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1
- Study for 'Calypso's Grotto'
- ca. 1843
- Not on view
2
- Dedham Lock
- between 1819 and 1820
- Not on view
3
- Coastal Scene with Cliffs
- ca. 1814
- Not on view
4
- Kensington Gardens
- between 1815 and 1816
- Not on view
5
- Landscape with Lake
- 1828 to 1829
- Not on view
6
- Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840
- before 1841
- Not on view
7
- Foxhunting: Clearing a Bank
- ca. 1840
- Not on view
8
- Landscape
- between 1849 and 1855
- Not on view
9
- Greyhound: Facing Left, with a Dead Hare at His Feet
- ca. 1805
- Not on view
10
- A Setter: Facing Left, with a Partridge Hiding among Burdocks on the Left
- ca. 1805
- Not on view
11
- Two Hares: On a Hillside
- ca. 1805
- Not on view
12
- Study of a Greyhound
- ca. 1860
- Not on view
13
- Springer: A Spaniel Bounding Over a Log to Spring a Snipe on the Left
- ca. 1805
- Not on view
14
- Dr. Syntax: Seated on a Bucket Sketching a Landscape
- undated
- Not on view
15
- A Classical City
- undated
16
- The Herdsman's Cottage
- 1850
17
- The Weary Ploughman
- 1858
18
- The Weary Ploughman
- 1858
19
- The Cypress Grove
- between 1880 and 1883
20
- The Sleeping Shepherd
- 1857
21
- The Early Ploughman
- begun before 1861
22
- The Weary Ploughman
- 1858
23
- Moeris and Galatea
- 1880-1883
24
- The Homeward Star
- begun ca. 1880
25
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
26
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
27
- Moeris and Galatea
- plate etched between 1880 and 1883; impression printed in 1924
28
- The Sepulchre
- between 1880 and 1883
29
- Streets of the Tombs, Pompeii
- undated
30
- The Timber Wain
- between 1833 and 1834
31
- The Ruins of Netley Abbey
- 1826
32
- A View on the Orwell
- undated
33
- Suffolk Landscape
- undated
34
- View near Arundel
- between 1834 and 1835
35
- Landscape with Windmill
- between 1825 and 1830
36
- North East View of Grantham Church, Lincolnshire
- ca. 1797
37
- Rhodes
- between 1823 and 1824
38
- Fisherman's Cottage, Dover
- ca. 1790s
39
- Knowsley Hall
- ca. 1834
40
- Harb. Gozo
- 1866
41
- Villa Torlania, formerly Villa Conti, Erascati
- ca. 1844
42
- Albania
- between 1848 and 1849
43
- The Pontine Marshes above Terracina
- ca. 1880
44
- English Country Town
- undated
45
- Gebel Sheikh Embarak
- 1867
46
- Near Suez, 1 pm, 16 January 1849 (48)
- 1849
47
- Tepelene, 19 April 1857
- 1857
48
- Lebanon
- 1858
49
- Tepelene, 18 April 1857
- 1857
50
- Near Suez, evening, 15 January 1849 (43)
- 1849
51
- Vjose, 12:30 p.m., 16 April 1857
- 1857
52
- Vjosa
- 1857
53
- Campagna di Roma
- 1843
54
- Abu Simbel, 9:00 am, 8 February 1867 (372A)
- 1867
55
- Abu Simbel
- 1867
56
- Kourayim
- 1867
57
- Figure Composition Study 27
- undated
58
- Figure Composition Study 40
- undated
59
- A Reclining Woman
- undated
60
- Standing Figure
- undated
61
- Two Standing Figures
- undated
62
- Mother and Child
- undated
63
- Figure with Head Covering
- undated
64
- Seated Female Nude, Probably for "Susannah and the Elders"
- undated
65
- Apparition
- undated
66
- Seated Figure with Upraised Arm
- undated
67
- A Standing Female Figure
- undated
68
- David Playing the Harp
- undated
69
- Richard Cumberland Frontispiece
- undated
70
- Howard Visiting a Prison
- undated
71
- Howard Visiting a Prison
- undated
72
- Prison Scene
- undated
73
- Demonic Dances and Attack
- undated
74
- Noah's Children Rejoicing
- undated
75
- Jeptha and His Daughter
- undated
76
- MacBeth: Banquet Scene
- undated
77
- Howard Visiting a Prison
- undated
78
- Birth of Man
- undated
79
- Hell
- undated
80
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
81
- Female Figure
- undated
82
- Two Sketches of a Nude Woman
- undated
83
- Two Figures, with One Male Nude Kneeling
- undated
84
- Prison Scene
- undated
85
- Prison Scene
- undated
86
- Howard Visiting a Prison
- undated
87
- Howard Visiting a Prison
- undated
88
- Howard Visiting a Prison
- undated
89
- Howard Visiting a Prison
- undated
90
- Ladies in Waiting
- undated
91
- Introduction (Plate 34)
- 1794
92
- Frontispiece (Plate 1)
- ca. 1788
93
- II. "Reason or the ratio of all we have already known..." (Plate 11)
- ca. 1788
94
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
95
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
96
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
97
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
98
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
99
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
100
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788