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1. "With one accord in love sublime..." (Plate 44)

"With one accord in love sublime..." (Plate 44)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. "In Great Eternity every particular Form..." (Plate 54)

"In Great Eternity every particular Form..." (Plate 54)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. "When those who disregard all Mortal Things..." (Plate 55)

"When those who disregard all Mortal Things..." (Plate 55)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. "The clouds of Albions Druid Temples..." (Plate 60)

"The clouds of Albions Druid Temples..." (Plate 60)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. "Repose on me till the morning of the Grave..." (Plate 62)

"Repose on me till the morning of the Grave..." (Plate 62)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. "The Feminine separates from the Masculine..." (Plate 90)

"The Feminine separates from the Masculine..." (Plate 90)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. "It is easier to forgive an enemy..." (Plate 91)

"It is easier to forgive an enemy..." (Plate 91)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. "Albion cold lays on his Rock..." (Plate 94)

"Albion cold lays on his Rock..." (Plate 94)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. "Awake! Awake Jerusalem..." (Plate 97)

"Awake! Awake Jerusalem..." (Plate 97)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Frontispiece, Europe. A Prophecy

Frontispiece, Europe. A Prophecy
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1820
Materials & Techniques:
Relief etching prined in brown ink; proof; verso: color printed relief etching, pen and black ink, and gray ink; proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. "And the Two that escaped..." (Plate 30)

"And the Two that escaped..." (Plate 30)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. "Reuben return'd to his place, in vain..." (Plate 36)

"Reuben return'd to his place, in vain..." (Plate 36)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. "The secret coverts of Albion & the hidden places of America..." (Plate 49)

"The secret coverts of Albion & the hidden places of America..." (Plate 49)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. "By those who drink their blood & the blood of their Covenant..." (Plate 67)

"By those who drink their blood & the blood of their Covenant..." (Plate 67)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. "O Skofield why art thou cruel?..." (Plate 68)

"O Skofield why art thou cruel?..." (Plate 68)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. "I have mock'd those who refused cruelty..." (Plate 81)

"I have mock'd those who refused cruelty..." (Plate 81)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. "Highgates heights & Hampsteads..." (Plate 84)

"Highgates heights & Hampsteads..." (Plate 84)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. "Became a Space & an Allegory..." (Plate 85)

"Became a Space & an Allegory..." (Plate 85)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. "I see thy Form O lovely mild Jerusalem..." (Plate 86)

"I see thy Form O lovely mild Jerusalem..." (Plate 86)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. "Repelling weeping Enion blind & age-bent..." (Plate 87)

"Repelling weeping Enion blind & age-bent..." (Plate 87)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. "Elevate into the Region of Brotherhood..." (Plate 34)

"Elevate into the Region of Brotherhood..." (Plate 34)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. "In beauty the Daughters of Albion divide..." (Plate 58)

"In beauty the Daughters of Albion divide..." (Plate 58)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. "Then all the Males conjoined into One Male..." (Plate 69)

"Then all the Males conjoined into One Male..." (Plate 69)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. "Then each an Arrow flaming from his Quiver..." (Plate 98)

"Then each an Arrow flaming from his Quiver..." (Plate 98)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. "Albion thy fear has made me tremble..." (Plate 22)

"Albion thy fear has made me tremble..." (Plate 22)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Birth of Venus

The Birth of Venus
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash, and graphite on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 7 1/4 x 5 7/8in. (18.4 x 14.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Haughton, Field and Shepheard Fighting

Haughton, Field and Shepheard Fighting
Creator:
George Shepheard, ca. 1770–1842
Date:
undated
Materials & Techniques:
Watercolor, brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 6 inches (21 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The Facade of the Royal Naval College, Greenwich

The Facade of the Royal Naval College, Greenwich
Creator:
James Holland, 1799–1870
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 5 3/4 inches (21.3 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Devotee in a Green Turban

Devotee in a Green Turban
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
ca. 1790
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 6 inches (22.9 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Ferruginous Duck

Ferruginous Duck
Creator:
James Sowerby, 1756–1822
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 5 3/4 inches (20.6 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The Blinding of Elymas

The Blinding of Elymas
Creator:
Sir James Thornhill, 1675–1734
Date:
between 1709 and 1717
Materials & Techniques:
Black chalk and gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 x 5 3/4 inches (20.6 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Two Girls (or Lady and Child) on a Garden Terrace near an Ornamental Urn

Two Girls (or Lady and Child) on a Garden Terrace near an Ornamental Urn
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Black chalk on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 3/8 x 5 3/4 inches (21.3 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Study for a Circular Ceiling Decoration

Study for a Circular Ceiling Decoration
Creator:
George Frederic Watts, 1817–1904
Date:
undated
Materials & Techniques:
Pen and brown ink and black ink and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 7/16 × 6 inches (21.4 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39. Portrait of Samuel Palmer, February 5, 1828

Portrait of Samuel Palmer, February 5, 1828
Creator:
George Richmond, 1809–1896
Date:
1828
Materials & Techniques:
Graphite with pen and black ink on medium, slightly textured, cream wove paper 1828, on wove paper
Dimensions:
Sheet: 8 1/8 x 5 7/8 inches (20.6 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Englishman in Inca Costume

Englishman in Inca Costume
Creator:
George Augustus Sala, 1828–1895
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 5 13/16 inches (20.6 × 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

41. Entrance of the Torre de las dos Hermanas in the Alhambra

Entrance of the Torre de las dos Hermanas in the Alhambra
Creator:
Henry Swinburne, 1743–1803
Date:
1775 to 1776
Materials & Techniques:
Pen and gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. John Locke

John Locke
Creator:
Giovanni Battista Cipriani, 1727–1785
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Image: 7 15/16 × 4 3/4 inches (20.2 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. In the Friedrich's Shape

In the Friedrich's Shape
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 3/16 × 5 3/4 inches (20.8 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. George Stubbs

George Stubbs
Creator:
Pierre-Etienne Falconet, 1741–1791
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 6 inches (21 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground

View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground
Creator:
Isaac Weld, 1774–1856
Date:
between 1795 and 1797
Materials & Techniques:
Pen and black ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 8 3/8 × 11 1/8 inches (21.3 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Portrait of Aazim Alomra

Portrait of Aazim Alomra
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 5 3/4 inches (21 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Two Figures in a Landscape

Two Figures in a Landscape
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/16 × 5 7/8 inches (18.6 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

48. Girl from Hierro

Girl from Hierro
Creator:
Alfred Diston, active 1818–1829
Date:
1828
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 6 inches (21.3 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Views in the Levant: The Colossus of Barletta

Views in the Levant: The Colossus of Barletta
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and brown ink, black ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 7/16 × 5 7/8 inches (21.4 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Female Nude and Horse

Female Nude and Horse
Creator:
Wyndham Lewis, 1882–1957
Date:
ca. 1925
Materials & Techniques:
Gouache, watercolor, pen and black ink and graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 8 7/8 x 6 15/16 inches (22.6 x 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

51. Cottage Amongst Trees

Cottage Amongst Trees
Creator:
pupil of Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor on medium, moderately textured, cream laid paper
Dimensions:
Mount: 8 7/16 x 9 5/8 inches (21.4 x 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Deer and their Young

Deer and their Young
Creator:
Robert Hills, 1769–1844
Date:
1812
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 x 5 7/8 inches (21.3 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Mayflower and Meadow Brown Butterfly, After the original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 45]

No cover image available
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 × 6 inches (22.5 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. English Landscape

No cover image available
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium cream slightly textured wove paper
Dimensions:
Sheet: 8 3/8 x 5 7/8 inches (21.3 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914