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William Blake "Leaning against the pillars..." (Plate 32)
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "In Great Eternity every particular Form..." (Plate 54)
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
William Blake "When those who disregard all Mortal Things..." (Plate 55)
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
William Blake "Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
Print made by William Blake, 1757–1827
"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake "In beauty the Daughters of Albion divide..." (Plate 58)
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
William Blake "To decide Two Worlds with a great decision..." (Plate 65)
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
William Blake "O Skofield why art thou cruel?..." (Plate 68)
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
William Blake "Such are Cathedrons golden Halls..." (Plate 73)
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
William Blake "The Four Zoa's clouded rage..." (Plate 74)
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
William Blake "And Rahab Babylon the Great..." (Plate 75)
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
William Blake Christ Appearing to the Apostles after the Resurrection
Print made by William Blake, 1757–1827
Christ Appearing to the Apostles after the Resurrection
1795 to 1805
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
W. R. Smith Richmond Hill and Bridge, Surrey
Print made by W. R. Smith, active 1819–1851
Richmond Hill and Bridge, Surrey
1832
Edmund Turrell The Temple of Aphaia at Aegina: Elevations
Edmund Turrell, active 1835–1860
The Temple of Aphaia at Aegina: Elevations
undated
Henry Hulsberg Cobham Hall, Kent: First and Second Floor Plans
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
Henry Hulsberg Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
1715 to 1725
Henry Hulsberg Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
1715 to 1725
unknown artist Half-length Portrait of Man in Peasant Dress
unknown artist
Half-length Portrait of Man in Peasant Dress
undated
Graham Vivian Sutherland Owl
Print made by Graham Vivian Sutherland, 1903–1980
Owl
1968
François Louis Thomas Francia Landscape with Cottages
Print made by François Louis Thomas Francia, 1772–1839
Landscape with Cottages
undated
Thomas Gainsborough A Moonlit Landscape with Cattle by a Pool
Thomas Gainsborough, 1727–1788
A Moonlit Landscape with Cattle by a Pool
ca. 1780
Jean B. C. Chatelain View with Figures in a Classical Landscape with Ruins
Jean B. C. Chatelain, 1710–1771
View with Figures in a Classical Landscape with Ruins
undated
Jean B. C. Chatelain View with a Cart and Figures in a Wooded Landscape
Jean B. C. Chatelain, 1710–1771
View with a Cart and Figures in a Wooded Landscape
undated
Oleg Kudryashov Composition (Diptych), 1/1
Print made by Oleg Kudryashov, born 1932
Composition (Diptych), 1/1
1989
Edmund Turrell The Temple of Aphaia at Aegina: Sections
Edmund Turrell, active 1835–1860
The Temple of Aphaia at Aegina: Sections
1860
Ian McKeever Monotype A
Ian McKeever, born 1946
Monotype A
1996
Ian McKeever Monotype B
Ian McKeever, born 1946
Monotype B
1996
Ian McKeever Monotype C
Ian McKeever, born 1946
Monotype C
1996
Ian McKeever Monotype D
Ian McKeever, born 1946
Monotype D
1996
Ian McKeever Monotype E
Ian McKeever, born 1946
Monotype E
1996
Ian McKeever Monotype J
Ian McKeever, born 1946
Monotype J
1996
Ian McKeever Untitled O
Ian McKeever, born 1946
Untitled O
1996
Ian McKeever Monotype M
Ian McKeever, born 1946
Monotype M
1996
Michael Landy COR! WHAT A BARGAIN!
Print made by Michael Landy, Born 1963
COR! WHAT A BARGAIN!
1992