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Vanessa Bell Young Boy in Blue Shirt
Vanessa Bell, 1879–1961
Young Boy in Blue Shirt
undated
Robert Polhill Bevan Under the Hammer
Robert Polhill Bevan, 1865–1925
Under the Hammer
between 1912 and 1913
Samuel Palmer Opening the Fold: Early Morning
Samuel Palmer, 1805–1881
Opening the Fold: Early Morning
ca. 1880
Samuel Palmer Timber Wagon Crossing a Stream
Samuel Palmer, 1805–1881
Timber Wagon Crossing a Stream
undated
William Blake Jerusalem, Tailpiece (Plate 100)
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
William Blake Frontispiece, Europe. A Prophecy
Print made by William Blake, 1757–1827
Frontispiece, Europe. A Prophecy
ca. 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
Print made by William Blake, 1757–1827
"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
1804 to 1820
William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820
William Blake "The Feminine separates from the Masculine..." (Plate 90)
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
William Blake "In Great Eternity every particular Form..." (Plate 54)
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
William Blake "When those who disregard all Mortal Things..." (Plate 55)
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake "Jehovah stood among the Druids..." (Plate 63)
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
William Blake "Of the Mundane Shell which froze..." (Plate 64)
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820
William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
William Blake "I have mock'd those who refused cruelty..." (Plate 81)
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "In beauty the Daughters of Albion divide..." (Plate 58)
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
William Blake "And formed into Four precious stones..." (Plate 59)
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
William Blake "The clouds of Albions Druid Temples..." (Plate 60)
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
William Blake "Repose on me till the morning of the Grave..." (Plate 62)
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake "O Skofield why art thou cruel?..." (Plate 68)
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
William Blake "Such are Cathedrons golden Halls..." (Plate 73)
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
William Blake "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
William Blake "It is easier to forgive an enemy..." (Plate 91)
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
William Blake "Turning his back to the Divine Vision..." (Plate 33)
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
William Blake "Elevate into the Region of Brotherhood..." (Plate 34)
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
William Blake "Reuben return'd to his place, in vain..." (Plate 36)
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear Boats on the Nile
Edward Lear, 1812–1888
Boats on the Nile
1867
Edward Lear Between Ibreem and Wady Halfeh, 3.15 pm, 2 February 1867 (330)
Edward Lear, 1812–1888
Between Ibreem and Wady Halfeh, 3.15 pm, 2 February 1867 (330)
1867
Edward Lear Near Edfu
Edward Lear, 1812–1888
Near Edfu
1867
Edward Lear Edfu
Edward Lear, 1812–1888
Edfu
1867
Edward Lear Sunset on the Nile
Edward Lear, 1812–1888
Sunset on the Nile
1867
Edward Lear Silsilis
Edward Lear, 1812–1888
Silsilis
1854
Edward Lear Opposite Melaghara, 5:20 PM
Edward Lear, 1812–1888
Opposite Melaghara, 5:20 PM
undated
Edward Lear Gebel Sheikh Eredi
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
Edward Lear Boat on the Nile
Edward Lear, 1812–1888
Boat on the Nile
January - March 1867
Edward Lear Near Dishna
Edward Lear, 1812–1888
Near Dishna
1867
Edward Lear Boat on the Nile
Edward Lear, 1812–1888
Boat on the Nile
January - March 1867
Edward Lear Philae
Edward Lear, 1812–1888
Philae
1867
Edward Lear Deir Kadige
Edward Lear, 1812–1888
Deir Kadige
1867
Edward Lear Haram el Ketab
Edward Lear, 1812–1888
Haram el Ketab
1867
Edward Lear Haram el Ketab
Edward Lear, 1812–1888
Haram el Ketab
1867
George Romney Mourning Group
George Romney, 1734–1802
Mourning Group
ca. 1790
George Romney Study of Two Figures and a Face
George Romney, 1734–1802
Study of Two Figures and a Face
undated
George Romney Figure Composition Study 21 with a Face
George Romney, 1734–1802
Figure Composition Study 21 with a Face
undated
George Romney Three Standing Figures before a Seated Figure
George Romney, 1734–1802
Three Standing Figures before a Seated Figure
undated
George Romney Seated Female Nude, Probably for "Susannah and the Elders"
George Romney, 1734–1802
Seated Female Nude, Probably for "Susannah and the Elders"
undated
George Romney Possibly "The Effects of Pride" or "Injustice"
George Romney, 1734–1802
Possibly "The Effects of Pride" or "Injustice"
undated
George Romney Temptation of Christ
George Romney, 1734–1802
Temptation of Christ
undated
George Romney The Temptation of Christ
George Romney, 1734–1802
The Temptation of Christ
undated
George Romney Fiends for the Temptation of Christ
George Romney, 1734–1802
Fiends for the Temptation of Christ
undated
George Romney Temptation of Christ
George Romney, 1734–1802
Temptation of Christ
undated
George Romney A Reclining Woman
George Romney, 1734–1802
A Reclining Woman
undated
George Romney Execution of Mary Stuart
George Romney, 1734–1802
Execution of Mary Stuart
undated
George Romney Richard Cumberland Frontispiece
George Romney, 1734–1802
Richard Cumberland Frontispiece
undated
George Romney Figures
George Romney, 1734–1802
Figures
undated
George Romney Canidia and the Youth
George Romney, 1734–1802
Canidia and the Youth
undated
George Romney Study of the Head of a Young Man
attributed to George Romney, 1734–1802
Study of the Head of a Young Man
undated
George Romney Possibly Lapland Witches
George Romney, 1734–1802
Possibly Lapland Witches
undated
George Romney Samson Overpowered
George Romney, 1734–1802
Samson Overpowered
undated
George Romney Reclining Figure and Seated Figure
George Romney, 1734–1802
Reclining Figure and Seated Figure
undated
George Romney Two Kneeling Figures Struggling with a Seated Figure
George Romney, 1734–1802
Two Kneeling Figures Struggling with a Seated Figure
undated
George Romney Two Kneeling Figures before a Seated Figure
George Romney, 1734–1802
Two Kneeling Figures before a Seated Figure
undated
John Martin Burial of Sarah
John Martin, 1789–1854
Burial of Sarah
1833
John Martin The Rescue of Lot
John Martin, 1789–1854
The Rescue of Lot
1833
John Martin The Walls of Jericho
John Martin, 1789–1854
The Walls of Jericho
1834
unknown artist Battersea
unknown artist
Battersea
undated
Sir David Wilkie The Manse, Cults, Fife: The Artist's Old Home
Sir David Wilkie, 1785–1841
The Manse, Cults, Fife: The Artist's Old Home
undated
Paul Sandby A Lady Copying at a Drawing Table
Paul Sandby, 1731–1809
A Lady Copying at a Drawing Table
ca. 1765
George Shepheard Haughton, Field and Shepheard Fighting
George Shepheard, ca. 1770–1842
Haughton, Field and Shepheard Fighting
undated
John Gendall Fulham Palace, Porter's Lodge
John Gendall, 1790–1865
Fulham Palace, Porter's Lodge
undated
John Glover Greenwich
John Glover, 1767–1849
Greenwich
undated
Francis Hayman A Study for "Seeing -- La Vue" ( One of the Five Senses)
Francis Hayman, 1707/8–1776
A Study for "Seeing -- La Vue" ( One of the Five Senses)
undated
Charles Grignion Portrait study of John Inigo Richards, R.A.
Charles Grignion, 1717–1810
Portrait study of John Inigo Richards, R.A
ca. 1771
John Vanderbank Lady and Cockatoo
John Vanderbank, 1694–1739
Lady and Cockatoo
undated
John Boyne Malvolio: Possibly a Self-Portrait in the Role
John Boyne, ca. 1750–1810
Malvolio: Possibly a Self-Portrait in the Role
undated
Thomas Miles Richardson Sr. A Highlander Seated
Thomas Miles Richardson Sr., 1784–1848
A Highlander Seated
undated
James Bruce Madoqua (Dik-dik)
James Bruce, 1730–1794
Madoqua (Dik-dik)
ca. 1768
Luigi Balugani Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
ca. 1768