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Work Type intaglio print

Height [cm] 42

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

ca. 1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

ca. 1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

ca. 1797

William Blake Night the Second. On Time, Death and Friendship; Title Page

Print made by William Blake, 1757–1827

Night the Second. On Time, Death and Friendship; Title Page

ca. 1797

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'The thunder if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

Christian von Mechel Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Christian von Mechel, 1737–1817

Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Sir David Young Cameron The Gargoyles: Stirling Castle

Print made by Sir David Young Cameron, 1865–1945

The Gargoyles: Stirling Castle

1898

Elisha Kirkall Ships

Print made by Elisha Kirkall, ca. 1682–1742

Ships

1720-1730

Sir Francis Seymour Haden Thomas Haden of Derby

Print made by Sir Francis Seymour Haden, 1818–1910

Thomas Haden of Derby

1864

Francesco Bartolozzi Shakespeare's Tomb

Francesco Bartolozzi, 1728–1815

Shakespeare's Tomb

1782

Edward Goodall The Campagna of Rome

Print made by Edward Goodall, 1795–1870

The Campagna of Rome

1830

William Miller Venice, the Campanile

Print made by William Miller, 1796–1882

Venice, the Campanile

1835

Sir Frank William Brangwyn Bridge at Alcantara

Print made by Sir Frank William Brangwyn, 1867–1956

Bridge at Alcantara

1917

John Dixon Henry, tenth Earl of Pembroke and seventh Earl of Montgomery

John Dixon, ca. 1740–1811

Henry, tenth Earl of Pembroke and seventh Earl of Montgomery

1769

Abraham Raimbach The Spanish Mother

Abraham Raimbach, 1784–1868

The Spanish Mother

1836

Frederick Christian Lewis the Elder Tivoli

Frederick Christian Lewis the Elder, 1779–1856

Tivoli

1800

Francesco Bartolozzi St. Nil

Print made by Francesco Bartolozzi, 1728–1815

St. Nil

1762

Francesco Bartolozzi Sir John More

Print made by Francesco Bartolozzi, 1728–1815

Sir John More

1792

Francesco Bartolozzi Elizabeth, Lady Vaux

Print made by Francesco Bartolozzi, 1728–1815

Elizabeth, Lady Vaux

Francesco Bartolozzi Elizabeth, Lady Vaux

Print made by Francesco Bartolozzi, 1728–1815

Elizabeth, Lady Vaux

John Dixon Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert

Print made by John Dixon, ca. 1740–1811

Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert

1771

William Miller The Dead Eagle, Oran

Print made by William Miller, 1796–1882

The Dead Eagle, Oran

1837

Francesco Bartolozzi Jane, Lady Lister

Print made by Francesco Bartolozzi, 1728–1815

Jane, Lady Lister

1792

Joseph Collyer The Volunteers of the City and County of Dublin

Print made by Joseph Collyer, 1748–1827

The Volunteers of the City and County of Dublin

1784

Lucas Vorsterman I Isabella Clara Eugenia

Print made by Lucas Vorsterman I, 1595–1675

Isabella Clara Eugenia

ca. 1635

Lucas Vorsterman I Princeps Wolfangus Wilhelmus

Print made by Lucas Vorsterman I, 1595–1675

Princeps Wolfangus Wilhelmus

ca. 1635

unknown artist Carlinan Mill, Iverary, Scotland

unknown artist

Carlinan Mill, Iverary, Scotland

1811

Sir Francis Seymour Haden Ô Laborum

Sir Francis Seymour Haden, 1818–1910

Ô Laborum

1865-1866

Francesco Bartolozzi Sir Henry Guildford

Print made by Francesco Bartolozzi, 1728–1815

Sir Henry Guildford

Francesco Bartolozzi Jane, Lady Lister

Print made by Francesco Bartolozzi, 1728–1815

Jane, Lady Lister

1792

Abraham Raimbach Distraining for Rent

Abraham Raimbach, 1784–1868

Distraining for Rent

1828

John Finlayson Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last

Print made by John Finlayson, 1730–1776

Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last

1769

Edward Francis Finden The Bernese Alps

Print made by Edward Francis Finden, 1791–1857

The Bernese Alps

1832-1834

Edward Francis Finden Cologne

Print made by Edward Francis Finden, 1791–1857

Cologne

1832-1834

Francesco Bartolozzi Atalanta and Hippomanes

Print made by Francesco Bartolozzi, 1728–1815

Atalanta and Hippomanes

1763

Francesco Bartolozzi Cupid Disarmed by Venus

Print made by Francesco Bartolozzi, 1728–1815

Cupid Disarmed by Venus

1804

John Finlayson David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'

John Finlayson, 1730–1776

David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'

1768

Charles Tomkins Encampment at Farnham near St. Edmund's Bury

Charles Tomkins, 1757–1823

Encampment at Farnham near St. Edmund's Bury

1782

Frederick Landseer Maur Griggs Potter's Bow

Print made by Frederick Landseer Maur Griggs, 1876–1938

Potter's Bow

1924

Louisa Augusta Greville Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground

Louisa Augusta Greville, 1743–active 1762

Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground

1759

Thomas Rowlandson French Barracks

Etched by Thomas Rowlandson, 1756–1827

French Barracks

1791

Francois Vivares The Lodge and Garden from the Great Lake

Francois Vivares, 1709–1780

The Lodge and Garden from the Great Lake

1772

Francois Vivares The Moat Island

Francois Vivares, 1709–1780

The Moat Island

1772

James Mason View of Mount Edgecumbe from the Blockhouse

James Mason, 1710–1783

View of Mount Edgecumbe from the Blockhouse

1755

James Mason River Landscape with Cattle Wading and Watermill

Print made by James Mason, 1710–1783

River Landscape with Cattle Wading and Watermill

1757

George H. Phillips The Paphian Bower

George H. Phillips, active 1819–1825

The Paphian Bower

1826

George Siegmund Facius Richard Beadon, Bishop of Bath & Wells

George Siegmund Facius, 1750–1804

Richard Beadon, Bishop of Bath & Wells

undated

Charles Rosenberg The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837

Print made by Charles Rosenberg, active 1828–1848

The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837

1837

William Ward Children Birdsnesting

William Ward, 1766–1826

Children Birdsnesting

1789

Philip Dawe The Pretty Ballad Singer

Print made by Philip Dawe, ca.1750–ca.1790

The Pretty Ballad Singer

1769