry

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1864
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 9 7/16 inches (16.9 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910

YCBA Collections Search

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Height [cm] 14

Subject Terms trees

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1. Sunny Landscape with Trees and Monument on a Hill

2. London from Islington Hill

3. The Morning of Life

4. The Morning of Life

5. The Fortified Rock of Monaco from the East

6. Rome from Monte Mario

7. Foul by God: River Landscape with Anglers Fishing From a Weir

8. At Knowsley?

9. Knowsley Hall

10. Nice from the Genoa Road

11. Below Rabat, Malta

12. I Found Him Beneath a Tree (Plate 3)

13. My Son! My Son! (Plate 10)

14. Aged Ignorance (Plate 13)

15. I. "Man cannot naturally Percieve..."(Plate 3)

16. II. "Man by his reasoning power can only compare..." (Plate 4)

17. "Therefore God becomes as we are..." (Plate 9)

18. Frontispiece (Plate 1)

19. V. "Mans desires are limited by his perceptions..." (Plate 7)

20. The Argument. "Man has no notion of moral fitness..." (Plate 2"

21. Water (Plate 4)

22. Alas! (Plate 9)

23. III. "From a perception of only 3 senses..." (Plate 5)

24. IV. "None could have other than natural or organic thoughts..." (Plate 6)

25. VI. "The desires & perceptions of man untaught..." (Plate 8)

26. The Entrance Front of Hayley's House at Eartham

27. Wooded Landscape

28. Bridge at Narni

29. Haddon Hall

30. Hampton Court

31. Florence, from the Chiesa al Monte

32. Florence, from the Chiesa al Monte

33. Bayswater - London

34. Farmhouse

35. Sirolo

36. The Bridge of Augustus near Narni

37. The Great Exhibition: Exterior View from the Southwest

38. In the Valley near Vietri, 20 September

39. Part of the Walls of Naples near Ponte Nuovo, 17 October

40. Monaco

41. Near Aiguebelle

42. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

43. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

44. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

45. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

46. Newstead Abbey

47. Temple of Janus

48. View of a Villa

49. Monmeliant

50. A Mill

51. A Heath

52. Cader Idris

53. Ruins of the Old Bridge, Vernon

54. Sir Richard Steele's Cottage

55. Castle

56. The Gipsy Encampment

57. Plane Tree Cottage

58. River Stour, Suffolk

59. Mill at Load Water

60. A Rustic Scene

61. Windsor Castle from the Eton Playing Fields

62. A Park Landscape with Shepherd and Sheep

63. Windsor Castle

64. Boulner, East Yarmouth

65. Landscape with Figures and Distant Castle

66. Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

67. Botanical Garden/ Regent's Park 10 June 44

68. Le Pont Royal, Paris

69. Landscape with Castle, River and Mountain

70. Lot and His Family

71. The Bayswater Turnpike

72. View on Exmoor

73. View of Cumberland Terrace

74. Sunset in Ireland