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William Daniell Windsor Castle from the Thames
William Daniell, 1769–1837
Windsor Castle from the Thames
ca. 1825
Not on view
Jacques-Laurent Agasse The Chalon Family in London
Jacques-Laurent Agasse, 1767–1849
The Chalon Family in London
ca. 1800
Not on view
Frederick Nash The Thames and Waterloo Bridge from Somerset House
Frederick Nash, 1782–1856
The Thames and Waterloo Bridge from Somerset House
ca. 1825
Not on view
Frederick Nash The Monument and London Bridge
Frederick Nash, 1782–1856
The Monument and London Bridge
ca. 1825
Not on view
Frederick Nash Westminster Bridge
Frederick Nash, 1782–1856
Westminster Bridge
ca. 1825
Not on view
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
William Blake Earth (Plate 5)
Print made by William Blake, 1757–1827
Earth (Plate 5)
1793
William Blake Air (Plate 6)
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
William Blake Does Thy God O Priest Take such Vengeance as This? (Plate 14)
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
ca. 1788
William Blake I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
Print made by William Blake, 1757–1827
I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
ca. 1788
William Blake III. "From a perception of only 3 senses..." (Plate 5)
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
William Blake "Therefore God becomes as we are..." (Plate 9)
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
William Blake Chapter III, "As the stars are apart from the earth..." (Plate 9)
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 9)
1794
William Blake II. "Reason or the ratio of all we have already known..." (Plate 11)
Print made by William Blake, 1757–1827
II. "Reason or the ratio of all we have already known..." (Plate 11)
ca. 1788
William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
William Blake Fire (Plate 7)
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
William Blake Fear & Hope Are -- Vision (Plate 15)
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
William Blake My Son! My Son! (Plate 10)
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
William Blake Aged Ignorance (Plate 13)
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
William Blake Death's Door (Plate 17)
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
William Blake The Traveller Hasteth in the Evening (Plate 16)
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
William Blake Title Page, Visions of the Daughters of Albion (Plate 2)
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
George Romney Bacchanalian Scene (Possibly Antediluvian)
George Romney, 1734–1802
Bacchanalian Scene (Possibly Antediluvian)
undated
George Romney The Banquet Scene
George Romney, 1734–1802
The Banquet Scene
ca. 1792
George Romney Men Going out to Fight, with a Crowd of Cowering Women Behind
George Romney, 1734–1802
Men Going out to Fight, with a Crowd of Cowering Women Behind
undated
George Jones The Blacksmith
George Jones, 1786–1869
The Blacksmith
undated
James Malton Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
John Nixon Eastbourne from Lord G.: Cavendish's Seat in the Park
John Nixon, ca. 1760–1818
Eastbourne from Lord G.: Cavendish's Seat in the Park
1787
Godfrey Thomas Vigne Greytown
Godfrey Thomas Vigne, 1801–1863
Greytown
undated
Benjamin Robert Haydon The Murder of Duncan - Macbeth Stabbing Duncan
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth Stabbing Duncan
between 1809 and 1811
Benjamin Robert Haydon The Murder of Duncan - Macbeth with the Daggers
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
Bradshaw & Blacklock Hampton Court
Print made by Bradshaw & Blacklock, active ca.1850
Hampton Court
after 1850
Bradshaw & Blacklock Newstead Abbey
Print made by Bradshaw & Blacklock, active ca.1850
Newstead Abbey
after 1850
Bradshaw & Blacklock Eaton Hall
Print made by Bradshaw & Blacklock, active ca.1850
Eaton Hall
after 1850
Bradshaw & Blacklock Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.
Bradshaw & Blacklock, active ca.1850
Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'
after 1850
James Duffield Harding Château Vilain sur la Riviere Dain, Franche Comte
James Duffield Harding, 1798–1863
Château Vilain sur la Riviere Dain, Franche Comte
undated
Robert Smirke Lady Mortimer's Welsh Song
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
Robert Smirke Falstaff with Mistress Quickly and Bardolph
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
John Massey Wright The Rustics Perform from "A Midsummer Night's Dream"
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"
undated
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
Bradshaw & Blacklock Eight Rural Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
Richard Parkes Bonington Le Silence Favorable
Print made by Richard Parkes Bonington, 1802–1828
Le Silence Favorable
1826
Richard Parkes Bonington Les Pendus
Print made by Richard Parkes Bonington, 1802–1828
Les Pendus
ca. 1826
Thomas Shotter Boys Regent Street, Looking Toward Piccadilly From Waterloo Place
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
Thomas Rowlandson View on Exmoor
Thomas Rowlandson, 1756–1827
View on Exmoor
undated
Francis Hayman Figures in Boats
Attributed to Francis Hayman, 1707/8–1776
Figures in Boats
undated
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
Robert Barnes Three Men and Two Boys Sitting on a Pier
Print made by Robert Barnes, 1840–1895
Three Men and Two Boys Sitting on a Pier
undated
Sir Francis Seymour Haden Dusty Millers
Sir Francis Seymour Haden, 1818–1910
Dusty Millers
1877
Sir Francis Seymour Haden Dusty Millers
Sir Francis Seymour Haden, 1818–1910
Dusty Millers
1877
James C. Allen Penzance, Cornwall
Print made by James C. Allen, active 1821–1831
Penzance, Cornwall
1833
Richard Westall Jonah Cast Into the Sea (Jonah 1:15)
Richard Westall, 1765–1836
Jonah Cast Into the Sea (Jonah 1:15)
before 1835
Ford Madox Brown The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave
Ford Madox Brown, 1821–1893
The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave
1858
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
John Alexander Lot and His Family
Print made by John Alexander, 1686–before 1768
Lot and His Family
ca. 1718
Paul Sandby Bayswater - London
Paul Sandby, 1731–1809
Bayswater - London
undated
George Augustus Sala Beggars
George Augustus Sala, 1828–1895
Beggars
undated
George Baxter The Great Exhibition: Exterior View from the Southwest
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
Samuel Wale The Theatre-Goers
Samuel Wale, 1721–1786
The Theatre-Goers
undated
Richard Earlom Vulcan's Forge
Print made by Richard Earlom, 1743–1822
Vulcan's Forge
1802
John Hassell Pit-Palace, Epsom, The Seat of Thomas Jeudwine, Esq.
John Hassell, 1767–1825
Pit-Palace, Epsom, The Seat of Thomas Jeudwine, Esq
ca. 1812
Thomas Hearne Windsor Castle from the Eton Playing Fields
Thomas Hearne, 1744–1817
Windsor Castle from the Eton Playing Fields
undated
Thomas Hearne A Rustic Scene
Thomas Hearne, 1744–1817
A Rustic Scene
undated
John Henderson Weymouth: with figures, shipping and view of (?) the Custon House
John Henderson, 1764–1843
Weymouth: with figures, shipping and view of (?) the Custon House
undated
Samuel Howitt The Village Inn
Samuel Howitt, 1756–1822
The Village Inn
1798
Samuel Prout Figures on a Beach
Samuel Prout, 1783–1852
Figures on a Beach
after 1827
Louis de Fontaine Wandering Musicians
Print made by Louis de Fontaine, active 1723–1757
Wandering Musicians
undated
Walter Geikie Edinburgh Castle and Horse Fair
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
1830
James Fittler 'The Gamester,' Act V, Scene IV
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
John Dixon Peasants Drinking
Print made by John Dixon, ca. 1740–1811
Peasants Drinking
between 1765 and 1771
John Corner Sir Anthony van Dyck
Print made by John Corner, 1788–1825
Sir Anthony van Dyck
1825
John Burnet Buckingham House, St. James' Park
Print made by John Burnet, 1784–1868
Buckingham House, St. James' Park
1810
William Angus Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr.
Print made by William Angus, 1752–1821
Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr
undated
Jean B. C. Chatelain A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master
Print made by Jean B. C. Chatelain, 1710–1771
A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master
1737
Sir David Wilkie Finding the Will
Sir David Wilkie, 1785–1841
Finding the Will
Peter DeWint Hay Wagons
Peter DeWint, 1784–1849
Hay Wagons
undated
Charles Claude Pyne The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
Charles Claude Pyne, 1802–1878
The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
1872
Henry Bernard Chalon The Artist's Studio
Henry Bernard Chalon, 1771–1849
The Artist's Studio
undated
John Wootton The Meet
John Wootton, 1682–1764
The Meet
undated
James Pollard Partridge Shooting
James Pollard, 1792–1867
Partridge Shooting
undated
George Cruikshank Jonathan Wild Discovers Darrell in the Loft
Print made by George Cruikshank, 1792–1878
Jonathan Wild Discovers Darrell in the Loft
1835
George Cruikshank Poor Little Rose
Print made by George Cruikshank, 1792–1878
Poor Little Rose
undated
Eric Gill Jesus Driving the Moneychangers from the Temple (Latin)
Eric Gill, 1882–1940
Jesus Driving the Moneychangers from the Temple (Latin)
1919
James Pollard Grouse Shooting
James Pollard, 1792–1867
Grouse Shooting
undated
George Cruikshank Jack Sheppard Exhibits a Vindictive Character
Print made by George Cruikshank, 1792–1878
Jack Sheppard Exhibits a Vindictive Character
1835
George Cruikshank Jack Sheppard Tricking Shotbolt, the Gaoler
Print made by George Cruikshank, 1792–1878
Jack Sheppard Tricking Shotbolt, the Gaoler
1839
George Cruikshank "May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
Print made by George Cruikshank, 1792–1878
"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
1839
unknown artist Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)
unknown artist
Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)
between 1713 and 1718
Thomas Rowlandson A Ball at Scarborough
Thomas Rowlandson, 1756–1827
A Ball at Scarborough
ca. 1820
Samuel Scott Men Loading a Boat with Barrels
Samuel Scott, 1701/2–1772
Men Loading a Boat with Barrels
undated
Thomas Rowlandson The Annual Sculling Race for Doggett's Coat and Badge
Thomas Rowlandson, 1756–1827
The Annual Sculling Race for Doggett's Coat and Badge
between 1805 and 1810
Paul Sandby The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
Paul Sandby, 1731–1809
The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
undated
George Cruikshank The Arrest of Lord Edward Fitzgerald
Print made by George Cruikshank, 1792–1878
The Arrest of Lord Edward Fitzgerald
undated
George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
Print made by George Cruikshank, 1792–1878
The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
1839
Thomas Rowlandson The London Citizen
Thomas Rowlandson, 1756–1827
The London Citizen
undated