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Edward Lear Opposite Beni Hassan
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake "The Ox in the slaughter house moans..." (Plate 26)
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 26)
1794
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
1794
William Blake "They call'd her Pity, and fled..." (Plate 19)
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 19)
1794
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
John James Barralet View of Lucan House
John James Barralet, 1747–1815
View of Lucan House
1782
Sir James Thornhill Diana and Actaeon: A Study for a Panel on a Staircase
follower of Sir James Thornhill, 1675–1734
Diana and Actaeon: A Study for a Panel on a Staircase
undated
Julius Caesar Ibbetson Title page for "The Guardian"
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
Isaac Oliver Classical Study with Numerous Nude Figures
Isaac Oliver, ca. 1565–1617
Classical Study with Numerous Nude Figures
undated
George Morland A Hop Kiln
George Morland, 1763–1804
A Hop Kiln
1795
William Payne On the River Tivy, near Cardigan, Wales
William Payne, active 1850s
On the River Tivy, near Cardigan, Wales
1826
Samuel Prout Sketches of Peasants and Work-Horses
Samuel Prout, 1783–1852
Sketches of Peasants and Work-Horses
undated
Thomas Rowlandson Angry Scene in a Street
Thomas Rowlandson, 1756–1827
Angry Scene in a Street
between 1805 and 1810
John Glover Greenwich Hospital
John Glover, 1767–1849
Greenwich Hospital
undated
unknown artist Welsh Fisherwomen
unknown artist
Welsh Fisherwomen
undated
Thomas Rowlandson A Crowded Race Meeting
Thomas Rowlandson, 1756–1827
A Crowded Race Meeting
between 1805 and 1810
Thomas Rowlandson Picking Mulberries
Thomas Rowlandson, 1756–1827
Picking Mulberries
undated
Thomas Rowlandson Viewing at the Royal Academy
Thomas Rowlandson, 1756–1827
Viewing at the Royal Academy
ca. 1815
Samuel Howitt The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot
Possibly Samuel Howitt, 1756–1822
The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot
undated
Thomas Rowlandson A Punch and Judy Show
Thomas Rowlandson, 1756–1827
A Punch and Judy Show
undated
Thomas Rowlandson Four Women at a Well in Rome
Thomas Rowlandson, 1756–1827
Four Women at a Well in Rome
undated
Thomas Rowlandson Jealousy, Rage, Disappointment...
Thomas Rowlandson, 1756–1827
Jealousy, Rage, Disappointment..
1817
Thomas Rowlandson The Preacher
Thomas Rowlandson, 1756–1827
The Preacher
1800 to 1810
Thomas Rowlandson Gypsies Cooking on an Open Fire
Thomas Rowlandson, 1756–1827
Gypsies Cooking on an Open Fire
undated
Thomas Rowlandson Limbourg, Belgium
Thomas Rowlandson, 1756–1827
Limbourg, Belgium
between 1791 and 1792
Thomas Rowlandson The Arrival of a Company of Militia at an Inn
Thomas Rowlandson, 1756–1827
The Arrival of a Company of Militia at an Inn
undated
Thomas Rowlandson A Cavalry Barracks
Thomas Rowlandson, 1756–1827
A Cavalry Barracks
undated
Thomas Rowlandson Scene outside the Half-Moon Inn
Thomas Rowlandson, 1756–1827
Scene outside the Half-Moon Inn
undated
Thomas Rowlandson Soldiers in St. James Park
Thomas Rowlandson, 1756–1827
Soldiers in St. James Park
undated
Richard Dadd Family Portraits
Richard Dadd, 1817–1886
Family Portraits
1838
William Daniell A High Caste Woman Standing by a Wall
William Daniell, 1769–1837
A High Caste Woman Standing by a Wall
ca. 1829
unknown artist Three Women
unknown artist
Three Women
undated
unknown artist Woman Standing
unknown artist
Woman Standing
undated