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Creator Rowlandson, Thomas, 1756–1827

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1. Loading Sacks into a Cart

Loading Sacks into a Cart
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and red, red-brown and dark gray ink with brown wash over graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/4 inches (16.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Cat Like Courtship

Cat Like Courtship
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, pen and red-brown ink, gray wash, and graphite on medium, slightly textured, beige wove paper mounted on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Sessions House, Clerkenwell Green

Sessions House, Clerkenwell Green
Creator:
John Bluck, active 1791–1831
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 11 7/8 x 10in. (30.2 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Hall and Stair Case, British Museum

The Hall and Stair Case, British Museum
Creator:
John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 5/8 × 10 inches (32.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Boxes: O woe is me, t' have seen what I have seen Seeing what I see.

The Boxes: O woe is me, t' have seen what I have seen Seeing what I see.
Creator:
Print made by Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Etching, colored
Dimensions:
Sheet: 15 1/2 x 9 3/4 inches (39.4 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Miss Edith Wetmore

6. The Cobbler's Cure for a Scolding Wife

The Cobbler's Cure for a Scolding Wife
Creator:
Thomas Rowlandson, 1756–1827
Materials & Techniques:
Etching on wove paper
Dimensions:
Sheet: 14 7/8 x 9 7/8 inches (37.8 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection

7. The Runaway Coach

The Runaway Coach
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1791
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 9 3/4 inches (20 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Reform Advised - Reform Begun - Reform Compleat (Complete)

Reform Advised - Reform Begun - Reform Compleat (Complete)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 16 x 9 3/4in. (40.6 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. A Peep into the Retreat at Tinnehinch

A Peep into the Retreat at Tinnehinch
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 1/4 x 9 15/16in. (18.4 x 25.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Doctor's Consultation

The Doctor's Consultation
Creator:
Thomas Rowlandson, 1756–1827
Date:
1815-1820
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 × 8 11/16 inches (27.5 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Man with Barrow and Dog

Man with Barrow and Dog
Creator:
after Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink; verso: pen and brown and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 x 9 3/4 inches (20.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A View at Blackwall

A View at Blackwall
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 7 5/8 x 10 inches (19.4 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. A Book Auction

A Book Auction
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1810 and 1815
Materials & Techniques:
Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 9 13/16 inches (15.2 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Parisian Street Figures

Parisian Street Figures
Creator:
Thomas Rowlandson, 1756–1827
Date:
1786
Materials & Techniques:
Gray wash and graphite with pen and brown ink; verso: watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 9 7/8 inches (15.9 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Henry Angelo and Madame Cain Fencing

Henry Angelo and Madame Cain Fencing
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray-brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 9 11/16 x 13 3/16 inches (24.6 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Visitors Inspecting Abbey Ruins

Visitors Inspecting Abbey Ruins
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink, and pen and red ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 9 7/8 inches (14 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Bathers in a Landscape

Bathers in a Landscape
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown and gray ink, over graphite; verso: graphite with watercolor stain on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 9 15/16 inches (15.2 x 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Two Greyhounds Lying under a Tree

Two Greyhounds Lying under a Tree
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and black and gray ink with gray wash over graphite; verso: pen and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 7 1/8 x 9 13/16 inches (18.1 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Study of a Shouting Man

Study of a Shouting Man
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 3/4 x 10 inches (19.7 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Nymphs at a Roman Bath

Nymphs at a Roman Bath
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 13/16 x 7 7/16 inches (22.4 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. A Village Scene outside a Church

A Village Scene outside a Church
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/4 x 10 inches (18.4 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection