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George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
William Blake Famine (Plate 8)
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
William Blake "Shot from the heights of Enitharmon..." (Plate 17)
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
William Blake "The shrill winds wake!..." (Plate 6)
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
William Blake "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "Such are Cathedrons golden Halls..." (Plate 73)
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
William Blake "Repose on me till the morning of the Grave..." (Plate 62)
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
William Blake "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
William Blake "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
William Blake Frontispiece, Europe. A Prophecy
Print made by William Blake, 1757–1827
Frontispiece, Europe. A Prophecy
ca. 1820
William Blake "Reuben return'd to his place, in vain..." (Plate 36)
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake Fettered Urizen Weeping (Plate 3)
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 3)
1794
William Blake The First Book of Urizen, Plate 4 (Bentley 24)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4 (Bentley 24)
1794
William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
1794
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "In beauty the Daughters of Albion divide..." (Plate 58)
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
William Blake "Then the Divine hand found the Two Limits..." (Plate 35)
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
William Blake "Bath, mild Physician of Eternity..." (Plate 46)
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake Chapter 3 Frontispiece (Plate 51)
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
William Blake "And formed into Four precious stones..." (Plate 59)
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake "Encompass'd by the frozen Net..." (Plate 80)
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
William Blake "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
Print made by William Blake, 1757–1827
"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
1804 to 1820
William Blake "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
William Blake The Prophetess Rising from Her Grave (Design 81)
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
Sir John Gilbert Apotheosis of Shakespeare's Characters
Sir John Gilbert, 1817–1897
Apotheosis of Shakespeare's Characters
1871
Thomas Hearne The Welsh Curate
Thomas Hearne, 1744–1817
The Welsh Curate
undated
William Callow Plymouth Dockyard after the Fire
William Callow, 1812–1908
Plymouth Dockyard after the Fire
1840
Henry Pierce Bone Incantation Scene
Henry Pierce Bone, 1779–1855
Incantation Scene
undated
Thomas Hand Wooded Landscape with Figures Round a Cooking Pot
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
George Shepheard Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
George Shepheard, ca. 1770–1842
Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
undated
John Martin Fall of a City
Attributed to John Martin, 1789–1854
Fall of a City
undated
Sir Charles D'Oyly The Summer Room in the Artist's House at Patna
Sir Charles D'Oyly, 1781–1845
The Summer Room in the Artist's House at Patna
1824
Lewis Vaslet The Spoiled Child, Scene VI
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
George Jones Fire on the Thames
George Jones, 1786–1869
Fire on the Thames
ca. 1808
Paul Sandby London Cries: All Fire and No Smoke
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
Francis Wheatley Olivia Returns to Her Family
Francis Wheatley, 1747–1801
Olivia Returns to Her Family
undated
Nicholas Pocock Landscape with Gypsies
Nicholas Pocock, 1740–1821
Landscape with Gypsies
undated
William Simpson The Ganges
William Simpson, 1823–1899
The Ganges
1863
William Simpson The Governor-General's and Commander-in-Chief's Camp at Jalandhar, 1 Febuary 1860
William Simpson, 1823–1899
The Governor-General's and Commander-in-Chief's Camp at Jalandhar, 1 Febuary 1860
ca. 1860
Samuel Wale The Mob Assembled to Pull Down the Bawdy House kept by Peter Wood in the Strand
Samuel Wale, 1721–1786
The Mob Assembled to Pull Down the Bawdy House kept by Peter Wood in the Strand
undated
Thomas Wyck Newgate Prison, the Fire of London
Thomas Wyck, 1616–1677
Newgate Prison, the Fire of London
undated
Sir Charles D'Oyly The Winter Room in the Artist's House at Patna
Sir Charles D'Oyly, 1781–1845
The Winter Room in the Artist's House at Patna
1824
George Cattermole Scene of Three Witches from Shakespeare's Macbeth
George Cattermole, 1800–1868
Scene of Three Witches from Shakespeare's Macbeth
1840
Cornelius Varley Evening
Cornelius Varley, 1781–1873
Evening
1828
Thomas Daniell Boats at Sea
Thomas Daniell, 1749–1840
Boats at Sea
undated
Frederic Leighton The Reconciliation of the Montagues and the Capulets
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
John Linnell Job's Sacrifice
circle of John Linnell, 1792–1882
Job's Sacrifice
undated
John Linnell The Destruction of Job's Sons
circle of John Linnell, 1792–1882
The Destruction of Job's Sons
undated
Thomas Rowlandson A Maiden Aunt Smelling Fire
Thomas Rowlandson, 1756–1827
A Maiden Aunt Smelling Fire
1804
David Roberts The Destruction of Pompeii
David Roberts, 1796–1864
The Destruction of Pompeii
undated
Thomas Rowlandson Gypsies Cooking on an Open Fire
Thomas Rowlandson, 1756–1827
Gypsies Cooking on an Open Fire
undated
Henry Fuseli Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"
Henry Fuseli, 1741–1825
Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"
1791
Thomas Rowlandson The Inn Door (A Man escorted by two link boys to a door to the left)
Thomas Rowlandson, 1756–1827
The Inn Door (A Man escorted by two link boys to a door to the left)
undated
Joshua Cristall Country Folk Gathered Around a Cooking Pot
Joshua Cristall, 1768–1847
Country Folk Gathered Around a Cooking Pot
undated
Sawrey Gilpin Rough sketch of figures and horses
Sawrey Gilpin, 1733–1807
Rough sketch of figures and horses
undated
James Pattison Cockburn Cuirassiers
James Pattison Cockburn, 1779–1847
Cuirassiers
ca. 1832
James Pattison Cockburn Calvary Resting
James Pattison Cockburn, 1779–1847
Calvary Resting
undated
Benjamin West The Indians Giving a Talk to Colonel Bouquet in a conference at a Council Fire Near his Camp on the Banks of Muskingum in America, in October 1764, 1765
Benjamin West, 1738–1820
The Indians Giving a Talk to Colonel Bouquet in a conference at a Council Fire Near his Camp on the Banks of Muskingum in America, in October 1764, 1765
between 1765 and 1766
Joseph Farington Shakespearean Scene (?): A Pilgrim
Joseph Farington, 1747–1821
Shakespearean Scene (?): A Pilgrim
1796
Mary Hoare The Three Witches from Macbeth: Double, Double, Toil and Trouble
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Double, Double, Toil and Trouble
1781