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Work Type watercolor
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201
- "What time the thirteen Governors that England sent convene..." (Plate 15)
- 1793
202
- "Albion thy fear has made me tremble..." (Plate 22)
- 1804 to 1820
203
- "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
- 1804 to 1820
204
- "With one accord in love sublime..." (Plate 44)
- 1804 to 1820
205
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
206
- The Little Black Boy (Plate 6)
- 1789
207
- 'The thunder if in that the Almighty dwells' (Page 80)
- ca. 1797
208
- "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
- between 1797 and 1798
209
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
210
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
211
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
212
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
213
- "Midst the tide, Two angel forms were seen to glide..." (Design 7)
- between 1797 and 1798
214
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
215
- The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
- between 1797 and 1798
216
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
217
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
218
- "What have I said? What have I done?..." (Plate 24)
- 1804 to 1820
219
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
220
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
221
- A Welch Bard (Design 53)
- between 1797 and 1798
222
- The Serpent who Girds the Earth (Design 77)
- between 1797 and 1798
223
- The Little Black Boy (Plate 30)
- 1789
224
- Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
225
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
226
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
227
- The First Book of Urizen, Plate 4 (Bentley 24)
- 1794
228
- Urizen Swims through Dark Waters (Plate 7)
- 1794
229
- The South Barracks, Gibraltar
- 1844
230
- Barges on a Canal in Rotterdam
- 1845
231
- Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
- undated
232
- The Grand Canal, Venice
- 1835
233
- Sir William Norris Bungalow, Penang
- 1844
234
- The City and St. Paul's from the South Bank
- undated
235
- Rock Bridge at the Scuola di Virgilio
- undated
236
- Figures by a Ruined Arch
- undated
237
- Shanklin Church/ Isle of Wight
- undated
238
- The Zattere, Sunset
- undated
239
- Naples from the Strada Nouva, Nov.26, 1830
- 1830
240
- Helios
- undated
241
- Venice: The Grand Canal and Rialto
- 1838
242
- Men of War off Sheerness
- undated
243
- Cattle Watering at Sunset
- undated
244
- Old Harry, Swanage Bay
- undated
245
- The Artist Sketching Mlle. de St. Legier as a Shepherdess
- 1787
246
- Landscape with a Boatshed
- undated
247
- Design for Grosvenor Bridge, Chester
- ca. 1825
248
- Drifting
- undated
249
- Cliffs and a Cove
- 1813
250
- Drifting
- undated
251
- River Landscape
- undated
252
- Plymouth Dockyard after the Fire
- 1840
253
- A Squall off a Mountainous Coast
- undated
254
- Mill at Load Water
- undated
255
- A Waterman with his Ox or Bullock
- undated
256
- Rou Water Holder
- undated
257
- One of eighteen designs for a series of plates illustrating Venus and Adonis
- undated
258
- Aberdulais Mill, Glamorganshire
- undated
259
- Traveling Potter Outside a Cottage
- 1798
260
- The Ranger, Private Ship of War, with her Prizes
- 1780
261
- Lord Hopetoun's Lead Mines
- 1751
262
- Bodiam Castle
- undated
263
- Battersea Fields, Painted for Charles Matthews, Esq
- undated
264
- Torquay
- undated
265
- A Pier at Amsterdam (Version A)
- 1792
266
- A Goose
- undated
267
- Drifting
- 1885
268
- Ramsgate Harbour, Kent
- undated
269
- Price's Mill
- undated
270
- Man of War Moored in Harbor, Mountains in the Background
- undated
271
- The Return of the Fleet to Great Yarmouth in 1797
- 1797
272
- The Arrival of Ferries at London Bridge (?)
- undated
273
- A Castle at the Waterside
- undated
274
- Back Water of the Bratford
- 1864
275
- Worth Matravers, Dorset
- 1936
276
- Bishop's Bridge, Norwich
- undated
277
- Boats on Shore, Evening, Blakeney
- 1947
278
- Peasant Girls
- undated
279
- Isola San Giulio, Lago d'Orta
- 1898
280
- River Scene
- 1808
281
- Insult to Injury
- undated
282
- A Merchantman Becalmed Offshore
- undated
283
- Comforts of Bath: The Bath
- 1798
284
- The Annual Sculling Race for Doggett's Coat and Badge
- between 1805 and 1810
285
- "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
- undated
286
- Landscape Composition
- undated
287
- The Sporting Parson: "He Then Goes in For Baptism"
- undated
288
- Steeplechasing: Three Riders Taking a Brook, Spectators on Right
- undated
289
- Chapel of St. Michael's Mount
- 1786
290
- A Boatload
- undated
291
- A. Marlow Lock; B. Figures on a Barge, Possibly a Sketch Relating to This Drawing of Marlow Lock
- undated
292
- "Some Do and Some Don't: It is All a Notion:" Getting a Dive
- between 1848 and 1851
293
- A Dutch Packet in a Rising Breeze
- 1791
294
- A Tug Vessel
- undated
295
- In Portsmouth Harbor
- undated
296
- Patience in a Punt
- undated
297
- Steeplechasing: The Field taking a Stone Wall and Gate
- undated
298
- Gale of Winds
- undated
299
- Near Sita Coonde, October 22, 1788
- 1788
300
- Rocky Landscape
- undated