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Samuel Palmer The Weald of Kent
Samuel Palmer, 1805–1881
The Weald of Kent
between 1833 and 1834
Edward Lear North Stoke. Oct. 21.1834.
Edward Lear, 1812–1888
North Stoke. Oct. 21.1834
1834
Edward Lear Corpo di Cava, 28 June 1838
Edward Lear, 1812–1888
Corpo di Cava, 28 June 1838
1838
Edward Lear Fruit trees, 3 April 1863
Edward Lear, 1812–1888
Fruit trees, 3 April 1863
1863
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
William Blake Title Page, The First Book of Urizen (Plate 1)
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
William Blake Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
Print made by William Blake, 1757–1827
Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
1794
William Blake A Cradle Song (Plate 26)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
William Blake Night (Plate 30)
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
William Blake The Fly (Plate 48)
Print made by William Blake, 1757–1827
The Fly (Plate 48)
1794
William Blake The Shepherd (Plate 4)
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
William Blake The Chimney Sweeper (Plate 10)
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
William Blake The Little Girl Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
William Blake Songs of Experience, Frontispiece (Plate 32)
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
William Blake The Clod & the Pebble (Plate 36)
Print made by William Blake, 1757–1827
The Clod & the Pebble (Plate 36)
1794
William Blake The Little Black Boy (Plate 6)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
William Blake The Ecchoing Green (Plate 8)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
William Blake Spring (Plate 12)
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
William Blake Laughing Song (Plate 14)
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake The Divine Image (Plate 24)
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
William Blake The Little Girl Found (Plate 22)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake The Ecchoing Green (Plate 10)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
William Blake Night (Plate 16)
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake The Little Girl Found (Plate 6)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake On Anothers Sorrow (Plate 24)
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake Laughing Song (Plate 28)
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake "Enitharmon slept. ..." (Plate 10)
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820
William Blake The Divine Image (Plate 12)
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
William Blake Nurse's Song (Plate 22)
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
William Blake "The Four Zoa's clouded rage..." (Plate 74)
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
William Blake The Little Black Boy (Plate 30)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
Richard Brookes Woodpecker and Two Birds
Richard Brookes, 1721–1763
Woodpecker and Two Birds
1760
Joseph Powell In Borrowdale
Joseph Powell, 1780–1834
In Borrowdale
undated
Master of the Giants Apollo and Daphne
Master of the Giants, active 1779
Apollo and Daphne
between 1770 and 1799
James Sowerby Two Kingfishers beside a Lake
James Sowerby, 1756–1822
Two Kingfishers beside a Lake
undated
James Sowerby Two Kingfishers beside a Lake
James Sowerby, 1756–1822
Two Kingfishers beside a Lake
undated
Patrick Nasmyth Part of Regent's Park
Patrick Nasmyth, 1787–1831
Part of Regent's Park
1805
Sir Walter Thomas Monnington Macrocarpa
Sir Walter Thomas Monnington, 1902–1976
Macrocarpa
undated
Sir Walter Thomas Monnington Tree
Sir Walter Thomas Monnington, 1902–1976
Tree
undated
George Morland Peasants Resting
George Morland, 1763–1804
Peasants Resting
1795
Alfred Parsons A Forest Landscape near Boldrewood
Alfred Parsons, 1847–1920
A Forest Landscape near Boldrewood
1871
Henry Morton The Fish Ponds
Henry Morton, ca. 1807–1825
The Fish Ponds
undated
William Henry Pyne Cottage and Foot Bridge
William Henry Pyne, 1769–1843
Cottage and Foot Bridge
1794
Joseph Barber Autumn Trees by a Lake
Joseph Barber, 1757–1811
Autumn Trees by a Lake
undated
Joseph Barber Castle and Figures in a Landscape
Joseph Barber, 1757–1811
Castle and Figures in a Landscape
undated
Edward Francis Burney Allegory of Napoleonic Battles
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
undated
John Absolon Family Group
John Absolon, 1815–1895
Family Group
undated
Paul Sandby Munn Landscape waith Figures, Cromach Water
Paul Sandby Munn, 1773–1845
Landscape waith Figures, Cromach Water
1805
unknown artist Tree
unknown artist
Tree
undated
David Charles Read Tree
Attributed to David Charles Read, 1790–1851
Tree
undated
Dr. Thomas Monro Composition: The Edge of a Wood
Dr. Thomas Monro, 1759–1833
Composition: The Edge of a Wood
undated
John Absolon Peasant Girls
attributed to John Absolon, 1815–1895
Peasant Girls
undated
Luigi Balugani Erythrina Abyssinica
Luigi Balugani, 1737–1770
Erythrina Abyssinica
undated
Luigi Balugani Cordia Abyssinica
Luigi Balugani, 1737–1770
Cordia Abyssinica
undated
Luigi Balugani Grawa (Vernonia amygdalina)
Luigi Balugani, 1737–1770
Grawa (Vernonia amygdalina)
undated
Luigi Balugani Angua (Boswellia papyifera)
Luigi Balugani, 1737–1770
Angua (Boswellia papyifera)
undated
Luigi Balugani Fitolacha (Phytolacca dodecandra)
Luigi Balugani, 1737–1770
Fitolacha (Phytolacca dodecandra)
undated
John Absolon Trees by a Pool
John Absolon, 1815–1895
Trees by a Pool
Undated
John Minton Landscape
John Minton, 1917–1957
Landscape
undated
John Minton Landscape, Corsica
John Minton, 1917–1957
Landscape, Corsica
1947
Thomas Carwitham Anna lamenting the absence of Tobias (Tobit 10:7)
Thomas Carwitham, active 1723
Anna lamenting the absence of Tobias (Tobit 10:7)
1723
Joseph Powell In Rydal Park
Joseph Powell, 1780–1834
In Rydal Park
undated
Richard Brookes Crowned Eagle and Two Birds
Richard Brookes, 1721–1763
Crowned Eagle and Two Birds
1760
Cornelius Varley Tree Study
Cornelius Varley, 1781–1873
Tree Study
undated
Thomas Hearne The Chestnut Tree at Little Wymondley, Hertfordshire
Thomas Hearne, 1744–1817
The Chestnut Tree at Little Wymondley, Hertfordshire
undated
William Henry Hunt A Fallen Oak
attributed to William Henry Hunt, 1790–1864
A Fallen Oak
ca. 1815
Richard Dadd Still Life with Gooseberries, Raspberries, Red Currants, Spring Onions, a Gherkin and Foliage
Richard Dadd, 1817–1886
Still Life with Gooseberries, Raspberries, Red Currants, Spring Onions, a Gherkin and Foliage
1874
Thomas William Wood Birds of Paradise
Thomas William Wood, 1855–1872
Birds of Paradise
1862
John Linnell Old Olive Tree
John Linnell, 1792–1882
Old Olive Tree
undated
John Linnell Tree Study (Autumn Foliage)
attributed to John Linnell, 1792–1882
Tree Study (Autumn Foliage)
ca. 1828
Henry Thomas Alken "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
undated
Walter Richard Sickert Auberville
Walter Richard Sickert, 1860–1942
Auberville
undated
unknown artist Landscape with Owl and Bats
unknown artist
Landscape with Owl and Bats
1873
George Chinnery A View of Praya Grande, Macao, through a Doorway on Penha Hill
George Chinnery, 1774–1852
A View of Praya Grande, Macao, through a Doorway on Penha Hill
1842
George Chinnery An Indian Torrent
George Chinnery, 1774–1852
An Indian Torrent
1804