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Work Type watercolor

Subject Terms literary theme

Francis Danby Oberon and Titania

Francis Danby, 1793–1861

Oberon and Titania

1837

Joseph Mallord William Turner Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

Joseph Mallord William Turner, 1775–1851

Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

ca. 1832

George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"

George Romney, 1734–1802

A Procession of the Damned: Study for the Damned in Dante's "Inferno"

undated

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

William Blake Night the Second. On Time, Death and Friendship; Title Page

Print made by William Blake, 1757–1827

Night the Second. On Time, Death and Friendship; Title Page

ca. 1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

ca. 1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 10)

Print made by William Blake, 1757–1827

Chapter IV, "From the caverns of his jointed spine..." (Plate 10)

1794

William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)

Print made by William Blake, 1757–1827

Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)

1794

William Blake Thel's Motto (Plate 1)

Print made by William Blake, 1757–1827

Thel's Motto (Plate 1)

1789

William Blake Title Page, The Book of Thel (Plate 2)

Print made by William Blake, 1757–1827

Title Page, The Book of Thel (Plate 2)

1789

William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

Print made by William Blake, 1757–1827

II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

1789

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

Print made by William Blake, 1757–1827

IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

1789

William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

Print made by William Blake, 1757–1827

Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

1789

William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

Print made by William Blake, 1757–1827

III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

1789

William Blake Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece (Plate 1)

1793

William Blake "But when the morn arose, her lamentation renewd..." (Plate 8)

Print made by William Blake, 1757–1827

"But when the morn arose, her lamentation renewd..." (Plate 8)

1793

William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Print made by William Blake, 1757–1827

Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

1794

William Blake Title Page, Visions of the Daughters of Albion (Plate 2)

Print made by William Blake, 1757–1827

Title Page, Visions of the Daughters of Albion (Plate 2)

1793

William Blake Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

Print made by William Blake, 1757–1827

Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

1793

William Blake "And none but Bromian can hear my lamentations..." (Plate 6)

Print made by William Blake, 1757–1827

"And none but Bromian can hear my lamentations..." (Plate 6)

1793

William Blake "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

Print made by William Blake, 1757–1827

"In happy copulation; if in evening mild, wearied with work..." (Plate 10)

1793

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)

Print made by William Blake, 1757–1827

Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)

1794

William Blake Urizen (Plate 22)

Print made by William Blake, 1757–1827

Urizen (Plate 22)

1794

William Blake "The Ox in the slaughter house moans..." (Plate 23)

Print made by William Blake, 1757–1827

"The Ox in the slaughter house moans..." (Plate 23)

1794

William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

ca. 1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

ca. 1797

William Blake 'The thunder if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

William Blake Urizen (Plate 14)

Print made by William Blake, 1757–1827

Urizen (Plate 14)

1794

William Blake Praying Child and Howling Dog (Plate 24)

Print made by William Blake, 1757–1827

Praying Child and Howling Dog (Plate 24)

1794

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

ca. 1797

William Blake Urizen (Plate 21)

Print made by William Blake, 1757–1827

Urizen (Plate 21)

1794

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake Title Page, The First Book of Urizen (Plate 1)

Print made by William Blake, 1757–1827

Title Page, The First Book of Urizen (Plate 1)

1794

William Blake Chapter II, "Muster around the bleak desarts..." (Plate 4)

Print made by William Blake, 1757–1827

Chapter II, "Muster around the bleak desarts..." (Plate 4)

1794

William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

Print made by William Blake, 1757–1827

Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

1794

William Blake Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

Print made by William Blake, 1757–1827

Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

1794

William Blake Urizen Swims through Dark Waters (Plate 5)

Print made by William Blake, 1757–1827

Urizen Swims through Dark Waters (Plate 5)

1794

William Blake "In living creations appear'd..." (Plate 6)

Print made by William Blake, 1757–1827

"In living creations appear'd..." (Plate 6)

1794

William Blake Chapter III, "As the stars are apart from the earth..." (Plate 7)

Print made by William Blake, 1757–1827

Chapter III, "As the stars are apart from the earth..." (Plate 7)

1794

William Blake Urizen (Plate 8)

Print made by William Blake, 1757–1827

Urizen (Plate 8)

1794

William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 9)

Print made by William Blake, 1757–1827

Chapter IV, "Ages on ages roll'd over him..." (Plate 9)

1794

William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)

Print made by William Blake, 1757–1827

Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)

1794

William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)

Print made by William Blake, 1757–1827

Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)

1794

William Blake Fettered Urizen Weeping (Plate 12)

Print made by William Blake, 1757–1827

Fettered Urizen Weeping (Plate 12)

1794

William Blake From a Globe of Blood Rises Enitharmon (Plate 16)

Print made by William Blake, 1757–1827

From a Globe of Blood Rises Enitharmon (Plate 16)

1794

William Blake Chapter V, "The globe of life blood trembled..." (Plate 15)

Print made by William Blake, 1757–1827

Chapter V, "The globe of life blood trembled..." (Plate 15)

1794

William Blake "They call'd her Pity, and fled..." (Plate 17)

Print made by William Blake, 1757–1827

"They call'd her Pity, and fled..." (Plate 17)

1794

William Blake Los with the child Orc and Enitharmon (Plate 18)

Print made by William Blake, 1757–1827

Los with the child Orc and Enitharmon (Plate 18)

1794

William Blake Chapter IX, "They lived a period of years..." (Plate 25)

Print made by William Blake, 1757–1827

Chapter IX, "They lived a period of years..." (Plate 25)

1794

William Blake Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece (Plate 1)

ca. 1788

William Blake Title Page, The First Book of Urizen (Plate 1)

Print made by William Blake, 1757–1827

Title Page, The First Book of Urizen (Plate 1)

1794

William Blake "Los howld in a dismal stupor..." (Plate 10)

Print made by William Blake, 1757–1827

"Los howld in a dismal stupor..." (Plate 10)

1794

William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Print made by William Blake, 1757–1827

"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

1804 to 1820

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)

William Blake, 1757–1827

"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)

between 1797 and 1798

William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)

William Blake, 1757–1827

"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)

between 1797 and 1798

William Blake A Shepherd Reading the Epitaph (Design 115)

William Blake, 1757–1827

A Shepherd Reading the Epitaph (Design 115)

between 1797 and 1798

William Blake Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)

William Blake, 1757–1827

Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)

between 1797 and 1798

William Blake "Her Henry's holy shade..." (Design 15)

William Blake, 1757–1827

"Her Henry's holy shade..." (Design 15)

between 1797 and 1798

William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

Print made by William Blake, 1757–1827

"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

1793

William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

Print made by William Blake, 1757–1827

Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

1789

William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Print made by William Blake, 1757–1827

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

1789

William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

Print made by William Blake, 1757–1827

II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

1789

William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

Print made by William Blake, 1757–1827

IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

1789

William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

Print made by William Blake, 1757–1827

III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

1789

William Blake "Now comes the night of Enitharmons joy!..." (Plate 7)

Print made by William Blake, 1757–1827

"Now comes the night of Enitharmons joy!..." (Plate 7)

1794

William Blake From a Globe of Blood Rises Enitharmon (Plate 11)

Print made by William Blake, 1757–1827

From a Globe of Blood Rises Enitharmon (Plate 11)

1794

William Blake The Lamb (Plate 8)

Print made by William Blake, 1757–1827

The Lamb (Plate 8)

1789

William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)

William Blake, 1757–1827

"Where shaggy forms o'er ice-built mountains roam..." (Design 47)

between 1797 and 1798