A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
2
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
3
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
4
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
5
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
6
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
7
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
8
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
9
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
10
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
11
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
12
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
13
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
14
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
15
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
16
Print made by William Blake, 1757–1827
Frontispiece, Europe. A Prophecy
ca. 1820
17
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
18
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
19
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 3)
1794
20
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4 (Bentley 24)
1794
21
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
1794
22
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
23
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
24
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
25
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
26
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
27
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
28
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
29
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
30
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
31
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
32
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
33
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
34
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
35
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
36
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
37
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
38
Print made by William Blake, 1757–1827
"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
1804 to 1820
39
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
40
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
41
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
42
Sir John Gilbert, 1817–1897
Apotheosis of Shakespeare's Characters
1871
43
Thomas Hearne, 1744–1817
The Welsh Curate
undated
44
William Callow, 1812–1908
Plymouth Dockyard after the Fire
1840
45
Henry Pierce Bone, 1779–1855
Incantation Scene
undated
46
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
47
George Shepheard, ca. 1770–1842
Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
undated
48
David Jones, 1895–1974
Sir Gareth and Lady Lionesse
ca. 1940
49
unknown artist
The Destruction of Sodom and Gomorrah
undated
50
Attributed to John Martin, 1789–1854
Fall of a City
undated
51
Sir Charles D'Oyly, 1781–1845
The Summer Room in the Artist's House at Patna
1824
52
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
53
George Jones, 1786–1869
Fire on the Thames
ca. 1808
54
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
55
Francis Wheatley, 1747–1801
Olivia Returns to Her Family
undated
56
Nicholas Pocock, 1740–1821
Landscape with Gypsies
undated
57
William Simpson, 1823–1899
The Ganges
1863
58
William Simpson, 1823–1899
The Governor-General's and Commander-in-Chief's Camp at Jalandhar, 1 Febuary 1860
ca. 1860
59
Samuel Wale, 1721–1786
The Mob Assembled to Pull Down the Bawdy House kept by Peter Wood in the Strand
undated
60
Thomas Wyck, 1616–1677
Newgate Prison, the Fire of London
undated
61
Sir Charles D'Oyly, 1781–1845
The Winter Room in the Artist's House at Patna
1824
62
George Cattermole, 1800–1868
Scene of Three Witches from Shakespeare's Macbeth
1840
63
Cornelius Varley, 1781–1873
Evening
1828
64
Mrs. P. D. H. Page, 20th century
Cooking in a Pot, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 48 A]
undated
65
Mrs. P. D. H. Page, 20th century
Cooking Fish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 49 A]
undated
66
Mrs. P. D. H. Page, 20th century
Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]
undated
67
Thomas Daniell, 1749–1840
Boats at Sea
undated
68
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
69
circle of John Linnell, 1792–1882
Job's Sacrifice
undated
70
circle of John Linnell, 1792–1882
The Destruction of Job's Sons
undated
71
Thomas Rowlandson, 1756–1827
A Maiden Aunt Smelling Fire
1804
72
David Roberts, 1796–1864
The Destruction of Pompeii
undated
73
Thomas Rowlandson, 1756–1827
Gypsies Cooking on an Open Fire
undated
74
Henry Fuseli, 1741–1825
Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"
1791
75
Thomas Rowlandson, 1756–1827
The Inn Door (A Man escorted by two link boys to a door to the left)
undated
76
Joshua Cristall, 1768–1847
Country Folk Gathered Around a Cooking Pot
undated
77
Sawrey Gilpin, 1733–1807
Rough sketch of figures and horses
undated
78
James Pattison Cockburn, 1779–1847
Cuirassiers
ca. 1832
79
Dennis Flanders, 1915–1994
The House of Common Under Fire
1942
80
James Pattison Cockburn, 1779–1847
Calvary Resting
undated
81
Benjamin West, 1738–1820
The Indians Giving a Talk to Colonel Bouquet in a conference at a Council Fire Near his Camp on the Banks of Muskingum in America, in October 1764, 1765
between 1765 and 1766
82
Joseph Farington, 1747–1821
Shakespearean Scene (?): A Pilgrim
1796
83
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Double, Double, Toil and Trouble