Work Type: intaglio print / Width [cm]: 33 / Image Use: Free to Use - YCBA Collections Search Search Results

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Work Type intaglio print

Width [cm] 33

Image Use Free to Use

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

George Stubbs A Horse Affrighted by a Lion

Print made by George Stubbs, 1724–1806

A Horse Affrighted by a Lion

1788

George Stubbs Plate VII, Human Body, Lateral View

Print made after George Stubbs, 1724–1806

Plate VII, Human Body, Lateral View

1804

Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy

Print made by Joseph Mallord William Turner, 1775–1851

Mer de Glace, Valley of Chamouni, Savoy

1812

Joseph Mallord William Turner Sheep-Washing, Windsor

Print made by Joseph Mallord William Turner, 1775–1851

Sheep-Washing, Windsor

between 1813 and 1823

Joseph Mallord William Turner The Stork and Aqueduct

Etched by Joseph Mallord William Turner, 1775–1851

The Stork and Aqueduct

between 1813 and 1823

Joseph Mallord William Turner The Straw Yard

Etched by Joseph Mallord William Turner, 1775–1851

The Straw Yard

1808

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

Jan van Somer Soldiers Story

Print made by Jan van Somer, ca. 1645–after 1699

Soldiers Story

undated

Bernard Lens II The Marriage of Moses

Print made by Bernard Lens II, 1659–1725

The Marriage of Moses

undated

Giovanni Vendramini Fresh Gathered Peas, Young Hastings

Print made by Giovanni Vendramini, 1769–1839

Fresh Gathered Peas, Young Hastings

1795

John Jones Lord Henry and Lady Charlotte Spencer

John Jones, ca. 1745–1797

Lord Henry and Lady Charlotte Spencer

1790

George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Temperance

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford: The Virtues - Temperance

1782

John Dixon Elizabeth, Countess of Pembroke and Montgomery, with Her Son, Honorable, George, Lord Herbert

John Dixon, ca. 1740–1811

Elizabeth, Countess of Pembroke and Montgomery, with Her Son, Honorable, George, Lord Herbert

1771

Charles Picart Reverend Beilby Porteus, Lord Bishop of London

Charles Picart, c.1780–1837

Reverend Beilby Porteus, Lord Bishop of London

1809

Thomas Watson Elizabeth Ann Sheridan (née Linley) as St. Cecilia

Thomas Watson, 1743–1781

Elizabeth Ann Sheridan (née Linley) as St. Cecilia

1779

James Watson Frances Russell, Marquess of Tavistock

Print made by James Watson, 1740–1790

Frances Russell, Marquess of Tavistock

1767

Charles Turner Thomas Tomkins

Charles Turner, 1774–1857

Thomas Tomkins

1805

Charles Howard Hodges Reverend Thomas Warton

Charles Howard Hodges, 1764–1837

Reverend Thomas Warton

1786

George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Fortitude

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford: The Virtues - Fortitude

1782

Francesco Bartolozzi Venus Childing Cupid

Francesco Bartolozzi, 1728–1815

Venus Childing Cupid

1784

George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Hope

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford: The Virtues - Hope

1781

unknown artist King Henry VI, Second Part, Act 3, Scene 3

unknown artist

King Henry VI, Second Part, Act 3, Scene 3

1801

James Heath "Hubert, let me not be bound!"

James Heath, 1757–1834

"Hubert, let me not be bound!"

1802

James Heath "Then go, bid the huntsmen wake them with their horns"

James Heath, 1757–1834

"Then go, bid the huntsmen wake them with their horns"

1802

James Heath "Mark your divorce young sir, whom son I dare not call"

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804

William Heath Opera Reminiscences: Desdemona and Otello

Print made by William Heath, 1795–1840

Opera Reminiscences: Desdemona and Otello

1829

James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

John Augustus Atkinson Costume of the Reign of King Henry III, 1250

Print made by John Augustus Atkinson, 1775–1831

Costume of the Reign of King Henry III, 1250

1814

John Augustus Atkinson Military Costumes of the Reign of King Henry VI, 1447

Print made by John Augustus Atkinson, 1775–1831

Military Costumes of the Reign of King Henry VI, 1447

1812

Giuseppe Marchi Samuel Dyer

Giuseppe Marchi, ca. 1735–1808

Samuel Dyer

1773

John Greenwood Venus and Cupid

Print made by John Greenwood, 1727–1792

Venus and Cupid

ca. 1768

Bernard Lens II Tobit and the Angel

Print made by Bernard Lens II, 1659–1725

Tobit and the Angel

undated

John Blackmore Sigismonda

Print made by John Blackmore, active 1740–1780

Sigismonda

between 1769 and 1771

John Faber the Younger A Scene in "The Recruiting Officer"

Print made by John Faber the Younger, ca. 1695–1756

A Scene in "The Recruiting Officer"

ca. 1739

John Faber the Younger Kitty Clive as Lady Easy in "The Careless Husband"

Print made by John Faber the Younger, ca. 1695–1756

Kitty Clive as Lady Easy in "The Careless Husband"

1739

John Faber the Younger A School of Girls

Print made by John Faber the Younger, ca. 1695–1756

A School of Girls

1739

John Faber the Younger The Morning Rose, What Shall Poor Harpax Do!

Print made by John Faber the Younger, ca. 1695–1756

The Morning Rose, What Shall Poor Harpax Do!

1744

John Faber the Younger A School of Girls

Print made by John Faber the Younger, ca. 1695–1756

A School of Girls

1739

William Faithorne the Younger Juno and Iris

Print made by William Faithorne the Younger, ca. 1669–1703

Juno and Iris

between 1695 and 1703

Bernard Lens II Venus Presenting Armour to Aeneas

Print made by Bernard Lens II, 1659–1725

Venus Presenting Armour to Aeneas

undated

Bernard Lens II Cupid and Psyche

Print made by Bernard Lens II, 1659–1725

Cupid and Psyche

undated

Bernard Lens II Cupid and Psyche

Print made by Bernard Lens II, 1659–1725

Cupid and Psyche

between 1690 and 1699

Bernard Lens II Tobit and the Angel

Print made by Bernard Lens II, 1659–1725

Tobit and the Angel

undated

Bernard Lens II Cupid and Psyche

Print made by Bernard Lens II, 1659–1725

Cupid and Psyche

undated

John Faber the Younger A School of Boys

Print made by John Faber the Younger, ca. 1695–1756

A School of Boys

1739

William Faithorne the Younger Mary Commended, Martha Reprehended

Print made by William Faithorne the Younger, ca. 1669–1703

Mary Commended, Martha Reprehended

between 1752 and 1768

Johann Jacobus Haid La benedicite

Print made by Johann Jacobus Haid, 1704–1767

La benedicite

undated

Johann Jacobus Haid La gouvernante

Print made by Johann Jacobus Haid, 1704–1767

La gouvernante

undated

George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Faith

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford: The Virtues - Faith

1781

George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Prudence

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford: The Virtues - Prudence

1782

George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Charity

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford: The Virtues - Charity

1781

George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Justice

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford: The Virtues - Justice

1782