<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Work Type drawing

Remove constraint Work Type: drawing

Subject Terms frames (furnishings)

Remove constraint Subject Terms: frames (furnishings)

Search Results

Headfort House, Ireland: Section of One End of the Parlor
Creator:
Robert Adam, 1728–1792
Date:
1771
Materials & Techniques:
Pen and black ink with gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 20 inches (36.8 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House, Ireland: Section of One End of the Parlor
Creator:
Robert Adam, 1728–1792
Date:
1771
Materials & Techniques:
Pen and black ink with gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 20 inches (36.8 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House, Ireland: Elevation of the Eating Parlor
Creator:
Robert Adam, 1728–1792
Date:
1775
Materials & Techniques:
Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 7/8 x 24 1/2 inches (45.4 x 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House, Ireland: Elevation of One End of the Parlor
Creator:
Robert Adam, 1728–1792
Date:
between 1771 and 1775
Materials & Techniques:
Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 12 1/2 inches (39.4 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House, Ireland: Section of the Staircase
Creator:
Robert Adam, 1728–1792
Date:
1771 or 1772
Materials & Techniques:
Graphite, gray wash, pen and black and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/4 x 14 1/2 inches (54 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House, Ireland: Section of the Staircase
Creator:
Robert Adam, 1728–1792
Date:
between 1771 and 1775
Materials & Techniques:
Graphite, gray wash, pen and black and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/4 x 14 5/8 inches (54 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cobham Hall, Kent: Elevation of Fireplace and Overmantel
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 x 16 3/4 inches (27 x 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior Scene with Family at Tea
Creator:
Samuel Wale, 1721–1786
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 9/16 × 6 3/4 inches (21.7 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Private View of the Royal Academy
Creator:
William Payne, active 1850s
Date:
1858
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/8 inches (9.5 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Summer Room in the Artist's House at Patna
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
1824
Materials & Techniques:
Watercolor and graphite, with pinpricks on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 13 1/2 inches (17.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Winter Room in the Artist's House at Patna
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
1824
Materials & Techniques:
Watercolor, gouache, pen and ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 13 1/2 inches (19.7 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House: Lady's Room Moldings
Creator:
Robert Adam, 1728–1792
Date:
1772
Materials & Techniques:
Pen and black ink, graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 5/16 x 13 1/8 inches (54.2 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House: Moldings in the Great Room
Creator:
Robert Adam, 1728–1792
Date:
1772
Materials & Techniques:
Pen and black and brown ink, graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 x 12 5/8 inches (53.3 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Viewing at the Royal Academy
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1815
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 1/2 inches (14.6 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. Michell's Picture Gallery, Grove House, Enfield 1817
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 9 7/16 inches (14.9 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sir Thomas Lawrence's Painting Room in 1824
Creator:
Emily Calmady, 19th century
Date:
1824
Materials & Techniques:
Graphite and white gouache on medium, moderately textured, beige wove paper
Dimensions:
Mount: 11 1/2 × 19 3/8 inches (29.2 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund