The Horse Mart (with further sketches in the margin)
ca. 1918
7
Robert Polhill Bevan, 1865–1925
Study of a Woman Sewing
undated
8
John Constable, 1776–1837
Trees in a Meadow
ca. 1805
9
John Constable, 1776–1837
A Recollection of the New R.A
1837
10
John Constable, 1776–1837
Two Ships at Anchor
1803
11
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
12
George Stubbs, 1724–1806
Owl Standing, Anterior View
1795 to 1806
13
William Hogarth, 1697–1764
Benjamin Read
ca. 1757
14
Joseph Mallord William Turner, 1775–1851
High Street, Edinburgh
ca. 1818
15
Joseph Mallord William Turner, 1775–1851
Chrichton Castle with a Rainbow; Color Study
ca. 1818
16
Edward Lear, 1812–1888
Entrance to the Port of Marseille
undated
17
Edward Lear, 1812–1888
A Country House
ca. 1834
18
Edward Lear, 1812–1888
Parham, Sept. 30, 1834
1834
19
Edward Lear, 1812–1888
Derwentwater
1836
20
Edward Lear, 1812–1888
Derwentwater, September 1836
1836
21
Edward Lear, 1812–1888
Ullswater, 14 Oct. 1836
1836
22
Edward Lear, 1812–1888
Ullswater
1836
23
Edward Lear, 1812–1888
Deir Kadige, noon., January 2, 1867 (27)
1867
24
Edward Lear, 1812–1888
Gebel Sheikh Embarak
1867
25
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
26
Edward Lear, 1812–1888
Sheikh Abadeh, 3:15 pm, 6 January 1867 (84)
1867
27
Edward Lear, 1812–1888
Sheikh Abadeh, 3:20 pm, 6 January 1867 (85)
1867
28
Edward Lear, 1812–1888
Near Negadeh, 12:30 pm, 17 January 1867 (188)
1867
29
Edward Lear, 1812–1888
Abu Simbel, 1:10 pm, 9 February 1867 (385)
1867
30
Edward Lear, 1812–1888
Ibreem, 6:30 am, 11 February 1867 (405)
1867
31
Edward Lear, 1812–1888
Amada, 7:20 am, 12 February 1867 (421)
1867
32
Edward Lear, 1812–1888
Sabooa
1867
33
Edward Lear, 1812–1888
Karnak, 24 February 1867 (545)
1867
34
Edward Lear, 1812–1888
Karnak, 9:30 am, 24 February 1867 (546)
1867
35
Edward Lear, 1812–1888
Abu Seer
1867
36
Edward Lear, 1812–1888
Near Wady Halfeh
1867
37
Edward Lear, 1812–1888
Abu Simbel, 4:30 pm, 8 February 1867 (379)
1867
38
Edward Lear, 1812–1888
Near Daboad
1867
39
Edward Lear, 1812–1888
Ibreem, 11:00 am, 2 February 1867 (319)
1867
40
Edward Lear, 1812–1888
Ibreem, 10:00 pm, 10 February 1867 (404)
1867
41
Edward Lear, 1812–1888
La Cava, 19 July 1838
1838
42
Edward Lear, 1812–1888
La Cava
1838
43
Edward Lear, 1812–1888
Corpo di Cava, 28 June 1838
1838
44
Edward Lear, 1812–1888
Gebel Sheikh Abu Fodde, 7:30 am, 4 March 1867 (590)
1867
45
Edward Lear, 1812–1888
Deir El Adra
1867
46
Edward Lear, 1812–1888
Salahiyeh
1867
47
Edward Lear, 1812–1888
Salahiyeh
1867
48
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
49
Edward Lear, 1812–1888
S. Pietro Degli Agostiniani. Leonessa
1844
50
Edward Lear, 1812–1888
Sharaone
1867
51
Edward Lear, 1812–1888
Near Gezir Sherg el Hian
1867
52
Edward Lear, 1812–1888
Nice from the Genoa Road
1865
53
Edward Lear, 1812–1888
Venice, the Doge's Palace
undated
54
Edward Lear, 1812–1888
Fruit trees, 3 April 1863
1863
55
Edward Lear, 1812–1888
Gozo, near Malta
1866
56
Edward Lear, 1812–1888
Albania
between 1848 and 1849
57
Edward Lear, 1812–1888
Near Beer El Abt, 4:30 pm, 28 March 1867 (23)
1867
58
Edward Lear, 1812–1888
Near El Areesh, 3:30 pm, 30 March 1867 (27)
1867
59
Edward Lear, 1812–1888
Lago di Garda
1867
60
Edward Lear, 1812–1888
Gebel Sheikh Abu Fodde, 12:30 pm, 4 March 1867 (592)
1867
61
Edward Lear, 1812–1888
River pass between semi barren rock cliffs
1867
62
Edward Lear, 1812–1888
Kurayim
1867
63
Edward Lear, 1812–1888
Villa Torlania, formerly Villa Conti, Erascati
ca. 1844
64
George Romney, 1734–1802
Plans for the House to be Built at Hampstead
1794
65
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
66
George Romney, 1734–1802
Birth of Man
undated
67
George Romney, 1734–1802
Birth of Man
undated
68
George Romney, 1734–1802
Hell
undated
69
George Romney, 1734–1802
Slight Sketch of Figures
undated
70
George Romney, 1734–1802
Seated Woman
undated
71
George Romney, 1734–1802
Deposition
undated
72
George Romney, 1734–1802
The Temptation of Christ
undated
73
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
74
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
75
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
76
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
77
George Lothian Hall, 1825–1888
The Rock of Gibraltar from Algeciras (Spain)
1843
78
George Lothian Hall, 1825–1888
The South Barracks, Gibraltar
1844
79
George Lothian Hall, 1825–1888
Europa Lighthouse, Ceuta, Spain
1843
80
George Lothian Hall, 1825–1888
Tarifa Point, Spain and Mons Abyla, Africa
1843
81
Augustus Edwin John, 1878–1961
Head of a Woman (The Artist's First Wife?)
undated
82
George Lothian Hall, 1825–1888
The Rock of Gibraltar from the Alameida at San Roque
1844
83
George Lothian Hall, 1825–1888
The 48th Regiment with Casemate, Gibraltar
1844
84
Sir Stanley Spencer, 1891–1959
Study of a Cedar Tree
undated
85
Hugh Douglas Hamilton, 1739–1808
Henry Reveley
1770
86
Mary Harcourt, 1750–1833
Tournon Opposite to Teint on the Rhone
ca. 1780
87
George Holmes, active 1789–1802
Study of a Girl with Two Children at a Stile
undated
88
Henry Richard Greville third Earl of Warwick, 1779–1853
Landscape with Gorge and Cattle
undated
89
Edward John Gregory, 1850–1909
Drifting
undated
90
Samuel Howitt, 1756–1822
Flying Squirrel
ca. 1817
91
Thomas Hearne, 1744–1817
River Landscape with Figures
undated
92
Thomas Hearne, 1744–1817
The Ruins of Leiston Abbey
1781
93
unknown artist
Heveningham Hall, Suffolk
between 1782 and 1790
94
Attributed to Theodore Jacobsen, died 1772
The Chapel of the Foundling Hospital, London
undated
95
John Frederick Lewis, 1804–1876
Tyrolese Hunters
between 1827 and 1828
96
James Lambert of Lewes, 1725–1788
The Monument of Thomas Fiennes
undated
97
unknown artist
Ariadne
undated
98
Samuel Prout, 1783–1852
Beach Scene
undated
99
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors