Work Type: intaglio print / Subject Terms: garden - YCBA Collections Search Search Results

Print made by James H. Baker, born 1829

Come Gentle Night: "Romeo and Juliet," Act III, Scene II

between 1839 and 1849

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804

Print made by William Faithorne the Younger, ca. 1669–1703

Vertumnus and Pomonae

between 1690 and 1703

Print made by William Faithorne the Younger, ca. 1669–1703

Vertumnus and Pomonae

between 1690 and 1703

Print made by Abraham Blooteling, 1640–1690

Susanna and the Elders

between 1670 and 1690

Print made by Richard Brookshaw, 1736–1804

Susanna and the Two Elders

undated

Print made by Richard Earlom, 1743–1822

Susanna and the Elders

1769

Verso by John Talman, 1677–1726

Studies, with Gardens, Possibly for a Talman Family House

undated

Print made by Bradshaw & Blacklock, active ca.1850

Eaton Hall

after 1850

Bradshaw & Blacklock, active ca.1850

Set of Needle-Box Prints

after 1850

Print made by Thomas Creswick, 1811–1869

The Terrace

ca. 1844

Guillaume Philippe Benoist, 1725–ca. 1770

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

1762

Print made by Austin, Robert, 1895-1973, 1895–1973

Springtime at Fulham

1921

Print made by Austin, Robert, 1895-1973, 1895–1973

Plane Tree Cottage

1926

Print made by Richard Earlom, 1743–1822

Susanna and the Elders

1769

Print made by John Robert Cozens, 1752–1797

Bath: Queen Square

1773

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

1813

unknown artist

The Princess Elizabeth's Cottage, Windsor, Volume XVII, H, page 475 (from The Mirror)(with text); page 105 (Volume One)

Print made by Robert Isaac Cruikshank, 1789–1856

Monstrosities of 1827

1835

Print made by Henry Heath, active 1824–1835

Extravaganza's of 1827

1827

Print made by George Cruikshank, 1792–1878

Monstrosities of 1822 - Pt. 5

1835

Print made by Bernard Lens II, 1659–1725

Venus Attiring by the Graces

undated

Print made by Johann Jacobus Haid, 1704–1767

Vertumnus et Pomona

undated

Print made by William Byrne, 1743–1805

View of Leiston Abbey

1781

Print made by Samuel Freeman, 1773–1857

Mamma at Romps

1810

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 1 (small plate)

1859

Print made by Johann Jacobus Haid, 1704–1767

Das Lombre-Spiel

undated

Print made by William Faithorne the Younger, ca. 1669–1703

Beauty's Tribute (Elizabeth Cooper)

undated

Edward Fisher, 1722–1785

Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey

1762

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 1 (small plate)

1859

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 1 (small plate)

1859

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 1 (small plate)

1859

Print made by Edward Julius Detmold, 1883–1957

At the Edge of the Lotus Pond

ca. 1921

Print made by Sir Muirhead Bone, 1876–1953

Windy Night, Stockholm

1935

Print made by Francis Dodd, 1874–1949

The Garden Door

1909

Print made by George Cruikshank, 1792–1878

Lismahago's Retaliation

undated

Print made by Austin, Robert, 1895-1973, 1895–1973

Autumn

1922

William Ellis, 1747–1810

The House of William Russell, Esq., Showell Green

1792

John Hassell, 1767–1825

Clapham Manor-House, Surry

between 1804 and 1822

Print made by William Angus, 1752–1821

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

William Ellis, 1747–1810

Baskerville House, the Residence of John Ryland, Esq

1792

William Ellis, 1747–1810

The House of George Humphrys, Esq., Spark Brook

1792

Charles Heath, 1785–1848

Green Park

1825

William Ellis, 1747–1810

Beddington

1792

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745