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Work Type watercolor
Remove constraint Work Type: watercolorWidth [cm] 27
Remove constraint Width [cm]: 27Subject Terms men
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1
- Frontispiece. Albion's Angel (Plate 1)
- 1793
2
- "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
- 1793
3
- Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
- 1793
4
- "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
- 1793
5
- A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
- 1793
6
- "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
- 1793
7
- Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
- 1794
8
- Plague (Plate 13)
- 1794
9
- "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
- 1793
10
- "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
- 1793
11
- "Appear to the Americans upon the cloudy night..." (Plate 6)
- 1793
12
- "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
- 1793
13
- "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
- 1793
14
- Frontispiece, The Ancient of Days (Plate 1)
- 1794
15
- "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
- 1794
16
- A Prophecy. "The deep of winter came..." (Plate 5)
- 1794
17
- "Enitharmon slept. ..." (Plate 10)
- 1794
18
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
19
- "Shot from the heights of Enitharmon..." (Plate 17)
- 1794
20
- "The shrill winds wake!..." (Plate 6)
- 1794
21
- "Now comes the night of Enitharmons joy!..." (Plate 7)
- 1794
22
- "The red limb'd Angel siez'd in horror and torment..." (Plate 15)
- 1794
23
- "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
- 1793
24
- "What time the thirteen Governors that England sent convene..." (Plate 15)
- 1793
25
- Title Page. America, A Prophecy (Plate 2)
- 1793
26
- Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
- 1793
27
- "Silent as despairing love, and strong as jealousy..." (Plate 4)
- 1793
28
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
29
- Virgilia and Volumnia Plead with Coriolanus
- ca. 1795
30
- The Harvesters
- undated
31
- View of New Street, near London Bridge
- undated
32
- Political Caricature: "The Spiritualists"
- undated
33
- A Horse pulling a Drag
- undated
34
- The Murder of Banquo
- ca. 1830
35
- The Porch, Reims Cathedral
- ca. 1840
36
- Study of a Cossack: Gregory Yellowstuff
- 1814
37
- Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
- undated
38
- The Torre de Comares, Alhambra, 1835
- 1835
39
- The Chestnut Tree at Little Wymondley, Hertfordshire
- undated
40
- The Gateway of Lancaster Castle
- ca. 1778
41
- Country Scene: Figures by a Cottage Door and Cattle in a Stream
- 1795
42
- East Side of Mr. Hare's New House
- 1783
43
- Abbot's Kitchen, Glastonbury
- ca. 1795
44
- Two Boats with Crews, Study for The Royal William at Sea
- undated
45
- The Poultry Market
- undated
46
- North East View of Mr. Hare's New House
- 1783
47
- The Meat Market
- undated
48
- Men Loading a Boat with Barrels
- undated
49
- Grouse Shooting: The Wrong Sort
- undated
50
- "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
- between 1848 and 1851
51
- "Hark": Startled Horse and Alert Rider
- undated
52
- Two Riders Taking a Double Fence
- undated
53
- Full Cry
- undated
54
- Gone Away
- undated
55
- The Death
- undated
56
- "Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
- undated
57
- "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
- undated
58
- "Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
- undated
59
- "Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
- undated
60
- "Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'
- undated
61
- "Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
- undated
62
- "Some Do and Some Don't: It is All a Notion:" Getting a Dive
- between 1848 and 1851
63
- How to Vault in the Saddle
- 1813
64
- "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
- between 1848 and 1851
65
- "Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
- undated
66
- "Some Do and Some Don't: It is All a Notion:" Getting Home
- between 1820 and 1821
67
- "Some Do and Some Don't: It is All a Notion:" Getting a Fall
- between 1848 and 1851
68
- Dosing a Racehorse
- undated
69
- Drawing Covert
- undated
70
- "Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
- undated
71
- Shipping in the Solent off Calshot Castle
- between 1760 and 1793
72
- "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
- between 1848 and 1851
73
- "Some Do and Some Don't: It is All a Notion:" Getting into a Bog
- between 1848 and 1851
74
- A Hay Wagon Drawn by Four Horses
- undated
75
- The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge
- 1811
76
- The House of a Chinese Merchant near Canton
- undated
77
- The Pont de la Concorde and Tuileries Palace from the Cours la Reine
- 1823
78
- Commemorative Portrait of a Racehorse called Othello
- undated