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Work Type planographic print

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Topic subjectplace ss Scotland

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Edinbourgh vu de la Chapelle S. Antoine
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
ca. 1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 7/16 x 13 3/16 inches (26.5 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brackline
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/2 x 13 3/16 inches (26.7 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ancienne Porte a Stirling
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 9/16 x 13 5/16 inches (26.8 x 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Glenfinlas
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 9/16 x 11 5/8 inches (24.3 x 29.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lac de Killin
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/16 x 13 1/16 inches (25.5 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ancienne Tour Près de Lanark
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/2 x 13 7/8 inches (26.7 x 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fort William by East Coast Route
Creator:
Grainger Johnson, active 1922
Date:
between 1923 and 1948
Materials & Techniques:
Chromolithograph
Dimensions:
Sheet: 39 1/2 x 49 3/16 inches (100.3 x 124.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
Sheep at Tulliallan
Creator:
Print made by Craigie Aitchison, 1926–2009
Date:
1998
Materials & Techniques:
Screen print on thick, rough, yellow wove paper
Dimensions:
Sheet: 18 1/16 x 15 1/16 inches (45.8 x 38.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Lewis Walpole Library Collection
Colorful England and Scotland
Creator:
Frank H. Mason, 1876–1965
Date:
between 1923 and 1947
Materials & Techniques:
Chromolithograph
Dimensions:
Mount: 12 3/16 x 10 15/16 inches (31 x 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
North Berwick
Creator:
Frank Newbould, 1887–1951
Date:
between 1923 and 1948
Materials & Techniques:
Chromolithograph
Dimensions:
Sheet: 39 7/8 x 49 7/8 inches (101.3 x 126.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
Shell Guide to Midlothian
Creator:
Leonard Rosoman, 1913–2012
Date:
undated
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 29 1/2 x 20 inches (74.9 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

12. Edinburgh

Edinburgh
Creator:
Fred Taylor, 1875–1963
Date:
undated
Materials & Techniques:
Lithograph on medium, slightly textured, beige wove paper mounted on linen
Dimensions:
Sheet: 39 5/8 x 24 3/4 inches (100.6 x 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
No cover image available
Creator:
Terence Tenison Cuneo, 1907–1996
Date:
after 1948
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 39 5/8 x 49 1/16 inches (100.6 x 124.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965