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William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
John Finlayson David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'
John Finlayson, 1730–1776
David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'
1768
Sir David Young Cameron The Gargoyles: Stirling Castle
Print made by Sir David Young Cameron, 1865–1945
The Gargoyles: Stirling Castle
1898
Sir Frank William Brangwyn Bridge at Alcantara
Print made by Sir Frank William Brangwyn, 1867–1956
Bridge at Alcantara
1917
Sir Francis Seymour Haden Ô Laborum
Sir Francis Seymour Haden, 1818–1910
Ô Laborum
1865-1866
unknown artist Carlinan Mill, Iverary, Scotland
unknown artist
Carlinan Mill, Iverary, Scotland
1811
Francois Vivares The Lodge and Garden from the Great Lake
Francois Vivares, 1709–1780
The Lodge and Garden from the Great Lake
1772
Francois Vivares The Moat Island
Francois Vivares, 1709–1780
The Moat Island
1772
John Dixon Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert
Print made by John Dixon, ca. 1740–1811
Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert
1771
John Finlayson Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last
Print made by John Finlayson, 1730–1776
Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last
1769
Louisa Augusta Greville Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground
Louisa Augusta Greville, 1743–active 1762
Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground
1759
Thomas Rowlandson French Barracks
Etched by Thomas Rowlandson, 1756–1827
French Barracks
1791
John Dixon Henry, tenth Earl of Pembroke and seventh Earl of Montgomery
John Dixon, ca. 1740–1811
Henry, tenth Earl of Pembroke and seventh Earl of Montgomery
1769
Abraham Raimbach The Spanish Mother
Abraham Raimbach, 1784–1868
The Spanish Mother
1836
Abraham Raimbach Distraining for Rent
Abraham Raimbach, 1784–1868
Distraining for Rent
1828
Francesco Bartolozzi Sir Henry Guildford
Print made by Francesco Bartolozzi, 1728–1815
Sir Henry Guildford
Francesco Bartolozzi Sir John More
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
Francesco Bartolozzi Elizabeth, Lady Vaux
Print made by Francesco Bartolozzi, 1728–1815
Elizabeth, Lady Vaux
Francesco Bartolozzi Elizabeth, Lady Vaux
Print made by Francesco Bartolozzi, 1728–1815
Elizabeth, Lady Vaux
Francesco Bartolozzi Jane, Lady Lister
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
Francesco Bartolozzi Jane, Lady Lister
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
Joseph Collyer The Volunteers of the City and County of Dublin
Print made by Joseph Collyer, 1748–1827
The Volunteers of the City and County of Dublin
1784
Frederick Christian Lewis the Elder Tivoli
Frederick Christian Lewis the Elder, 1779–1856
Tivoli
1800
unknown artist Elevations and Plans of the Court of Kings Bench
Print made by unknown artist
Elevations and Plans of the Court of Kings Bench
ca. 1827
James Basire View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
John Copley Figures in the Wind
Print made by John Copley, 1875–1950
Figures in the Wind
1940
Robert Blyth John Hamilton Mortimer
Print made by Robert Blyth, 1750–1784
John Hamilton Mortimer
1782
Luigi Schiavonetti New Mackrel
Luigi Schiavonetti, 1765–1810
New Mackrel
1795
Luigi Schiavonetti Milk Below Maids
Luigi Schiavonetti, 1765–1810
Milk Below Maids
1793
Giovanni Vendramini Knives, Sissors and Razors to Grind
Giovanni Vendramini, 1769–1839
Knives, Sissors and Razors to Grind
1795
Giovanni Vendramini Fresh gathered Peas. Young Hastings
Giovanni Vendramini, 1769–1839
Fresh gathered Peas. Young Hastings
1795
John Raphael Smith A Lady and Her Children Relieving a Cottager
Engraved by John Raphael Smith, 1752–1812
A Lady and Her Children Relieving a Cottager
1784
Luigi Schiavonetti Two bunches a penny Primroses, two bunches a penny
Luigi Schiavonetti, 1765–1810
Two bunches a penny Primroses, two bunches a penny
1793
Luigi Schiavonetti Sweet China Oranges, Sweet China!
Luigi Schiavonetti, 1765–1810
Sweet China Oranges, Sweet China!
1794
Anthony Cardon Do you want any Matches?
Anthony Cardon, 1772–1813
Do you want any Matches?
1794
Anthony Cardon Round and Sound Five Pence a Pund Duke Cherry's
Anthony Cardon, 1772–1813
Round and Sound Five Pence a Pund Duke Cherry's
1795
Anthony Cardon A New Love Song only Ha' Penny a Piece
Anthony Cardon, 1772–1813
A New Love Song only Ha' Penny a Piece
1796
Thomas Gaugain Turnips and Carrots
Thomas Gaugain, 1748–1812
Turnips and Carrots
1797
Isaac Beckett Godfrey Kneller
Print made by Isaac Beckett, 1652/3–1719
Godfrey Kneller
1685
George Vertue Charles I and Henrietta
George Vertue, 1684–1756
Charles I and Henrietta
1742
John Cousen Château Gaillard, from the South
Print made by John Cousen, 1804–1880
Château Gaillard, from the South
1835
Edward Goodall The Campagna of Rome
Print made by Edward Goodall, 1795–1870
The Campagna of Rome
1830
William Spencer Bagdatopolous Entry of the Rajah, Ogmor
Print made by William Spencer Bagdatopolous, 1888–1965
Entry of the Rajah, Ogmor
1935
John Russell Lunar Planisphere, Flat Light
Print made by John Russell, 1745–1806
Lunar Planisphere, Flat Light
1805
unknown artist Gateway to the Flower Garden at Farnley
Print made by unknown artist
Gateway to the Flower Garden at Farnley
1814
unknown artist Bay Windows in the Flower Garden at Farnley
Print made by unknown artist
Bay Windows in the Flower Garden at Farnley
1814